Scene and Surface in the Cinema : Implications for Realism
2007 ◽
Vol 12
(2)
◽
pp. 61-73
◽
ABSTRACT The visual array of a motion picture contains two separable sets of information, one for a three-dimensional diegetic event (scene) and another set of information which specifies the two-dimensional screen upon which the film is projected (surface). The author and his colleagues of the Digital Arts and Imaging Lab have attempted to sort out which information is seen as part of the scene and which as part of the surface. Based on the works of James J. Gibson, their conclusions question the application of the theory of realism to films.
1966 ◽
Vol 25
◽
pp. 46-48
◽
1977 ◽
Vol 35
◽
pp. 206-209
1991 ◽
Vol 49
◽
pp. 552-553
Keyword(s):
1975 ◽
Vol 33
◽
pp. 292-293
Keyword(s):
1976 ◽
Vol 34
◽
pp. 472-473
1986 ◽
Vol 44
◽
pp. 166-167
1985 ◽
Vol 43
◽
pp. 528-529
1990 ◽
Vol 48
(1)
◽
pp. 282-283
1990 ◽
Vol 48
(1)
◽
pp. 258-259