scholarly journals Limitations from Assumptions in Generative Music Evaluation

2017 ◽  
Vol 2 (1) ◽  
Author(s):  
Michael O’Neill ◽  
Róisín Loughran
Keyword(s):  
Generative Music ◽  
Music Evaluation

scholarly journals Exploring New Kinds of Relationships Using Generative Music-Making Software

2009 ◽  
Vol 17 (1_suppl) ◽  
pp. S163-S166 ◽  
Author(s):  
Steve Dillon ◽  
Anita Jones
Keyword(s):  
Generative Music ◽  
Music Making

scholarly journals Communities of sound: Examining meaningful engagement with generative music making and virtual ensembles

2009 ◽  
Vol 1 (3) ◽  
pp. 357-374 ◽  
Author(s):  
Steve Dillon ◽  
Barbara Adkins ◽  
Andrew Brown ◽  
Kathy Hirche
Keyword(s):  
Generative Music ◽  
Music Making ◽  
Meaningful Engagement

scholarly journals Reflection and practice on generative music structuring: the formal problem of ergodicity

2019 ◽  
Author(s):  
Gabriel E Silva ◽  
Clayton Mamedes
Keyword(s):  
Computer Program ◽  
Musical Form ◽  
Algorithmic Composition ◽  
Generative Music ◽  
Formal Problem ◽  
The Subject

This article approaches the subject of musical form from the standpoint of an algorithmic composition practice. It introduces the problem of ergodicity in music, a formal situation at which music development is perceived as static. The concepts of ​General Periodicity by Henri Pousseur and ​Temporal Gestalt by James Tenney gave support to a reflection on the nature of the problem, as well as to formulate a twofold structuring procedure based on ideas of continuity and segmentation of the musical course. The devised method was implemented as a computer program to produce entire pieces of music.

Music Evaluation Measure

2014 ◽  
Author(s):  
Ivar Vermeulen ◽  
Anika Batenburg ◽  
Camiel J. Beukeboom ◽  
Tim Smits
Keyword(s):  
Music Evaluation ◽  
Evaluation Measure
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