scholarly journals The Gordon Riots Revisited

2006 ◽  
Vol 23 (1) ◽  
pp. 16-34
Author(s):  
Nicholas Rogers

Abstract The 1780 protests against the Catholic Relief Act were the most violent and controversial disturbances of the eighteenth century and have predictably given rise to several historical interpretations. Early studies sought to emphasize the political immaturity and deep sectarian prejudices of the common people and the anarchy and degenerate character of the riots themselves. By contrast, George Rude, in his first exploration of British crowds, insisted that the riots were more orderly and purposive than historians had assumed. Set within the context of the emergent radical movement, the riots, according to Rude, drew their inspiration from radical elements in London's Protestant Association and from antiauthoritarian notions of the “Englishman's birthright.” Directed initially against Catholic chapels and schools, the disturbances developed into a social protest against the rich and propertied. This essay adopts a different approach. Like Rude, it endorses the view that the riots seldom deviated from the cue of the Protestant Association. Despite the drunkeness and almost festive air which accompanied the disturbances, the riots constituted a disciplined reprisal against the Catholic community and a Parliament that refused to bow before popular pressure. Indeed, the pattern of violence reveals that rioters acted discriminately, directing their anger at Catholic chapels, houses, and schools and at the property of those sympathetic to Catholic relief. Only with the sacking of the gaols and distilleries did the disturbances deviate from their original objective and, even then, the degree of looting and lawlessness can be easily exaggerated. At the same time, the Gordon riots cannot be categorically viewed as a social protest against the rich. Although the targets of the crowd included a disproportionate number of prominent Catholics and parliamentary supporters of the Relief Act, the prime aim of the rioters was to immobilize the Catholic community and to intimidate Parliament. To be sure, elements of social protest did accompany the disturbances. In the carnivalesque freedom of the occasion participants sometimes showed a sardonic disrespect for rank. Moreover, the opening of the gaols, initially to rescue imprisoned rioters, denoted an almost Brechtian contempt for the prison system and the law in general. In the final phases of the riot, however, the social hostilities of the crowd were essentially local and concrete, directed against crimps, debtors' lockups, and toll bridges. That is, they addressed the customary oppressions of the poor, not a generalised form of social levelling. Nor were the riots closely associated with radical politics. Although some London radicals sympathised with the protesters in the initial stages of the disturbances, others, influenced by Enlightenment ideas, clearly did not. In fact, many were deeply troubled by the riots, fearing their excesses would prejudice popular movements in general. Basically the protests against the Catholic Relief Bill cut across traditional political alignments. Ideologically the Protestant Association was remarkably protean, drawing support from proministerial, but evangelical, conservatives as well as from radicals troubled by ministerial incursions upon liberty in Britain and America. Ultimately the anti-Catholic protests of 1780 pitted a cosmopolitan social elite against a more traditional rank and file fuelled by an evangelical fear of an incipient Catholic revival. In sum, the Gordon riots drew upon populist, nationalist sentiments that did not square with conventional political alignments. It remained to be seen how these forces could be accomodated in contemporary political discourse.

1983 ◽  
Vol 17 (3) ◽  
pp. 477-488
Author(s):  
Charles D. Sheldon

Merchants in the Tokugawa period were placed at the bottom of the shinōkōshō hierarchy of samurai-peasants-artisans-merchants. This social hierarchy was produced by a combination of social reality at the time Japan was unified in the late sixteenth century and an ancient Chinese physiocratic theory, never taken very seriously, in practical ways, in China. Once the country was unified, the social mobility of the previous years, of a kind which permitted men of ability to climb from the lowest ranks to join the military nobility—Hideyoshi is the prime example of this mobility—was viewed, by Hideyoshi above all others, as a cause of prolonged chaos and internecine warfare. With the argument that war had been abolished and common people therefore no longer needed weapons, Hideyoshi carried out his ‘sword-hunt’. He thus established the most fundamental of the class distinctions, between the samurai, the ruling class, who now enjoyed a monopoly of bearing arms, and the common people, who were henceforth expected simply to produce the food and other necessities of life, and to pay their taxes, which remained high even though warfare was supposedly ended.


Author(s):  
Robert M. Seltzer

This chapter studies the role that Hasidism played in the thought of the modernized Jewish intelligentsia of Eastern Europe toward the end of the 19th century. Simon Dubnow played a pivotal role in the emergence of this new image of Hasidism. In his autobiography, Dubnow describes in some detail the influence on him at that time of Leo Tolstoy and Ernest Renan. The influence of Renan's History of Christianity is quite evident in the structure of Dubnow's History of Hasidism as well as in some of Dubnow's solutions to problems of interpretation. Like Renan, Dubnow opened with a discussion of the social and intellectual background of a movement that can be traced to a founder known only for a long time through oral sources which retained the character of legend or saga. Applying Renan's statement that such pious biographies have a historical core, Dubnow stripped the life of the Baal Shem Tov, as recorded in the Shivhei ha-Besht, of its supernatural elements to reveal a simple, humble man who loved nature, especially the forests of the Carpathian mountains; a man who had immense affection for the common people and disdain for the proud, aloof scholars of his time and who preached a lofty doctrine of religious pantheism and universal brotherhood.


1939 ◽  
Vol 8 (4) ◽  
pp. 356-371 ◽  
Author(s):  
Charles Arthur Hawley

Gerald Massey, once hailed by Landor as comparable to Keats, to “a chastened Hafiz,” to Shakespeare when at his best in his sonnets, has earned the reward of forgotten prophets. This poet, who espoused the cause of chartism in the England of his day, who worked for the common people, who helped shape democracy, was eclipsed by Tennyson, his contemporary and rival. Massey, who came to the defence of F. D. Maurice with these lines:God bless you, Brave One, in our dearth,Your life shall leave a trailing glory;And round the poor man's homely hearthWe proudly tell your suffering's story,brought to America the seed of the social gospel. It was this same Massey whom George Eliot met and admired in London and later portrayed in Felix Holt, the Radical.


1989 ◽  
Vol 14 (2) ◽  
pp. 111-122 ◽  
Author(s):  
Donald H. Frischmann

Mexico's popular theatre is a multi-faceted ancient art whose roots extend deep into pre-Hispanic cultures, as well as into the popular dramatic tradition of Spain. Today, nearly five centuries after the arrival of the Spaniards, popular theatre continues to be a phenomenon both of urban and rural Mexico, reflecting the rich gamut of cultural and historical characteristics found throughout this vast geographic and ethnic patchwork. While a wide range of distinctive qualities exist across the broad spectrum of popular theatre, formal differences give way – through careful observation and analysis – to the perception of an underlying unity of purpose which supports all popular theatre: addressing the spiritual and material needs of the common people.


PMLA ◽  
1942 ◽  
Vol 57 (1) ◽  
pp. 57-73 ◽  
Author(s):  
Virginia Joiner ◽  
Eunice Joiner Gates

Though Gil Vicente was court dramatist for Manuel the Fortunate and for John III of Portugal and wrote his short dramatic pieces primarily for performance at court festivals, he recognized the worth of reproducing in his dialogue the rich and racy speech of the common people, and whenever possible he availed himself of all sorts of folk-lore material. Thus, we find him weaving ballads into his dialogue, ornamenting his plays with lyrical passages inspired by traditional songs and dances, and making use of games, superstitions, incantations, terms of abuse, and other popular elements. Gil Vicente, then, antedates Juan de la Cueva in his employment of ballad verses in the dialogue, and so becomes the first to essay a practice which later, under the genius of Lope de Vega, made popular poetry an integral part of the Spanish comedia.


2019 ◽  
Author(s):  
◽  
Andrew J. Buchheim

In my dissertation, I explore the use of mystery cults in three separate authors -- Plutarch of Chaeronea, Apuleius of Madauros, and Vettius Agorius Praetextatus -- and analyze how these writers use mystery cults to self-referential ends. This study is not primarily concerned with the actual rituals and the objects used in mystery cults, but rather explores how these writers present these elements in their works. Through writing about mystery cults, I argue, these authors intentionally construct significant facets of their public iamges built around claims to erudition and the possession of a paideia that includes knowledge of Greek philosophy (often explicitly Platonic). Further, these constructed images are colored by traditionalism and antiquarianism. I argue that these texts are (auto)biographical in nature because each author shapes his personal experience and his ideas about religious practice in calculated ways that aims for a particular type of self-presentation. Through discussion of mystery cults, that is, these three authors present themselves in a way that address both reading and listening audiences. I chart the elements consistent between each author and also explore how specific historical contexts and contemporary intellectual currents shaped what it meant to write about mystery cults over a span of nearly three hundred years. Plutarch's On Superstition and On Isis and Osiris, Apuleius' Apology and Golden Ass, and Praetextatus' funerary monument in conjunction with Macrobius' Saturnalia all show that elite authors intimately connect participation in mystery cults with erudition and the possession of philosophical knowledge, which is Greek and Platonic in nature. More particularly, Plutarch and Apuleius make strong connections between themselves and the Greek past, emphasizing their connections to Platonic thought. Although Praetextatus' funerary monument contains some vague Platonic resonances, it primarily emphasizes his connection with traditional religion practices of the Roman senatorial aristocracy that consciously separate the senator from the Christian element in Roman high society. Ultimately, philosophy and religion are nearly synonymous in these texts. In short, each author intellectualizes popular religious forms in order to highlight in some manner the difference between the social elite and the common people. Writing about mysteries is also self-writing.


Author(s):  
Jagabandhu Sarkar

Swami Vivekananda was the pioneer of the 19th century renaissance by religious revolution in India. He was one of the foremost leaders who were very much concerned about the poor and subjugated persons of the society. Vivekananda realized that there is need of reformation in society. Vivekananda wanted to revive the lost confidence of the common people in society. He visited extensively within the country to understand their problem. He wanted to eliminate all the social evils of the society which are major obstacles for the mankind. These social evils are poverty in general, untouchability, illiteracy, intolerance, religious superstitions etc. He always pleaded for the fraternity, humanity and harmony. He realized that the ultimate goal can be achieved through self-development of human values, not only by laws. In this short discourse, I would like to highlight Vivekanada’s philosophical realization towards the mankind and his ideo of Rerormation. KEYWORDS- Reformation, Untouchability, Self-realization, Harmony, Humanism, Brahman, Narayana, Brotherhood.


2020 ◽  
Vol 2 (2) ◽  
pp. 48-64
Author(s):  
John F. Lingelbach

In light of the wide acknowledgement that humanism influenced the Protestant Reformation, one must ask the question about how much of what Protestantism maintains owes a debt to this modern ideology often juxtaposed in contrast to Christianity. Given the remarkable role of such a controversial ideology during a seminal period of the modern church, this study seeks an answer to the following question: how did the humanism movement of the fourteenth and fifteenth centuries impact the lives and work of the main Magisterial Reformers? This research is important and necessary because discovering the answer to this question leads to an understanding of the larger question of how humanism impacts the Protestant tradition. Understanding the nature of this impact sheds light on what Protestantism means and may induce some Christians to contemplate why they call or do not call themselves “Protestants” or “humanists.” This present study progressed through four phases. First, the study sought to describe the humanism of the fourteenth and fifteenth centuries. Second, it sought to describe the impact this humanism had on society. Third, the study analyzed how the social impacts of the humanism of the fourteenth and fifteenth centuries served to advance or hinder the causes of the main Magisterial Reformers. Finally, it synthesized the findings. This paper argues and concludes that the humanism of the fourteenth and fifteenth centuries impacted the lives and work of the main Magisterial Reformers by facilitating their desire to include the common people in a religious world previously dominated by the elite.


2019 ◽  
Vol 8 (07) ◽  
pp. 24683-24789
Author(s):  
Dr. D. Murali ◽  
Vinutha BA

The precious data from online origin has developed into a extended research. The mass media and news media provides the daily events to the common people. Huge amount of information is been achieved by an online social media suchlike Twitter, which contains more information about news-associated content. It is necessary to find a way to filter noise, for these resources to be useful and grab the content that is depend on the similarity to news media. Despite after the noise is eliminated the excessive data still remain in the data so it is essential to prioritize it for utilization. We are introducing three factors for prioritization. The unsupervised technique finds the news topics that are common in the pair of social media and news media, and then ranks them by the applicability factors such as MF, UA and UI. Initially the temporal prevalence of the appropriate topic in news media focus (MF). Secondary the temporal prevalence of the appropriate topic in social media illustrates the user attention (UA). Finally the interconnection among the social media users who specify this topic demonstrates the power of the society who is discussing; it is termed as the user interaction (UI).  


1915 ◽  
Vol 61 (254) ◽  
pp. 339-344 ◽  
Author(s):  
F. W. Mott

Nearly twenty years have elapsed since Mr. Shand published in Mind an article entitled “Character and Emotions”; in this he formulated the hypothesis that the sentiments are complex derivatives of the primitive emotions. Thus, in the analysis of love and hatred he showed that “the same four emotional dispositions of fear, anger, joy, and sorrow, which are essential to the system of love, are present also in the system of hate.” Many eminent psychologists have adopted, or partially adopted, his views, among whom may be mentioned Professors Stout, McDougall, Westermarck, Sully, Caldecott, and Boyce Gibson. A great feature of this interesting work is its literary merit, and the infinite care and skill displayed by the author in his study of the emotions and tempers by an analysis of the characters portrayed by the great dramatists, poets, and novelists. Mr. Shand recognises the fact that the success of the dramatist and novelist depends upon the study of individual characters, and he gives numerous examples which we shall refer to later, but we will first call attention to two quotations which appear opposite the title page. “And this subject of the different characters of dispositions is one of those things wherein the common discourse of man is wiser than books, a thing which seldom happens. Wherefore, out of these materials (which are surely rich and abundant) let a full and careful treatise be constructed, so that an artificial and accurate dissection may be made of men's minds and natures, and the secret disposition of each particular man laid open, that from a knowledge of the whole the precepts concerning the cures of the mind may be more rightly formed. and not only the characters of dispositions impressed by nature should be received into this treatise, but age, country, state of health, make of body, etc. And, again, those which proceed from fortune, as in princes, nobles, common people, the rich, the poor, magistrates, the ignorant, the happy, the miserable,” etc. —Francis Bacon, De Augmentis Scientiarum, B. vii, Ch. iii.


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