Nathalie Prud’homme, La problématique identité collective et les littératures (im)migrantes au Québec (Mona Latif Ghattas, Antonio D’Alfonso et Marco Micone), Québec, Éditions Nota bene, 2002, 174 p. (Études.)

2003 ◽  
Vol 44 (3) ◽  
pp. 564
Author(s):  
Carmen Mata Barreiro
Keyword(s):  
Marco Micone

scholarly journals Translation as a Paradigm of Intercultural Communication The Case of La Locandiera by Carlo Goldoni in Quebec

Il Tolomeo ◽  
2021 ◽  
Author(s):  
Paola Puccini
Keyword(s):  
Intercultural Communication ◽  
Italian Literature ◽  
Diversity And Inclusion ◽  
Complex Approach ◽  
French Speaking ◽  
Marco Micone

Marco Micone is among the most important French-speaking writers in Quebec. Through his works, he gave an important reflection on literature as a means of mediation and expression of intercultural communication. He also translated some classics of Italian literature. In our work, we intend to investigate how much the translation of Carlo Goldoni’s La Locandiera can become a paradigm through which to investigate the characteristics of intercultural communication. His Locandiera can be defined as a migrant translation, in the sense that, through it, its author expresses the complex approach to diversity and inclusion.

scholarly journals Marco Micone, Il fico magico

2006 ◽  
pp. 202-204
Author(s):  
Veronica Cappellari
Keyword(s):  
Marco Micone

scholarly journals Madeleine Blais-Dahlem et sa vision de l’autotraduction

2020 ◽  
Vol 18 (2) ◽  
pp. 46-60
Author(s):  
Małgorzata Czubińska
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
The Self ◽  
Close Reading ◽  
Literary Field ◽  
Privileged Status ◽  
The Subject ◽  
Marco Micone ◽  
Patrice Desbiens

Nowadays self-translation remains a frequent practice in the literary field in Canada. A close reading of the self-translations done by Canadian writers such as Nancy Houston, Marco Micone or Patrice Desbiens allows to discover each author’s own vision of self-translation as a creative process. The aim of the paper is to determine, through a comparative analysis of excerpts from the two language versions of the play La Maculée/sTain (2012) and the latest bilingual novel La voix de mon père / My Father’s Voice (2015) by Fransaskois playwright Madeleine Blais-Dahlem, to what extent her self-translating practice guides the reading of the text. Examiningthe back and forth between the two versions of the same work will allow to delve deeper into the subject of the identity and privileged status of the translator (Tanqueiro 2009: 109, Saint 2018: 120), but also into the role and skills of the receiver of Madeleine Blais-Dahlem’s bilingual writings.

scholarly journals Um palimpsesto impossível

2007 ◽  
Vol 15 (1) ◽  
pp. 143-151
Author(s):  
Dilma Castelo Branco Diniz
Keyword(s):  
Marco Micone

Resumo: Este estudo trata da questão do exílio em Le figuier enchanté, de Marco Micone, um escritor italiano imigrante no Quebec. O autor revela a problemática da adaptação em outro país, através de uma visão ao mesmo tempo pessoal e coletiva, mostrando que a cultura do imigrante é sempre híbrida, um palimpsesto impossível.Palavras-chave: exílio; cultura do imigrante; literatura quebequense.Résumé: Il s’agit, dans cette étude, de la question de l’exile dans Le figuier enchanté, de Marco Micone, un auteur italien émigré au Québec. L’auteur révèle la problématique de l’adaptation dans un autre pays, à travers une vision personnelle et collective à la fois, en montrant que la culture de l’immigré est toujours hybride, un palimpseste impossible.Mots-clés: exile; culture de l’immigrant; littérature québécoise.

scholarly journals « Le souvenir n’est qu’une maison que l’on porte dans la voix » (Alexandre Amprimoz, Bouquet de signes)

2015 ◽  
Vol 12 (2) ◽  
pp. 40-52
Author(s):  
Sante A. Viselli
Keyword(s):  
Marco Micone

Depuis déjà plusieurs années, nous remarquons au Canada la présence d’une littérature unique en son genre, celle des auteurs italo-canadiens. En français, en anglais ou en italien, cette littérature s’est déjà frayé un chemin sûr vers une reconnaissance incontestée au niveau national aussi bien qu’international. Des auteurs tels que Fulvio Caccia, Antonio d’Alfonso, Marco Micone, Carole David-Fioramore, Bianca Zagolin et Alexandre Amprimoz, sont à considérer parmi les lauréats italo-canadiens, porte-parole d’une génération d’érudits cosmopolites et polyglottes. L’œuvre d’Alexandre Amprimoz est, à cet égard, un exemplum des plus marquants d’une littérature multiple et plurielle.

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