Neoclassical Theism and Spiritual Exercises

2009 ◽  
Vol 38 (1) ◽  
pp. 93-107
Author(s):  
Daniel A. Dombowski ◽  
Keyword(s):  
Spiritual Exercises ◽  
Neoclassical Theism

Personal Discernment and Dialogue. Learning from ‘the Other’

2020 ◽  
Vol 12 (4) ◽  
pp. 27
Author(s):  
Michael Barnes SJ
Keyword(s):  
The Other ◽  
Local Culture ◽  
Society Of Jesus ◽  
Spiritual Exercises ◽  
The South ◽  
Ignatian Spirituality ◽  
Michel De Certeau ◽  
Personal Interactions ◽  
Ignatius Of Loyola

This article considers the theme of discernment in the tradition of Ignatian spirituality emanating from the Spiritual Exercises of St Ignatius of Loyola (1491-1556), the founder of the Society of Jesus (Jesuits). After a brief introduction which addresses the central problematic of bad influences that manifest themselves as good, the article turns to the life and work of two Jesuits, the 16th C English missionary to India, Thomas Stephens and the 20th C French historian and cultural critic, Michel de Certeau. Both kept up a constant dialogue with local culture in which they sought authenticity in their response to ‘events’, whether a hideous massacre which shaped the pastoral commitment and writing of Stephens in the south of the Portuguese enclave of Goa or the 1968 student-led protests in Paris that so much affected the thinking of de Certeau. Very different in terms of personal background and contemporary experience, they both share in a tradition of discernment as a virtuous response to what both would understand as the ‘wisdom of the Spirit’ revealed in their personal interactions with ‘the other’.

“Alternative Spiritual Exercises for Weaker Minds”? Vernacular Religious Song in the Lives of Women of the Devotio Moderna

2008 ◽  
Vol 88 (3) ◽  
pp. 371-393 ◽  
Author(s):  
Hermina Joldersma
Keyword(s):  
Spiritual Exercises ◽  
Unanswered Question ◽  
Devotio Moderna

AbstractIn the Devotio Moderna, women appear to have used vernacular religious song to a much greater degree than men. Why this is so is an as yet unanswered question and the focus of this article. It explores in the first instance how song might have fit into the lives of meditation to which such women were dedicated, arguing that vernacular religious song was accepted but under some suspicion as a lesser meditative mode. It then interprets documented instances of actual singing in order to assess under what circumstances song might have been permitted to serve as meditative vehicle.

Spiritual Exercises, Improvisation, and Moral Perfectionism

2016 ◽  
Author(s):  
Arnold Davidson
Keyword(s):  
The Self ◽  
Spiritual Exercises ◽  
Ethical Practice ◽  
Care Of The Self ◽  
Spiritual Self ◽  
Experimental Attitude ◽  
Moral Perfectionism

Abstract: Beginning with Pierre Hadot’s idea of spiritual exercises and Stanley Cavell’s conception of moral perfectionism, this essay argues that improvisation can be understood as a practice of spiritual self-transformation. Focusing on the example of Sonny Rollins, the essay investigates the ways in which Rollins’ improvisations embody a series of philosophical concepts and practices: the care of the self, the Stoic exercise of cosmic consciousness, the problem of moral exemplarity, the ideas, found in the later Foucault, of a limit attitude and an experimental attitude, and so on. The underlying claim of the essay is that improvisation is not only an aesthetic exercise, but also a social and ethical practice that can give rise to existential transformations.

Jesuit Theater and Drama

2016 ◽  
Author(s):  
Kevin J. Wetmore
Keyword(s):  
Early Modern ◽  
Society Of Jesus ◽  
Spiritual Exercises ◽  
Audience Member ◽  
Early Modern Europe ◽  
Educational Theater ◽  
Ignatius Of Loyola ◽  
Modern Europe ◽  
Key Aspects ◽  
Didactic Theater

The historic Jesuit theater represents two centuries of didactic theater in which the Society of Jesus, following both the organizational instructions andSpiritual Exercisesof founder Ignatius of Loyola, used theater to inculcate virtue in both performer and audience member while teaching Latin, dance, poise, rhetoric, oratory, and confidence to the students who performed. Jesuit spirituality is inherently theatrical, and conversely Jesuit theater was intended to also be highly spiritual. The dramaturgy and scenography was spectacular and designed to draw audiences who would delight in them and learn the moral lessons the Jesuits hoped to teach while simultaneously drawing them away from a corrupt public theater. This essay considers Jesuit drama and theater in four key aspects: (1) Jesuit spirituality and performative practice; (2) the historic Jesuit educational theater of early modern Europe; (3) Jesuit drama in the missions outside of Europe; and (4) contemporary Jesuits involved in theater.

scholarly journals NASKAH AL-JAWAHIR AL-KHAMSAH SEBAGAI SUMBER RUJUKAN AJARAN TAREKA TSYATTARIYAH DAN PERSEBARAN SALINANNYA

ALQALAM ◽  
2018 ◽  
Vol 35 (1) ◽  
pp. 75
Author(s):  
Muhamad Shoheh
Keyword(s):  
Saudi Arabia ◽  
North Africa ◽  
North India ◽  
Spiritual Exercises ◽  
Written Text ◽  
General Overview ◽  
Asean Countries ◽  
Important Position ◽  
Rule Out

This paper discusses the context of the written text of al­Jawahir al-khamsah by Syaikh al-MuhammadAl-Gaus al-Hindi and its relation to a number of other texts which become the source of reference teaching institutes Syattariyah. It also discussed the important position of al-Jawahir al-khamsah text for the followers of the Syattariyah congregation, as well as a general overview of the distribution of copies either in India, Haramayn, and the archipelago. Kitab Al-Jawahir Al-khamsah is a practical book for the followers of Syattariyah congregation the most popular, because it was written based on the author's experience of spiritual exercises tauGt by the teacher, Syaikh Zuhur al-Haji Huduri, for more than 13 years at the top of Mount Janar (Cunar), North India. Kitab al-Jawahir al-Khamsah is a complement of the book of reference Lata'if al-Gaibiyyah and Risalah Syatariyah. So called, because the book of al-Jawahir al-Khamsah contains concepts the idea of founders Syattariyah (Syaikh 'Abdullah al-Syattar} and his followers (Syaikh Baha'uddin), but in a more practical form. Syaikh al-Mufammad Al-Gaus called it asa ''jewel" (الجوهر ) consisting of 'compassion' ('ibadah) and the procedures, zuhd and the procedures, and the procedures creations of prayer, remembrance and the procedures, as well as about the legacy of truth and 'a 'mal al-muhaqqiqin (deeds experts nature) and how to take it. Until now discovered at least five copies of the manuscript al-Jawahir al-Khamsah scattered in various regions, such as India, the Archipelago, Leiden (Netherlands), Saudi Arabia, and Tunisia as one of the countries in the area of North Africa. The manuscript consecutively numbered and each code: 189 خ- ج ; A 37; A 42; Cod.Or. 7201; and A-MSS-07150. This limited findings certainly do not rule out the existence of a copy of the manuscript al-Jawahir al-Khamsah other in other countries, particularly in India and Pakistan as well as Asean countries other than Indonesia.  

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