CIA FOIA: Electronic Reading Room

2007 ◽  
Vol 45 (02) ◽  
pp. 45-0612-45-0612
2021 ◽  
Vol 5 (5) ◽  
pp. 20-24
Author(s):  
Yanping Dong

Many libraries have built and opened the electronic reading room, electronic reading room security management has been paid more and more attention. In the specific safety management, the prevention and control of reader factors is very important. By comparing and analyzing the prevention and control of reader factors in the safety management of some electronic reading rooms, it can be found that the corresponding prevention and control situation is not ideal, and even there are some obvious problems, which also leads to great hidden dangers in the safety management level. This paper will specifically analyze the prevention and control of reader factors in the safety management of electronic reading room, and put forward more effective prevention and control strategies.


Author(s):  
Tatiana Makshakova ◽  
Keyword(s):  

The experience of mutually beneficial cooperation of the German Reading Room and volunteers is discussed. Various forms of club and project activities are analyzed to be addressed when managing volunteering.


1994 ◽  
Vol 3 (3) ◽  
pp. 25-26
Author(s):  
Walter Vannini
Keyword(s):  

Author(s):  
Vivianne Freitas ◽  
Sally Goudreau ◽  
Lester Chee Hao Leong ◽  
Nisha Sharma

Architectura ◽  
2019 ◽  
Vol 49 (1) ◽  
pp. 24-44
Author(s):  
Otfried Garbe

Abstract The author presents a newly discovered architectural drawing which shows one of the two identical portals in the reading room of the Biblioteca Laurenziana in Florence. The drawing is attributed to Michelangelo by the author and compared with two other drawings by the artist, one of which connects the Cloister with the vestibule of the Library and another that leads from the vestibule to the reading room. The present drawing has close visual similarities with both the drawings generally accepted as Michelangelo’s. However, it is distinguished by a double pediment that combines a triangular structure with a rounded one. In addition, it is designed in a perspectival manner that takes into account the depth of the opening and of its pediment. All three drawings have the same overall proportions, corresponding to the ›divina proportione‹. The openings in the three drawings have a quotient that is identical with the square root of five. The handwriting within the opening appears to be identical with Michelangelo’s hand.


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