Off Broadway musicals: casts, credits, songs, critical reception and performance data of more than 1,800 shows

2010 ◽  
Vol 48 (01) ◽  
pp. 48-0016-48-0016
Keyword(s):  
Critical Reception ◽  
Performance Data ◽  
Broadway Musicals ◽  
And Performance

Картофелекопатель с ротационной сепарирующей поверхностью

2018 ◽  
Author(s):  
V.M. Alakin ◽  
G.S. Nikitin
Keyword(s):  
Performance Data ◽  
Pilot Studies ◽  
Research Results ◽  
Operating Modes ◽  
Analysis Of Results ◽  
Design Characteristics ◽  
And Performance ◽  
Definition Of

Приведены результаты исследований экспериментального картофелекопателя с ротационной сепарирующей поверхностью. Особое внимание уделяется обоснованию конструктивных параметров и определению рабочих характеристик нового сепарирующего устройства. На основе анализа результатов экспериментальных исследований определены наиболее оптимальные режимы работы экспериментального картофелекопателя.Research results of an experimental potato digger with rotational separating web are published in this article. Special attention is paid to definition of design characteristics and performance data of the new separating device. Admissible operating modes are defined on the basis of the analysis of results of pilot studies of the experimental potato digger.

Heart Rate and Performance in Manual Missile Guidance

1971 ◽  
Vol 32 (2) ◽  
pp. 352-354
Author(s):  
Bengt Bergstroem ◽  
Peter Arnberg
Keyword(s):  
Heart Rate ◽  
Performance Data ◽  
Tracking Performance ◽  
Missile Guidance ◽  
Heart Rates ◽  
Laboratory Conditions ◽  
Stress Studies ◽  
And Performance

Earlier stress studies under laboratory conditions show that heart rates from 100 to 110 bpm are associated with significant decrements in missile-tracking performance. Data from real missile tracking by 8 operators with no stress deliberately induced indicate, however, that performance is unaffected up to 135 bpm, and only moderately affected in the 135- to 170-bpm region. The disagreement between the two sets of results highlights the difficulties in generalizing from stress experiments.

Pitchfork’s authenticity problem: the critical reception of Vampire Weekend and Lil Wayne

2021 ◽  
Author(s):  
Margaret Murray
Keyword(s):  
Popular Music ◽  
Critical Reception ◽  
Commercial Success ◽  
And Performance ◽  
The Relationship

Abstract This article turns a critical eye on the arguments deployed by Pitchfork, one of the most popular music websites, when reviewing two artists: Vampire Weekend and Lil Wayne. Rhetorically analyzing the reception of these two artists is illuminating because both had indie breakouts in 2008, both release genre-spanning music, and both have had over a decade of commercial success. However, Vampire Weekend’s whiteness enables them to benefit from authenticity tropes that are unavailable to Lil Wayne. The analysis will show how Lil Wayne is essentialized as a rapper who is unauthorized to move beyond that genre. Overall, this article examines authenticity as the rhetorical move by which exclusion is constructed and highlights how assumptions about the relationship between race and performance are key to arguments about artistry.

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