Urban music education: a practical guide for teachers

2016 ◽  
Vol 53 (07) ◽  
pp. 53-3004-53-3004
1995 ◽  
Vol 81 (6) ◽  
pp. 27-31 ◽  
Author(s):  
Richard K. Fiese ◽  
Nicholas J. DeCarbo

1995 ◽  
Vol 82 (1) ◽  
pp. 32-35 ◽  
Author(s):  
June Hinckley

Author(s):  
Ruben Gaztambide-Fernandez ◽  
Leslie Stewart Rose

Music education has had an ambiguous and fraught relationship with urban schools. This chapter seeks to address this tension through an elucidation of two related problems: how to understand the notion of “urban music education,” and how to approach the intersection between the former and various commitments to social justice. To do this, the authors challenge the taken-for-granted definition of urban music, suggesting that social justice commitments require a more nuanced understanding of what constitutes “the urban,” which highlights social inequalities. The authors provide an introduction to various understandings of social justice and summarize four different approaches to anti-oppressive pedagogy in music education, focusing on access, representation, pedagogy, and ideology. The chapter concludes with a discussion of the implications of a cultural production approach to social justice in urban music education.


1986 ◽  
Vol 30 (1) ◽  
pp. 178
Author(s):  
Larry V. Shumway ◽  
Charles E. Hicks ◽  
James A. Standifer ◽  
Warrick L. Carter

2018 ◽  
Vol 36 (3) ◽  
pp. 407-417
Author(s):  
John Eros

The purpose of this case study was to examine and describe the life experiences that influenced one music teacher’s career choice to teach music in an urban school. The primary research question is: What experiences influenced the participant to pursue urban music education as a career? Calling upon research into urban music education and career choice, the article used a “secondary analysis” of survey, journal, and interview data collected in a larger investigation of the teacher career cycle, as viewed through the lens of narrative research. Findings are presented in four categories, and indicate that the teacher’s career choice was influenced by three primary elements: (a) feeling a need to be of service to others; (b) experiencing cultural differences; and (c) curiosity about the city; all of which led to (d) being a part of the city. These elements combined to form not just a career choice, but a strong sense of commitment to teaching music in a specific city. Implications for both urban music education and music teacher education are discussed, as are suggestions for further research.


2019 ◽  
Vol 67 (4) ◽  
pp. 440-464 ◽  
Author(s):  
Julia T. Shaw

This collective case study examined the perceived impact of a context-specific professional development program, the Urban Music Education Institute, on urban music educators’ professional growth. The year-long program, which focused on culturally responsive pedagogy (CRP), featured workshops presented by nationally recognized clinicians complemented by a collaborative teacher study group (CTSG). Portraits of individual educators’ growth trajectories illuminate the multifaceted and idiosyncratic nature of teachers’ professional growth. Teacher profiles further illustrate complexities inherent in the nonlinear process of learning to practice CRP. Cross-case themes included teachers’ desire for “permission” to teach in contextually specific ways, sociopolitical dimensions of urban teaching as a focus for professional learning, and ways that cultural Whiteness influenced participants’ processes of learning to practice CRP. The CTSG emerged as a key element contributing toward the program’s context specificity. Participants used this group as a site for negotiating tensions associated with culturally responsive and socially just teaching in the company of colleagues with shared understanding of urban contexts. Implications for professional development aligned with urban music educators’ discipline- and context-specific learning needs are discussed based on the findings.


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