scholarly journals Religionshistoriske og typologiske overvejelser over fænomenet askese

Author(s):  
Anders Klostergaard Petersen

In the current article I raise the question of asceticism as a ubiquitous and multifarious phenomenon in human culture. Contrary to much traditional scholarship on asceticism within the history of religion that has focused almost exclusively on the phenomenon as confined to a Judaeo-Christian and Indian context, I point to the importance of bringing the later phenomena into dialogue with previous examples in tribal and archaic types of religion. In anthropology there has from an early period been a strong acknowledgement of the pervasiveness of ascetic practices not least in conjunction with ritual. Yet, this appreciation has never really been taken into consideration by scholars working on subsequent forms of asceticism. By means of genealogically typological reflections, I aim to develop a full scale understanding that will enable us to take the entire gamut of ascetic practices and phenomena into consideration. My ruminations rest on a biocultural evolutionary approach that allows me, on the one hand, to account for the pluriform nature of the phenomenon under scrutiny and, on the other hand, to place emphasis on the uniting features. From this perspective, two points of transition come to the fore of discussion. The first crucial transformation pertaining to asceticism took place at the time of the emergence of axial age thinking and practice at which period asceticism changed from being ritually to be ideologically determined. The second decisive change occurred at the transition from post-axial age types of religion to modernity when the element of privation disappeared. I develop my understanding of the specific nature of asceticism pertinent to the singular stages in the history of asceticism in the wake of thinkers such as Robert Bellah, Peter Sloterdijk and Pierre Hadot.

Author(s):  
Hans J. Lundager Jensen

English summary: The article presents and discusses two articles by Robert Bellah, “Religious evolution” from 1964 and “What is Axial about the Axial Age?” (2005). In what seems to be a general lack of interest in a history of religion (different from a history of religions) among academic scholars in the science of religion, Bellahs model, especially in its combination with recent approaches to the ‘axial age’ and to Merlin Donald’s biocultural cognitive model for hominid evolution, is recommended as a useful starting point for revitalization of an honorable branch of religious studies.  Dansk resume: Artiklen præsenterer og diskuterer to artikler af den amerikanske religionssociolog Robert Bellah, “Religious evolution” fra 1964 og “What is Axial about the Axial Age?” (2005). I forhold til en generel mangel på interesse for en religionens historie (forskellig fra religionernes historie) blandt religionsvidenskabelige forskere anbefales Bellahs model som et frugtbart udgangspunkt for en revitalisering af en hæderværdig del af religionsvidenskaben, særlig når den kombineres med aktuelle diskussioner af ‘aksetiden’ og Merlin Donalds biokulturelle, kognitive model for hominid evolution.


Author(s):  
Hans J. Lundager Jensen

ENGLISH ABSTRACT: Introduction to and discussion of Robert Bellah's major book, Religion in Human Evolution (2011). which defines and describes tribal religion (religion in pre-state societies), archaic religion (religion in early states) and religious currents in the axial age, the period in the middle of 1st mill. BC, where new radical and intellectual ideas and practices, sceptial or world renouncing, appeared in China, India and Greece. Hopefully, Bellah's book will be a standard reference work in the academic study of religion and an inspiration for the history of religion in the future to engage in historical and comparative studies.DANSK RESUMÉ: Introduktion til og diskussion af Robert Bellahs hovedværk fra 2011, Religion in Human Evolution, der definerer og beskriver tribal religion, dvs. religion i før-statslige samfund, arkaisk religion, dvs. religion i tidlig-statslige kulturer samt religiøse strømninger i aksetiden, perioden i midten af 1. årt. f.Kr., hvor nye radikale og intellektuelle, skeptiske eller verdensafvisende, tankegange og livsformer formuleres i Kina, Indien og Grækenland. Bogen bør betragtes som et hovedværk i aktuel religionsforskning, og den vil forhåbentlig kunne inspirere religionshistorien til også at drive historisk-komparativ forskning.


Klio ◽  
2013 ◽  
Vol 95 (2) ◽  
Author(s):  
Mait Kõiv

SummaryThe article discusses the development of ethnic and political identities, and the related traditions concerning the past, in Archaic and Classical Elis and Pisa. It shows that the earliest signs of Pisatan identity can be traced to the sixth century BC, and that the Eleans of the valley of Peneios on the one hand, and the people dwelling in the valley of Alpheios (i.e. the Pisatans) and the so-called Triphylia farther south on the other, nourished distinct traditions about their heroic past, which reflect distinct ethnic identities. Instead of assuming that the Pisatans as a group was intentionally constructed and its ‚history‘ invented during the political disturbances of the fourth century BC, we must accept that the Eleans and the Pisatans had since an early period developed and mutually re-negotiated the traditions confirming their identities and promoting their interests in the changing historical conditions.


A major aim of lunar science has been to understand the early evolution to the lunar crust in the period prior to the extrusion of the mare basalts. There are two aspects to this early period of evolution about which age determinations provide information. On the one hand is the magmatic activity which led to the chemical differentiation of the outer regions of the Moon, while on the other is the bombardment of the Moon by large objects in the period immediately following its formation. The two aspects are probably not unrelated in that the bombardment may represent the final stages of the accretion of the Moon, and the heat source responsible for the initial differentiation was possibly the gravitational energy released during the major accretion phase. 40Ar-39Ar ages have been largely reset by the final stages of the bombardment and therefore most of the information obtained from argon measurements pertains to the chronology of the bombardment. Information on the magmatic activity is obtained from Rb-Sr, U, Th-Pb and Sm-Nd studies.


Author(s):  
Jesse Schotter

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.


Author(s):  
Colby Dickinson

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).


2018 ◽  
Vol 13 (2) ◽  
pp. 187-211
Author(s):  
Patricia E. Chu

The Paris avant-garde milieu from which both Cirque Calder/Calder's Circus and Painlevé’s early films emerged was a cultural intersection of art and the twentieth-century life sciences. In turning to the style of current scientific journals, the Paris surrealists can be understood as engaging the (life) sciences not simply as a provider of normative categories of materiality to be dismissed, but as a companion in apprehending the “reality” of a world beneath the surface just as real as the one visible to the naked eye. I will focus in this essay on two modernist practices in new media in the context of the history of the life sciences: Jean Painlevé’s (1902–1989) science films and Alexander Calder's (1898–1976) work in three-dimensional moving art and performance—the Circus. In analyzing Painlevé’s work, I discuss it as exemplary of a moment when life sciences and avant-garde technical methods and philosophies created each other rather than being classified as separate categories of epistemological work. In moving from Painlevé’s films to Alexander Calder's Circus, Painlevé’s cinematography remains at the forefront; I use his film of one of Calder's performances of the Circus, a collaboration the men had taken two decades to complete. Painlevé’s depiction allows us to see the elements of Calder's work that mark it as akin to Painlevé’s own interest in a modern experimental organicism as central to the so-called machine-age. Calder's work can be understood as similarly developing an avant-garde practice along the line between the bestiary of the natural historian and the bestiary of the modern life scientist.


2016 ◽  
Vol 13 (2) ◽  
pp. 86-99
Author(s):  
Vimbai Moreblessing Matiza

Dramatic and theatrical performances have a long history of being used as tools to enhance development in children and youth. In pre-colonial times there were some forms of drama and theatre used by different communities in the socialisation of children. It is in the same vein that this article, through the Intwasa koBulawayo performances, seeks to evaluate how drama and theatre are used to nurture children and youth into different developmental facets of their lives. The only difference which this article will take into cognisance is that the performances are done in a different environment, which is not the one used in the pre-colonial times. Although these performances were like this, the most important factor is the idea that children and youth are socialised through these performances. It is also against this backdrop that children and youth are growing up in a globalised environment, hence the performances should accommodate people from all walks of life and teach them relevant issues pertaining to life as they live it now. Thus the main task of the article is to spell out the role of drama and theatre in the nurturing of children and youth through socio economic and political development in Intwasa koBulawayo festivals.


Author(s):  
Mark Meagher

Responsive architecture, a design field that has arisen in recent decades at the intersection of architecture and computer science, invokes a material response to digital information and implies the capacity of the building to respond dynamically to changing stimuli. The question I will address in the paper is whether it is possible for the responsive components of architecture to become a poetically expressive part of the building, and if so why this result has so rarely been achieved in contemporary and recent built work. The history of attitudes to- ward obsolescence in buildings is investigated as one explanation for the rarity of examples like the one considered here that successfully overcomes the rapid obsolescence of responsive components and makes these elements an integral part of the work of architecture. In conclusion I identify strategies for the design of responsive components as poetically expressive elements of architecture.


2018 ◽  
pp. 1137-1148
Author(s):  
Dmitrii I. Petin ◽  

The article offers a source study of the letter of the head of the Financial Department at the Siberian Revolutionary Committee F. A. Zemit to the People's Commissar of Finance of the RSFSR N. N. Krestinsky. Its text analysis clears up the issue of creation of Soviet regional governing bodies in the financial–economical sphere in Siberia at the final stage of the Civil War. The published source allows to outline major impediment to restoration of the Soviet finance system in Siberia after the Civil War: shortage of financial workers, their low professional qualifications, lack of regulatory documentation for organizing activities, etc. Key methods used in the study are biographical and problematic/chronological. Biographical method allows to interpret the document and to link it with professional activities of F. A. Zemit in Omsk. The problematic/chronological method allows to trace the developments in regional finance and to understand their causes by placing them into historical framework. The letter was written by F. A. Zemit in early January 1920 – at a most difficult time in his career in Siberia. The author considers this ego-document unique and revealing in its way. On the one hand, it is an official appeal of an inferior financial manager to the head of the People's Commissariat of Finance; its content is practical and no-nonsense. On the other hand, its style indicates a warm friendly and trusting relationship between the sender and the addressee; F. A. Zemit was, apparently, able to report personally to the People's Commissar of Finance of the RSFSR on the difficult situation in the region and to do so with great frankness. This publication may be of interest to scholars in history of Russian finance, Russia Civil War, Soviet society, and Siberia of the period.


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