Women after all: sex, evolution, and the end of male supremacy

2015 ◽  
Vol 53 (01) ◽  
pp. 53-0231-53-0231
Keyword(s):  
2016 ◽  
Vol 28 (2) ◽  
pp. 233
Author(s):  
Mala Hernawati

Konner’s Women After All begins with thequotation from Elizabeth Cady Stanton, a leading figure of the American suffragist, “Because man and woman are the complement of one another, we need woman’s thought in national affairs to make a safe and stable government.” This quotation was a part of her address to the National Woman Suffrage Convention in Washington D.C., on January 19, 1869. However, the idea on equality between man and woman is just a starting point toward Konner’s thesis which is far beyond equality: women are not equal to men – they are superior to men.


Text Matters ◽  
2018 ◽  
pp. 296-319 ◽  
Author(s):  
Susana María Jiménez-Placer

Virginia Foster Durr was born in 1903 in Birmingham, Alabama in a former planter class family, and in spite of the gradual decline in the family fortune, she was brought up as a traditional southern belle, utterly subjected to the demands of the ideology of white male supremacy that ruled the Jim Crow South. Thus, she soon learnt that in the South a black woman could not be a lady, and that as a young southern woman she was desperately in need of a husband. It was not until she had fulfilled this duty that she began to open her eyes to the reality of poverty, injustice, discrimination, sexism and racism ensuing from the set of rules she had so easily embraced until then. In Outside the Magic Circle, Durr describes the process that made her aware of the gender discrimination implicit in the patriarchal southern ideology, and how this realization eventually led her to abhor racial segregation and the ideology of white male supremacy. As a consequence, in her memoirs she presents herself as a rebel facing the social ostracism resulting from her determination to fight against gender and racial discrimination in the Jim Crow South. This article delves into Durr’s composed textual self as a rebel, and suggests the existence of a crack in it, rooted in her inability to discern the real effects of white male supremacy on the domestic realm and in her subsequent blindness to the reality behind the mammy stereotype.


2020 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Viktorija Bilic

Mathilde Franziska Anneke (1817-1884) was one of few women who have shaped German immigrant life in America during the second half of the 19th century. The Forty-Eighter, writer, and educator founded the first German-language Frauenzeitung in the U.S., and her network of correspondents included Susan B. Anthony.   The article sheds light on Mathilde Anneke as a “new woman” who broke with traditional norms of gender and sexuality. She divorced her first and abusive husband at the age of 20, raising her daughter alone before marrying Fritz Anneke with whom she had more children. This paper focuses on Mathilde's feminist essay Das Weib im Conflict mit den socialen Verhältnissen (1847). This text is a testament to her ideals and values, most of all her life-long fight for women’s rights. In this manifest, Mathilde envisions the “new woman” who would break out of the cage of male supremacy and demand equal rights. While Mathilde Anneke did not live to see the suffragist movement succeed, she made significant contributions to the early feminist movement, and she did so through her writing.


Author(s):  
Catherine O. Jacquet

From 1950 to 1980, activists in the black freedom and women's liberation movements mounted significant campaigns in response to the injustices of rape. These activists challenged the dominant legal and social discourses of the day and redefined the political agenda on sexual violence for over three decades. How activists framed sexual violence--as either racial injustice, gender injustice, or both--was based in their respective frameworks of oppression. The dominant discourse of the black freedom movement constructed rape primarily as the product of racism and white supremacy, whereas the dominant discourse of women's liberation constructed rape as the result of sexism and male supremacy. In The Injustices of Rape, Catherine O. Jacquet is the first to examine these two movement responses together, explaining when and why they were in conflict, when and why they converged, and how activists both upheld and challenged them. Throughout, she uses the history of antirape activism to reveal the difficulty of challenging deeply ingrained racist and sexist ideologies, the unevenness of reform, and the necessity of an intersectional analysis to combat social injustice.


2019 ◽  
pp. 258-279
Author(s):  
Riane Eisler

We humans live, and all too often die, by stories, as one of the authors almost died as a child in the Holocaust. This chapter shows that the real culture wars are not between religion and secularism, East and West, or capitalism and socialism, but are within all societies, between orientation to either the partnership or domination side of the social scale. Starting with the two different biblical stories about the creation of humanity—the famous tale where Eve is an afterthought responsible for all our ills, and the earlier story where both men and women are created equal—is a contrast in normative narratives that support domination or partnership. Covering a wide swath of prehistory and history, this contrast offers fascinating new insights: for example, how Western science came out of a hierarchical, conformist, misogynist, all-male medieval clerical culture (a world without women and children) and how it took more than 700 years for women’s, men’s, and gender studies to emerge in universities; how Freud’s secular theories replicated the earlier religious ideology of original sin and male supremacy; and how in all spheres (from the family, politics, and the academy to mainstream and popular culture worldwide), the underlying tension between movement toward partnership and the resistance/regressions to domination is playing out.


2002 ◽  
Vol 9 (2) ◽  
Author(s):  
O. I. Aina ◽  
A.A. Adewuyi ◽  
Yinka Adesina ◽  
A. Adeyemi

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