Intuition and Inquiry

2012 ◽  
Vol 13 (1) ◽  
pp. 285-296
Author(s):  
Anand Vaidya ◽  
Keyword(s):  
Experimental Design ◽  
Recent Work ◽  
A Priori ◽  
Philosophical Methodology ◽  
Philosophical Inquiry

Recent work in philosophical methodology by experimental philosophers has brought to light a certain kind of skepticism about the role of intuitions in a priori philosophical inquiry. In this paper I turn attention away from a priori philosophical inquiry and on to the role of intuition in experimental design. I argue that even if we have reason to be skeptical about the role of intuition in a priori philosophical inquiry, we cannot remove intuition from inquiry altogether, because appeals to intuition are essential for experimental design.

Philosophical Naturalism

2016 ◽  
Author(s):  
Hilary Kornblith
Keyword(s):  
Experimental Philosophy ◽  
Methodological Approach ◽  
A Priori ◽  
Empirical Work ◽  
Philosophical Methodology ◽  
A Posteriori ◽  
Cognitive Sciences ◽  
Philosophical Naturalism ◽  
Philosophical Questions

This article focuses on naturalistic approaches to philosophical methodology. It begins with an overview of naturalism, its relationship with views about the a priori, and the implications of a philosopher’s commitment to naturalism for proper method in philosophy. It then considers the disagreement among naturalists about the tenability of the a priori/a posteriori distinction with respect to naturalism, before turning to a discussion of the use of science to address philosophical questions. It also looks at work in epistemology which draws on results in the cognitive sciences as a way of understanding the nature of knowledge, with particular emphasis on the role of Alvin Goldman in getting epistemologists to pay attention to the import of empirical work for understanding epistemological issues. Finally, it explores experimental philosophy as a methodological approach to philosophical questions and comments on the debate over the legitimacy of armchair methods in philosophy.

Merleau-Ponty, Maurice (1908–61)

2018 ◽  
Author(s):  
Donald A. Landes
Keyword(s):  
Applied Sciences ◽  
Performance Studies ◽  
Human Experience ◽  
Philosophical Methodology ◽  
Embodied Experience ◽  
Philosophical Inquiry ◽  
Phenomenology Of Perception ◽  
Starting Point ◽  
The World

Maurice Merleau-Ponty (1908–61) was a key figure in twentieth-century French philosophy and one of the principal proponents of existential phenomenology. Through his subtle and wide-ranging descriptions of lived and embodied experience, particularly in his major text Phenomenology of Perception (1945), Merleau-Ponty made significant contributions on a variety of topics, including behaviour, perception, habit acquisition, language, expression, history and politics. His broader interests in the philosophical consequences of these descriptions led him to address many classical philosophical problems (for example, freedom, temporality, the relation of the soul and body, ontology, etc.). Perhaps his most lasting contribution was in directing philosophical inquiry to the role of the lived body in the operative structures of meaning across all human experience. This aspect of his work has been a starting point for contemporary studies of embodiment in both philosophy and other disciplines, from new approaches in cognitive science to phenomenological contributions in performance studies, gender studies and applied sciences. Merleau-Ponty’s interests evolved throughout his career, leading to a greater engagement with structuralism in the early 1950s and to a more explicit attempt to answer ontological questions about nature and philosophical methodology in the late 1950s. At the time of his death in 1961, Merleau-Ponty was developing a phenomenological ontology in a manuscript that was published posthumously as The Visible and the Invisible (1964). He argued that human experience is marked by a certain reversibility in that we are at once subjects and objects, touching and touched, seeing and seen. Our bodies are both of the world and open to the world; we are a node or a moment in the flesh of the world. For Merleau-Ponty, in this unfinished ontological project the notion of ‘flesh’ appears to name an ontological principle or element by which a folding back occurs via a self-reflexive experience and thus the spacing takes place where experience and being can appear.

MANUSCRIPT EVIDENCE FOR ALPHABET-SWITCHING IN THE WORKS OF CICERO: COMMON NOUNS AND ADJECTIVES

2018 ◽  
Vol 68 (2) ◽  
pp. 498-516
Author(s):  
Neil O'Sullivan
Keyword(s):  
Recent Work ◽  
Code Switching ◽  
Consistent Pattern ◽  
Current Interest ◽  
Reliable Transmission ◽  
Accurate Record ◽  
The Way

Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, also sympathia, and ἱστορικός as well as historicus. This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words.

Everybody Follows the Crowd?

2017 ◽  
Vol 29 (2) ◽  
pp. 1-12 ◽  
Author(s):  
Magdalena Obermaier ◽  
Thomas Koch ◽  
Christian Baden
Keyword(s):  
Experimental Design ◽  
News Coverage ◽  
Personal Characteristics ◽  
Election Campaigns ◽  
Bandwagon Effect ◽  
Political News ◽  
Election Results ◽  
Opinion Polls ◽  
Electoral Preferences

Abstract. Opinion polls are a well-established part of political news coverage, especially during election campaigns. At the same time, there has been controversial debate over the possible influences of such polls on voters’ electoral choices. The most prominent influence discussed is the bandwagon effect: It states that voters tend to support the expected winner of an upcoming election, and use polls to determine who the likely winner will be. This study investigated the mechanisms underlying the effect. In addition, we inquired into the role of past electoral performances of a candidate and analyzed how these (as well as polls) are used as heuristic cues for the assessment of a candidate’s personal characteristics. Using an experimental design, we found that both polls and past election results influence participants’ expectations regarding which candidate will succeed. Moreover, higher competence was attributed to a candidate, if recipients believe that the majority of voters favor that candidate. Through this attribution of competence, both information about prior elections and current polls shaped voters’ electoral preferences.

Collection of Ego-Centered Network Data with Computer-Assisted Interviews

Methodology ◽  
2006 ◽  
Vol 2 (1) ◽  
pp. 7-15 ◽  
Author(s):  
Joachim Gerich ◽  
Roland Lehner
Keyword(s):  
Survey Methods ◽  
A Priori ◽  
Dynamic Structure ◽  
Computer Assisted ◽  
Network Data ◽  
Great Effort ◽  
Self Administration ◽  
Face To Face ◽  
Full Network

Although ego-centered network data provide information that is limited in various ways as compared with full network data, an ego-centered design can be used without the need for a priori and researcher-defined network borders. Moreover, ego-centered network data can be obtained with traditional survey methods. However, due to the dynamic structure of the questionnaires involved, a great effort is required on the part of either respondents (with self-administration) or interviewers (with face-to-face interviews). As an alternative, we will show the advantages of using CASI (computer-assisted self-administered interview) methods for the collection of ego-centered network data as applied in a study on the role of social networks in substance use among college students.

A Statistical Study of Process Variables to Optimize a High Speed Curtain Coater: Part I

TAPPI Journal ◽  
2009 ◽  
Vol 8 (1) ◽  
pp. 20-26 ◽  
Author(s):  
PEEYUSH TRIPATHI ◽  
MARGARET JOYCE ◽  
PAUL D. FLEMING ◽  
MASAHIRO SUGIHARA
Keyword(s):  
Boundary Layer ◽  
Experimental Design ◽  
High Speed ◽  
Statistical Study ◽  
Process Variables ◽  
High Speeds ◽  
The Stability ◽  
Air Removal ◽  
Removal System

Using an experimental design approach, researchers altered process parameters and material prop-erties to stabilize the curtain of a pilot curtain coater at high speeds. Part I of this paper identifies the four significant variables that influence curtain stability. The boundary layer air removal system was critical to the stability of the curtain and base sheet roughness was found to be very important. A shear thinning coating rheology and higher curtain heights improved the curtain stability at high speeds. The sizing of the base sheet affected coverage and cur-tain stability because of its effect on base sheet wettability. The role of surfactant was inconclusive. Part II of this paper will report on further optimization of curtain stability with these four variables using a D-optimal partial-facto-rial design.

Aboutness

2014 ◽  
Author(s):  
Stephen Yablo
Keyword(s):  
Subject Matter ◽  
Philosophy Of Language ◽  
Mental States ◽  
Library Science ◽  
Philosophical Methodology ◽  
Major Advance ◽  
Truth Conditions ◽  
Ways Of Being ◽  
Made In

Aboutness has been studied from any number of angles. Brentano made it the defining feature of the mental. Phenomenologists try to pin down the aboutness features of particular mental states. Materialists sometimes claim to have grounded aboutness in natural regularities. Attempts have even been made, in library science and information theory, to operationalize the notion. However, it has played no real role in philosophical semantics, which is surprising. This is the first book to examine through a philosophical lens the role of subject matter in meaning. A long-standing tradition sees meaning as truth conditions, to be specified by listing the scenarios in which a sentence is true. Nothing is said about the principle of selection—about what in a scenario gets it onto the list. Subject matter is the missing link here. A sentence is true because of how matters stand where its subject matter is concerned. This book maintains that this is not just a feature of subject matter, but its essence. One indicates what a sentence is about by mapping out logical space according to its changing ways of being true or false. The notion of content that results—directed content—is brought to bear on a range of philosophical topics, including ontology, verisimilitude, knowledge, loose talk, assertive content, and philosophical methodology. The book represents a major advance in semantics and the philosophy of language.

Musical shape and feeling

2017 ◽  
Author(s):  
Daniel Leech-Wilkinson
Keyword(s):  
Everyday Life ◽  
Recent Work ◽  
Sensory Perception ◽  
Dynamic Processes ◽  
Sensorimotor System ◽  
Musical Sound ◽  
Sensory Mode ◽  
Daniel Stern

The concept of shape is widely used by musicians in talking and thinking about performance, yet the mechanisms that afford links between music and shape are little understood. Work on the psychodynamics of everyday life by Daniel Stern and on embodiment by Mark Johnson suggests relationships between the multiple dynamics of musical sound and the dynamics of feeling and motion. Recent work on multisensory and precognitive sensory perception and on the role of bimodal neurons in the sensorimotor system helps to explain how shape, as a percept representing changing quantity in any sensory mode, may be invoked by dynamic processes at many stages of perception and cognition. These processes enable ‘shape’ to do flexible and useful work for musicians needing to describe the quality of musical phenomena that are fundamental to everyday musical practice and yet too complex to calculate during performance.

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