scholarly journals The Impossible Child Scholar: Crafting a Digital Exhibit with the Kerlan’s Melissa Sweet Collection

2016 ◽  
Vol 14 (3) ◽  
pp. 28
Author(s):  
Emily Midkiff

In this article, I offer my experience with crafting a digital exhibit as one method of increasing children’s access to archived children’s literature materials. In spring 2015, I was enlisted by Lisa Von Drasek, curator of The Kerlan Collection at the University of Minnesota, to select and arrange the archival materials for Melissa Sweet’s award-winning Balloons over Broadway: The True Story of the Puppeteer of Macy’s Parade into a digital exhibit.

2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Kim Frail

O’Leary, Sara. This Is Sadie. Illus. Julie Morstad. Toronto: Random House-Tundra Books, 2015. Print."The days are never long enough for Sadie. There are so many things to make and do and be". This is Sadie is a delightful tribute to the power of imaginative play. The author-illustrator team of Sara O’Leary and Julie Morstad who created the award-winning Henry books have produced another gem that will be enjoyed by children and adults alike. O’Leary draws in her young readers with questions and invitations throughout the text and even on the inside cover: “Sadie is a small girl with a big imagination...Maybe you’re a bit like her...Come inside”.  The language is simple yet infused with whimsy and magic. There are usually no more than 2 or 3 lines of text on a page which allows Morstad’s ethereal illustrations to be showcased to their fullest. Sometimes the text and the illustrations interact playfully together such as the scene in which Sadie is leaping into a “pool” shaped like a book filled with children’s literary characters. The lines of text appear in three gentle waves.  The artwork was done in gouache, watercolour and pencil crayon and includes many amusing little details which will encourage readers to peruse them again and again. Sadie is endearingly irreverent. She is seen hammering nails into boards and playing records on the page that reads: "Sadie has learned to be quiet in the mornings because old people need a lot of sleep".She imagines herself as a character in scenes derived from many well-known tales such as the “The Little Mermaid”, “The Jungle Book” and “Alice and Wonderland”. In the latter she appears as the mad hatter rather than Alice. Parents or teachers wishing to present images of young girls that defy the typical “princess” conventions will appreciate that Sadie also appears as: an ocean explorer, a builder, and Mowgli from the Jungle Book. The story provides many opportunities for adult readers to engage with children as they can compare their imaginary adventures to Sadie’s and perhaps even write about or draw them, taking a cue from the conclusion: “This is Sadie and this is her story”. It would be a fantastic addition to any school or home children’s literature collection and would make a particularly attractive gift. The inside cover unfolds into a poster reminiscent of a medieval tapestry. Sadie sits astride a regal white horse with a quiver of arrows on her back while tiny fairies flitter in in the background. It is recommended for ages 3-7.Highly Recommended: 4 out of 4 starsReviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her kids.


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Maria Tan

The Deakin Review of Children's Literature Health Fiction Exhibition is a joint exhibit at the University of Alberta’s Education and Health Sciences libraries. It showcases books reviewed in this special issue.


2017 ◽  
Vol 38 (5) ◽  
pp. 507-522 ◽  
Author(s):  
Jeff Gomm ◽  
Melissa Allen Heath ◽  
Pat Mora

In this article, we offer information about the specific challenges US Latino immigrant children face. We then determine which of these challenges are included in 72 award winning children’s picture books, specifically created for and/or about Latino children. Our analysis offers information to assist school-based mental health professionals, children’s librarians, educators, and parents in prescriptively selecting books that align with Latino children’s social emotional needs. Additionally, we analysed each book’s proportion of Spanish/English text and described the book’s targeted age level and Horn Book Guide rating. From our perspective, books containing colorful illustrations that include Latino children, realistic situations, familiar Spanish words and phrases, and true-to-life characters help Latino children engage and identify with these stories. Children’s book author Pat Mora also explains her perceptions of quality children’s literature. Although this article is specific to Latino children’s literature, implications are offered that generalize to other ethnic and cultural groups that are typically underrepresented in children’s literature.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Denis Lacroix

This article describes why and how the University of Alberta Libraries built a Spanish language children’s literature collection. Selection criteria, findability, visibility, and assessment are addressed in the context of this collection. Practical information is provided to help librarians build similar collections and promote them.


2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Amy Paterson

Lindbergh, Reeve. Homer The Library Cat. Illus. Anne Wilsdorf. Somerville, MA: CandlewickPress, 2011. Print. Reeve Lindbergh’s tale of a cat who only wants some peace and quiet is a pleasant, though unremarkable, romp through some very noisy places, ending up in the quiet sanctuary of the library. The rhyme scheme is incredibly simple, making it easy for children to memorize and read along; however, the rhythm of the lines is not ideal, and aside from a general linguistic playfulness that serves him well, it cannot be said that Lindbergh has a particularly good ear for poetry. Likewise, Wilsdorf’s watercolours are vibrant and cheerful enough, but there is nothing notable in her style to attract or draw readers in. Most of the illustrations are very busy, giving children plenty to see and do; however, at times, Homer himself fades into the background. He is never drawn with enough definition to truly distinguish him or imbue him with any life beyond the pages of the story. Homer’s ubiquitous and varied use of onomatopoeia is sure to delight children, as well as giving parents small opportunities to perform in their reading. However, despite the faint pleasures of bright colours and noise-words, it is hard to imagine this book becoming any kind of favourite, unless perhaps of a child inordinately fond of both cats and libraries. Just as Homer eventually proves to be a library cat, Homer The Library Cat would probably be best suited as a library book. It is a book that many would enjoy reading a few times over, though it will never be a nursery staple. Homer is not so prettily drawn nor so well-defined a character as to particularly endear himself to children, though he may prove an amusing, short-term distraction with whom no reader could find serious fault. Recommended: 2 starsReviewer: Amy PatersonAmy Paterson is a Public Services Librarian at the University of Alberta’s H. T. Coutts Education Library. She was previously the Editor of the Dalhousie Journal of Interdisciplinary Management and is very happy to be involved in the Deakin Review and the delightful world of children’s literature.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Leslie Aitken

O’Leary, Sara.  Owls Are Good at Keeping Secrets: An Unusual Alphabet. Illustrated by Jacob Grant. Tundra Books, 2018. From first to last, the phonic examples in O’Leary’s alphabet book are disarming:                 “Aa                 Alligators think you’d like them if you got to know them.”                 “Zz                Zebras would like to be first. Just once.“ Unlike so many other authors of this genre, O’Leary rarely struggles to find simple, memorable examples of words that begin with the appropriate vowels and consonants. The sole exception in his work is the use of “Chipmunks” to illustrate the sound of the letter “C.” Child readers would have to be mature enough to recognize the digraph (ch) and be alert to its sound. That exception being noted, all of the other phonic illustrations—even the ones for the “difficult” sounds—are straight-forward, playful and engaging.                 “Qq                 Quail get quite tired of being told to be quiet.”                 “Uu                 Unicorns believe in themselves.                 “Yy                 Yaks giggle at their own jokes.” Joseph Brant’s illustrations are all that they ought to be: large, clear, colourful and, most importantly in this type of book, unambiguous. His depiction of voles for the letter “V” is particularly endearing. Those of us involved in the field of children’s literature might want this illustration and its motto on our flag:                 “Vv                 Voles always want just one more book.” In any case, we should ensure that this delightful book is on our children’s library shelves. Highly recommended: 4 out of 4 starsReviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special and academic libraries. She was a Curriculum Librarian for the University of Alberta.              


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