The Biographical dictionary of women in science: pioneering lives from ancient times to the mid-20th century

2001 ◽  
Vol 38 (06) ◽  
pp. 38-3076-38-3076
2020 ◽  
Vol 99 (11) ◽  

The authors present an outline of the development of thyroid surgery from the ancient times to the beginning of the 20th century, when the definitive surgical technique have been developed and the physiologic and pathopfysiologic consequences of thyroid resections have been described. The key representatives, as well as the contribution of the most influential czech surgeons are mentioned.


2012 ◽  
pp. 81-91
Author(s):  
Tappi Andrea ◽  
Tébar Hurtado Javier

A dictionary born old. Legitimization and delegitimization of the Second Spanish Republic. The controversy following the recent publication of the Spanish Biographical Dictionary by the Real Academia de la Historia is here analysed. Many entries about the 20th century in Spain highlight the questionable aspects of a cultural project that derives from a public usage typical of the past concerning the legitimization and delegitimization of the Second Spanish Republic.


2017 ◽  
Vol 74 (2) ◽  
pp. 193-199
Author(s):  
Zlata Brkic ◽  
Verica Pavlic

nema


2021 ◽  
Vol 3 (2) ◽  
pp. 99-110
Author(s):  
S. K. Suraganov ◽  

The ornamental motif of Koshkar Muyiz – the legacy of the Ancient times – remains key in the traditional art of felt craft. The horn-shaped figures of the Kazakhs had been a centerpiece of scholarly discourses of Kazakh, Russian and Soviet science over the entire 20th century. The first attempts to find their meaning were made by the German ethnologist R. Karutz (1911), the Russian researchers S. Dudin (1928), B. Kuftin (1926), E. Schneider (1927), and others. The horn-shaped motif had been reviewed in the works of archaeologists, art historians and ethnographers since the second half of the 20th century. Scientists determined the time of its origin, its geography, and attempted to translate its semantic content. It was found that the curvilinear motif had not appeared earlier than the New Stone Age, but in the Bronze Age, it had developed in the form of various styled designs. This motif obviously played a key role in the ornamental complex of the Turkic-Mongol peoples. Based on the interdisciplinary approach, the author offers a number of reasons to explain its viability, including the internal form of the word - name of the ornamental motif, which is epic in nature since it can cause a special aesthetic reaction in viewers. The ornamental motif seems to play the role of a “figure of memories” and have the status of a “substantiative past”. It is preserved as a linguistic objectification (name) in an extra-linguistic format as well, in the form of an Iconic Model of a transcultural anagram that reproduces the ancient ideological content with symbolic and magical scope. Acting as a canon, the Koshkar Muyiz motif is a sort of a “Signature of the Era” with its artistic charm and is constructively based on the line called the “Line of Beauty” by William Hogarth.


Author(s):  
Игорь Иванович Орлов ◽  
Сергей Анатольевич Щенников

Ювелирные украшения является одним из самых востребованных направлений с давних времен. В статье делается краткий обзор историографии проблемы ювелирного дизайна второй половины 20 столетия. Поиск и разработка технологии, которая позволят создавать ювелирные изделия с элементами точных копий растительного материала в металле является актуальной в современном дизайне ювелирных изделий. Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.


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