Zeit der Bilder und Bilder der Zeit – Fichtes Religionskritik in ideologiekritischer Perspektive

2020 ◽  
Vol 48 ◽  
pp. 327-357
Author(s):  
Jürgen Stahl ◽  
Keyword(s):  
Social Criticism ◽  
Social Practices ◽  
Law And Order ◽  
Ideological Criticism ◽  
The Social ◽  
The World ◽  
The Subject ◽  
Social Caste

In the framework of his religion and social criticism, Fichte expounds noteworthy approaches to ideological criticism. When it apparently comes to the belief in the autonomous content of consciousness, he calls into question the truth of it (revelation, miracle), he deciphers the social practices which are connected with it in their function as the rules in terms of social caste. Thereby, based on a subject producing law and order, he works against any duality of a divine and an earthly world. For him there exists only the earthly world in which man has to prove himself. The different forms of consciousness connected with it are understood as moments of reason which come into themselves, as “material for the imagining of one’s life of convenience”. They are manifested in a process of awareness of the imagination which constructs the world. However, they are not unfamiliar, passive reflections streaming into the subject, but are formed through an effect resulting from inseparable interweaving of these actions in malleable images. While Fichte tries to give reasons for social-emancipatorial hopes in faith or knowledge of transcendental reason, they become evidence of a dimension looking beyond the religious form; in the process of forming an image, the subjectivity passes beyond it’s inward nature, bringing knowledge and life into communion.Fichte entfaltet im Rahmen seiner Religions- und Sozialkritik bemerkenswerte ideologiekritische Ansätze. Wo es um scheinbar autonome Bewusstseinsinhalte im Glauben geht, stellt er deren Wahrheit in Frage (Offenbarung, Wunder), dechiffriert er die sich damit verbindenden sozialen Praktiken in ihrer Funktion im ständischen Herrschaftsgefüge. Dabei setzt er auf ein Gesetz und Ordnung hervorbringendes Subjekt, damit jeglicher Verdoppelung in eine himmlische und eine irdische Welt entgegen arbeitend. Für ihn gibt es einzig die irdische Welt, in der sich der Mensch bewähren muss. Die sich damit verbindenden unterschiedlichen Bewusstseinsformen werden als Momente einer zu sich kommenden Vernunft, als »Materialien zum Bilde des Einen Vernunftlebens« gefasst. Es manifestiert sich damit ein Bewusstwerden der die Welt konstituierenden Bilder. Diese sind jedoch keine dem Subjekt fremde, passiv auf ihn einströmende Ab-Bilder, sondern als in dessen Wirken formierte, folglich in dessen Tun untrennbar verwobene, bildbare Bilder. Indem Fichte im Religiösen sozial-emanzipatorische Hoffnungen rational zu begründen sucht, tritt im Glauben an bzw. Wissen um die transzendentale Vernunft eine Dimension hervor, die uber die Religionsform hinaus weist: Im Vorgang des Bildens überschreitet die Subjektivität ihre Innerlichkeit, bringt sie Wissen und Leben zur Einheit.

scholarly journals LA SOMIGLIANZA ICONICA NELLA SCRITTURA DE-SOGGETTIVANTE TRA IDENTITÀ E DIFFERENZA

2021 ◽  
Vol 30 ◽  
pp. 229
Author(s):  
Luciano PONZIO
Keyword(s):  
Decisive Role ◽  
Social Practices ◽  
Social Body ◽  
Communication Processes ◽  
The Social ◽  
The World ◽  
The Subject ◽  
Words And Images

Riassunto: Il pericoloso potere di assimilazione renderebbe le cose identiche le une alle altre, uniformandole, smarrendone la singolarità. Il mondo senza alterità si ridurrebbe a una massa omogenea: l’Identico e la sua rappresentazione. L’esistenza di un segno non è semplicemente riflessa ma rifratta (Vološinov). In questa rifrazione gioca il ruolo determinante l’alterità. Produrre e comprendere segni significa partecipare ai processi comunicativi. Il segnico è il campo dell’ambivalenza in cui tutto si decide per relazioni e pratiche sociali (Bachtin). Uscire dalla filosofia del soggetto (Foucault), porsi in una posizione “fuori-di-sé”, configurare una scrittura in-ferma contro il soggetto statico, per recuperare il corpo sociale nelle parole e nelle immagini.Abstract: The dangerous power of assimilation uniforms things, making them lose their singularity. The world without otherness would be reduced to a homogeneous mass where representation always represents the Identical. The existence of a sign is not simply reflected but refracted (Voloshinov). In this refraction, otherness plays the decisive role. Producing and understanding signs means participating in communication processes. The sign is the field of ambivalence in which everything is decided by relationships and social practices (Bakhtin). In this field is possible as this paper tries to show, to get out of the philosophy of the subject (Foucault) in order to recover the social body of words and images.

scholarly journals The female characters in Branislav Nušić's and Stefan Kostov's selected comedies

Bastina ◽  
2020 ◽  
pp. 95-109
Author(s):  
Đurđina Isić
Keyword(s):  
Small Town ◽  
Point Of View ◽  
Theoretical Point ◽  
Female Characters ◽  
Modern Age ◽  
The Social ◽  
The World ◽  
The Subject ◽  
Bereaved Family

The paper presents the results of research that included comparative study of the place and role of female characters in selected and representative comedies by Serbian comedigrapher Branislav Nušić (eng. MP, Suspicious person, Mrs Minister, Bereaved family, Dr, Deceased; srb. Narodni poslanik, Sumnjivo lice, Ožalošćena porodica, Dr, Pokojnik, Vlast) and Bulgarian comedigrapher Stefan Kostov (eng. Gold mine, Golemanov, Grasshoppers, Nameless comedy; blg. Zlamnama mina, Golemanov, Skakalci, Komediâ bez ime) in order to find similarities and differences in the process of comedigraphic shaping of female characters in the work of these two authors. The subject of the research was viewed primarily from a literary-theoretical point of view, and the dominant methods of study were comparative and analytical-synthetic. During the research, there was a differentiation of female characters in accordance with their motivational structures, psychological assemblies and the nature of the place and the role they play in the social environment in which they are located. Therefore, we can distinguish female characters who live in the province and who are fully representative of the small-town spirit, female characters who live in the capital and are a symbol of the modern age and female characters who dwell in the capital, but in fact, deeply down still carry a small-town view of the world. The structure of this paper is in line with this distinction. Conclusions made at the end of the study show that the representation of female characters in analyzed comedies of both comedigaphers is highly similar in its nature.

scholarly journals Przestrogi dla utopistów. Wizje optimum dóbr w historii idei w książce Andrzeja Waśkiewicza

2021 ◽  
Vol 65 (2) ◽  
pp. 157-167
Author(s):  
Grzegorz Sokół
Keyword(s):  
Nineteenth Century ◽  
Political Thought ◽  
Social Life ◽  
Social Thought ◽  
New Materialism ◽  
The Social ◽  
The World ◽  
The Future ◽  
The Subject ◽  
Social Orders

The subject of this essay is Andrzej Waśkiewicz’s book Ludzie – rzeczy – ludzie. O porządkach społecznych, gdzie rzeczy łączą, nie dzielą (People–Things–People: On Social Orders Where Things Connect Rather Than Divide People). The book is the work of a historian of ideas and concerns contemporary searches for alternatives to capitalism: the review presents the book’s overview of visions of society in which the market, property, inequality, or profit do not play significant roles. Such visions reach back to Western utopian social and political thought, from Plato to the nineteenth century. In comparing these ideas with contemporary visions of the world of post-capitalism, the author of the book proposes a general typology of such images. Ultimately, in reference to Simmel, he takes a critical stance toward the proposals, recognizing the exchange of goods to be a fundamental and indispensable element of social life. The author of the review raises two issues that came to mind while reading the book. First, the juxtaposition of texts of a very different nature within the uniform category of “utopia” causes us to question the role and status of reflections regarding the future and of speculative theory in contemporary social thought; second, such a juxtaposition suggests that reflecting on the social “optimal good” requires a much more precise and complex conception of a “thing,” for instance, as is proposed by new materialism or anthropological studies of objects and value as such.

scholarly journals Affect, Belief, and the Arts

2021 ◽  
Vol 12 ◽  
Author(s):  
Rami Gabriel
Keyword(s):  
Social Practices ◽  
Direct Perception ◽  
Tertiary Level ◽  
Cooperative Groups ◽  
Cognitive Capacities ◽  
Works Of Art ◽  
The Arts ◽  
The Social ◽  
The World ◽  
Self Knowledge

The cultural project is a therapeutic melding of emotion, symbols, and knowledge. In this paper, I describe how spiritual emotions engendered through encounters in imaginative culture enable fixation of metaphysical beliefs. Evolved affective systems are domesticated through the social practices of imaginative culture so as to adapt people to live in culturally defined cooperative groups. Conditioning, as well as tertiary-level cognitive capacities such as symbols and language are enlisted to bond groups through the imaginative formats of myth and participatory ritual. These cultural materializations can be shared by communities both synchronically and diachronically in works of art. Art is thus a form of self-knowledge that equips us with a motivated understanding of ourselves in the world. In the sacred state produced through the arts and in religious acts, the sense of meaning becomes noetically distinct because affect infuses the experience of immanence, and one's memory of it, with salience. The quality imbued thereby makes humans attentive to subtle signs and broad “truths.” Saturated by emotions and the experience of alterity in the immanent encounter of imaginative culture, information made salient in the sacred experience can become the basis for belief fixation. Using examples drawn from mimetic arts and arts of immanence, I put forward a theory about how sensible affective knowledge is mediated through affective systems, direct perception, and the imagination.

Environmental Rationality

2013 ◽  
pp. 1-17
Author(s):  
Enrique Leff
Keyword(s):  
Social Construction ◽  
Latin American ◽  
Social Practices ◽  
Environmental Crisis ◽  
Ecological Balance ◽  
Politics Of Difference ◽  
Economic Paradigm ◽  
The Social ◽  
The World ◽  
Culture And Development

Renovating our thinking as humankind (rethinking nature, culture and development) is an imperative to approach the challenges of environmental crisis and to orient the social construction of a sustainable world. If environmental crisis is a predicament of knowledge, beyond the task of reinventing science, innovating technology and managing information, we must face the challenge of inventing new ways of thinking, organizing and acting in the world; of reorienting our ethical principles, modes of production and social practices for the construction of a sustainable civilization. Innovation for sustainability is drawn by alternative rationalities. I will argue that rationality of modernity has limited capacities to reestablish the ecological balance of the planet, while environmental rationality opens new perspectives to sustainability: the construction of a new economic paradigm based on neguentropic productivity, a politics of difference and an ethic of otherness. Paramount to this purpose is the contribution of Latin American Environmental Thinking.

Texts Don't have Ideologies

1995 ◽  
Vol 3 (1) ◽  
pp. 15-34 ◽  
Author(s):  
Stephen Fowl
Keyword(s):  
Social Practices ◽  
Ideological Criticism ◽  
Competing Interests ◽  
The Past ◽  
The Bible ◽  
The Social ◽  
Wide Range ◽  
Way Of Thinking ◽  
Accepted Practice ◽  
A Site

AbstractOver the past fifteen years "ideological criticism" of the Bible has grown to become an accepted practice within the academy. It has provided a site where feminists, Marxists, liberation theologians and other interested parties have been able to engage in discussion aimed largely at displaying the wide variety of competing interests operating in both the production and interpretation of the Bible. Unfortunately, it is common among ideological critics of the Bible to speak of biblical texts as having ideologies. The thrust of this article is to claim that this way of thinking confuses a wide range of issues concerning the relationships between texts and the social practices which both generated those texts and are sustained by interpretations of particular texts. This position is defended by an examination of the various ways in which the Abraham story was read from Genesis through Philo, Paul, and Justin Martyr.

Grotesque Possible Worlds

Tekstualia ◽  
2013 ◽  
Vol 1 (1) ◽  
pp. 325-339
Author(s):  
Bartłomiej Starnawski
Keyword(s):  
Contemporary Art ◽  
Possible Worlds ◽  
Thomas Mann ◽  
Social Dimension ◽  
Community Relations ◽  
The Social ◽  
The World ◽  
The Status ◽  
The Subject ◽  
The Grotesque

The author of the articles shows that the grotesque is one of the most interesting ways of diagnosing changes and crisis in the anthroposphere (as a continuation of thinking about the subject from the middle of the seventeenth century through to postmodernity). According to Thomas Mann, the grotesque is one the most active notions in contemporary art. Its productivity results from the subject’s tendency to self-fulfilment, self-cognition, and self-definition; it is an independent vision and position in the “me – the world”, “me – community” relations. The grotesque is a strongly philosophical proposition, which bases its discourse on a conscious protest against present values and on transgressing all limiting and oppressive conventions. Therefore, the grotesque enhances the status of the subject, but it neither defends nor affi rms the subject in a direct manner. Apart from the social dimension, the grotesque also has numerous metaphysical references, the expression of which can be found in Kierkegaardian understanding of the metaphysical crisis as despair. Facing piercing emptiness, the human being tries to find some support and resorts to anything only to make a leap into the future. Laughter is only a manifestation of horror vacui, a specific dialectic moment devoid of any prospect of purification or comfort. What dominates a grotesque work is its open structure. The motifs which shape the spatiotemporal order do not always form a cause-and-effect system. Deliberately incoherent themes (logical coherence is not an aim) seem to be rather “deconstructors”, not constructors of the plot; they are intermittent, provoke the impression of a secret, a gleam, the absurd.

Bad cops and true detectives: The horror of police and the unthinkable world

2017 ◽  
Vol 23 (3) ◽  
pp. 355-374 ◽  
Author(s):  
Travis Linnemann
Keyword(s):  
Social Order ◽  
Critical Reading ◽  
Law And Order ◽  
Police Power ◽  
Mass Consumption ◽  
Speculative Realism ◽  
The Third ◽  
The World ◽  
The Subject ◽  
Ontological Position

The first season of the HBO series True Detective has drawn attention to Eugene Thacker’s horror of philosophy trilogy and his tripartite mode of thinking of the world and the subject’s relation to it. This article is an effort to read Thacker’s speculative realism into a critique of the police power. Where the police concept is vital to sustaining the Cartesian world-for-us, a world of mass-consumption and brutal privation, the limitations, failures or absence of police might also reveal horizons of disorder—primitivism, anarchism—the world-in-itself. A critical reading of True Detective and other police stories suggests that even its most violent and corrupt forms, as inseparable from security, law and order, the police power is never beyond redemption. What is rendered unthinkable then is the third ontological position—a world-without-police—as it exposes the frailties of the present social order and the challenges of thinking outside the subject.

scholarly journals THE PROBLEM OF DEVELOPING PRACTICAL THINKING THE SUBJECT OF LABOR IN THE RESEARCH OF D. N. ZAVALISHINA

2020 ◽  
pp. 4-15
Author(s):  
А.А. Обознов
Keyword(s):  
Psychological Research ◽  
Professional Activity ◽  
Social Significance ◽  
Creative Potential ◽  
The Past ◽  
The Social ◽  
The World ◽  
The Subject

Проанализирован вклад Д.Н. Завалишиной в изучение развития практического мышления субъекта труда. Отмечена социальная значимость психологических исследований развития и самореализации творческого потенциала субъекта труда в современном техногенном мире. Рассмотрены исследования Д.Н. Завалишиной, посвященные творческим аспектам практического мышления и их проявления в профессиональной деятельности. Показано, что автор рассматривает специалиста с позиций онтологического субъекта, что предполагает его соотнесение с основными отношениями к миру; с выбранными им способами существования в этих основных отношениях к миру; с событиями прошлого и будущего в его жизни. The contribution of D. N. Zavalishina to the study of the development of practical thinking of the subject of labor is analyzed. The social significance of psychological research on the development and self-realization of the creative potential of the subject of labor in the modern technogenic world is noted. D. N. Zavalishina's research on creative aspects of practical thinking and their manifestation in professional activity is considered. It is shown that the author considers the specialist from the position of an ontological subject, which implies its correlation with the main relations to the world; with the ways of existence chosen by him in these main relations to the world; with the events of the past and future in his life.

scholarly journals Menelusuri Daya Tahan Wanita Islam Generasi Awal Bagi Mencapai Keunggulan Melalui Analisis Wacana Hadis Nabawi

2017 ◽  
Vol 9 (1-5) ◽  
Author(s):  
Ariza Abdullah ◽  
Mohd Azidan Abdul Jabar ◽  
Nik Farhan Mustapha ◽  
Pabiyah Toklubok@Hajimaming
Keyword(s):  
Human Capital ◽  
Discourse Analysis ◽  
Social Practice ◽  
Driving Force ◽  
Social Processes ◽  
Female Identity ◽  
The Social ◽  
The World ◽  
The Subject ◽  
History Books

Women are the main driving force of society along side men. High personality of women will  bring into the world strong generation and community in facing challenges of life. If they are weak, the community also will become strengthless. Muslims, regardless being  majorities in Moslem countries or minorities in non Moslem countries should revive excellency as early generations of Islam that bring forth advanced world civilization for several centuries. The stories of the early generations had been written by many authors such as Mohammad Rashid Rida’s writing about the wives of the Prophet, as well as contained in history books known as “sirah”, autobiographies as well as other forms of writings, translations of thousands of titles in the subject but not studied analytically. Thus analyzing the social processes that apply at that time through the content of Prophetic hadith and discourse analysis texts as proposed by social language analysts, prevail to expose the excellency and sustainability of  women implied in the events as had been narrated by themselves and others. Methodology of this study is based on analysis of the content of hadith and Fairclough (2003, 1992, 1989)’s concept of discourse analysis through the dimension of intertextuality. Several prophetic Hadith are selected, analyzed and being related to social practice to formulate the principles that should serve as a model to modern  women especially by Moslim women. This is because the development of human capital especially female identity is the backbone of the nation’s development.

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