African American travel narratives from abroad: mobility and cultural work in the age of Jim Crow

2016 ◽  
Vol 53 (06) ◽  
pp. 53-2566-53-2566
Keyword(s):  
African American ◽  
Travel Narratives ◽  
Jim Crow ◽  
Cultural Work

Book Reviews

Transfers ◽  
2016 ◽  
Vol 6 (3) ◽  
pp. 146-166
Author(s):  
Johannes Görbert ◽  
Russ Pottle ◽  
Jeff Morrison ◽  
Pramod K. Nayar ◽  
Dirk Göttsche ◽  
...  
Keyword(s):  
New York ◽  
Travel Writing ◽  
Travel Narratives ◽  
Jim Crow ◽  
Cultural Work ◽  
Polar Regions ◽  
Alexander Von Humboldt ◽  
Literary Forms ◽  
Review Finding ◽  
University Of Massachusetts

German Literary Anthropology: Across Cultures, Across Genres Stefan Hermes and Sebastian Kaufmann, eds., Der ganze Mensch – die ganze Menschheit: Völkerkundliche Anthropologie, Literatur und Ästhetik um 1800 (Berlin: de Gruyter, 2014), 318 pp., 10 illustrations, €89.95What’s Old Is New Again, Mostly Julia Kuehn and Paul Smethurst, eds., New Directions in Travel Writing Studies (New York: Palgrave Macmillan, 2015), 325 pp., $90Complex Journeys around the World and through Literary and Intellectual Traditions around 1800 Johannes Görbert, Die Vertextung der Welt: Forschungsreisen als Literatur bei Georg Forster, Alexander von Humboldt und Adelbert von Chamisso. Weltliteraturen/World Literatures, Schriftenreihe der Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien, vol. 7 (Berlin: de Gruyter, 2014), vi, 426 pp., 8 illustrations, €109.95Travel as Cultural Work Gary Totten, African American Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow (Amherst: University of Massachusetts Press, 2015), 170 pp., $26.95Colonial Encounters between Africa and Europe—with Special Reference to Austria and Switzerland Manuel Menrath, ed., Afrika im Blick: Afrikabilder im deutschsprachigen Europa, 1870–1970 (Zurich: Chronos, 2012), 329 pp., €43Social Formations and Literary Forms in Long Nineteenth-Century Travel Writing Mary Henes and Brian H. Murray, eds., Travel Writing, Visual Culture and Form, 1760–1900 (London: Palgrave Macmillan, 2016), 248 pp., 21 illustrations, $95Travel Accounts of Polar Regions and Colonial Discourse Mike Frömel, Off ene Räume und gefährliche Reisen im Eis: Reisebeschreibungen über die Polarregionen und ein kolonialer Diskurs im 18. und frühen 19. Jahrhundert (Hannover: Wehrhahn, 2013), 288 pp., €29.50.“Imagined Geographies” and the Navigation of British European Identity Katarina Gephardt, Th e Idea of Europe in British Travel Narratives, 1789–1914 (Burlington, VT: Ashgate, 2014), 248 pp., 15 illustrations, $104.95Terminal and Threshold: Experiencing the Airport Christopher Schaberg, Th e End of Airports (London: Bloomsbury Academic, 2015), 216 pp., 25 illustrations, £13.99NOVEL REVIEW Finding Purity Jonathan Franzen, Purity (New York: Farrar, Straus and Giroux, 2015), 563 pp., $28

Book Faces

2020 ◽  
pp. 150-165
Author(s):  
Jacqueline Goldsby
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Jim Crow ◽  
The United States ◽  
Cultural Work ◽  
Black Literature ◽  
Ethics Of Reading ◽  
The Face

Across the first half of the twentieth century, author portraits migrated from the frontispiece inside of books to the exterior covers of dust jackets; at the same time, while Jim Crow segregation reached its repressive heights in the United States, African-American literature enjoyed unprecedented circulation in the mainstream literary marketplace. This chapter traces this convergence to explore the cultural work performed by the “face” of a book—frontispieces, dust jackets, and author portraits. Examining these lays bare the signal development that distinguishes mid-twentieth-century African-American authorship from its eighteenth- and nineteenth-century precedents: namely, the turn away from writing as corroboration of black humanity to writing as expressive of black pluralities or personae. By setting alterity, not authenticity, as the threshold where readers meet and interpret black literature as works of art, the migration of author portraits also functions as a trope for the ethics of reading.

Emancipation and Free African Americans

2017 ◽  
Author(s):  
Richard Archer
Keyword(s):  
African American ◽  
African Americans ◽  
New England ◽  
Rhode Island ◽  
New Hampshire ◽  
Jim Crow ◽  
African Descent ◽  
American Population ◽  
African American Population ◽  
Free African Americans

Except in parts of Rhode Island and Connecticut, slavery was a peripheral institution, and throughout New England during and after the Revolution there was widespread support to emancipate slaves. Some of the states enacted emancipation laws that theoretically allowed slavery to continue almost indefinitely, and slavery remained on the books as late as 1857 in New Hampshire. Although the laws gradually abolished slavery and although the pace was painfully slow for those still enslaved, the predominant dynamic for New England society was the sudden emergence of a substantial, free African American population. What developed was an even more virulent racism and a Jim Crow environment. The last part of the chapter is an analysis of where African Americans lived as of 1830 and the connection between racism and concentrations of people of African descent.

“The Dusky Doughboys”: Interaction between African American Soldiers and the Population of Northern Ireland during the Second World War

2013 ◽  
Vol 47 (4) ◽  
pp. 1131-1154 ◽  
Author(s):  
SIMON TOPPING
Keyword(s):  
African American ◽  
Northern Ireland ◽  
Jim Crow ◽  
Second World War ◽  
World War ◽  
Northern Irish ◽  
Black Soldiers ◽  
American Military ◽  
The People ◽  
Second World

This article will examine the ways in which the people of Northern Ireland and African American troops stationed there during the Second World War reacted to each other. It will also consider the effect of institutional racism in the American military on this relationship, concluding that, for the most part, the population welcomed black soldiers and refused to endorse American racial attitudes or enforce Jim Crow segregation. This piece argues that, bearing in mind the latent racism of the time, the response of the Northern Irish to African Americans was essentially colour-blind, and this was true in both the Protestant and Catholic communities.

Black “Crime,” Public Hysteria, and the Cinema of Containment: Black Cinema Aesthetics from Willie Dynamite to The Interrupters and a/k/a Mrs. George Gilbert

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Amy Abugo Ongiri
Keyword(s):  
African American ◽  
Visual Culture ◽  
Jim Crow ◽  
Mass Incarceration ◽  
Current Situation ◽  
Black Cinema ◽  
Black Subjectivity ◽  
Political Organizing

This essay will explore the ways in which African American visual culture has attempted to negotiate criminalization and the current situation of what Richard Iton rightfully characterizes as “hyperincarceration.” It will explore the ways in which contemporary African American visual culture is engaged in negotiating between the literal material realities and consequences of mass incarceration and aesthetic constructions of violence. While mass incarceration is increasingly becoming understood as “the New Jim Crow” for African American political organizing, Black criminality has become the key lens through which questions of masculinity, class exclusion, gender, and selfhood get negotiated in African American visual culture. This essay will argue that the “subtext of ongoing Black captivity” is the pretext for much of what drives Black action genres and African American representation in general as a key signifier of a racialized identity and as an indicator of a Black subjectivity fraught with complexities of non-belonging.

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