Cultural Identity in the Second World

1997 ◽  
Vol 7 (3) ◽  
pp. 207-215
Author(s):  
Aleš Erjavec ◽  

In the author's opinion the current resurgence of national issues could be interpreted as an attempt of Second World countries to counter the effects of oncoming late capitalism. Under such conditions national culture is often perceived as a bastion of national identity. The insurmountable problem encountered by these national cultures attempting to play such a role, is that under the present conditions of global late capitalism national culture as well, if it wishes to achieve recognition, is forced to accept the logic of postmodern culture which is simultaneously commodified and international. Hence national culture in the Second World countries, which in the past could integrate everything from avant-garde to folk art, is bound to increasingly resemble tradition culture in First World countries.

2014 ◽  
Vol 2013 (1) ◽  
pp. 3-14 ◽  
Author(s):  
Kalerante Evagelia

AbstractThe present paper is involved with the Pedagogical faculties’ students’ critique on the current educational system as it has been altered after 1981. The research was carried out utilizing both quantitative and qualitative tools. Students-voters participated in the interviews whereas active voters were difficult to be located to meet the research requirements. The dynamics of the specific political party is based on a popular profile in terms of standpoints related to economic, social and political issues. The research findings depict the students’ strong wish for a change of the curricula and a turn towards History and Religion as well as an elevation of the Greek historic events, as the History books that have been written and taught at schools over the past years contributed to the downgrading of the Greek national and cultural identity. There is also a students’ strong belief that globalization and the immigrants’ presence in Greece have functioned in a negative way against the Greek ideal. Therefore, an overall change of the educational content could open the path towards the reconstruction of the moral values and the Greek national identity.


Author(s):  
Halima Kadirova ◽  

This scientific article highlights the place and role of the Karakalpak ethnic culture in the development and preservation of the identity of the people. The authors analyze the culture and life of the modern Karakalpak family, which inherits to the next generation the traditional way of life associated with national holidays and traditions, dastans performed by Karakalpak bakhshi (singers), legends and legends of the past, told by the older generation. The article argues that social changes in the global space contribute to the emergence of certain changes in the content of cultural identity, language, art, spiritual categories, which are elements of the basis of the national identity of each nation and various ethno-regional units, which further strengthens the study of this issue under the influence of the process of globalization.


2011 ◽  
Vol 5 (1) ◽  
pp. 45-57 ◽  
Author(s):  
Valerie Rosoux ◽  
Laurence van Ypersele

This article examines the gradual deconstruction of the Belgian national identity. Is it possible to speak of a de facto differentiation or even ‘federalization’ of the so-called ‘national past’ in Belgium? How do Belgians choose to remember and forget this past? To contribute to an understanding of these issues, the article considers two very different episodes of Belgian history, namely the First World War and the colonization of the Congo. On the one hand, the memory of the First World War appears to provide the template for memory conflicts in Belgium, and thus informs the memories of other tragedies such as the Second World War. On the other hand, the memory of the colonial past remains much more consensual – providing a more nuanced picture of competing views on the past. Beyond the differences between the ways in which these episodes are officially portrayed, the same fundamental trend may be observed: the gradual fragmentation of a supposedly smooth and reliable national version of history.


Author(s):  
Natalia V. Gorinova

Introduction. The work is devoted to the study of the theatrical and dramatic work of O. Ulyashev. It reveals the originality of his dramatic handwriting and some aspects of the movement of national culture in the 1990s. Materials and Methods. The material of the study was the plays by O. Ulyashev. The method of study is comparative. Results and Discussion. O. Ulyashev’s plays are an important milestone in the history of the development of the Komi Theater. His plays, like many other ones of the turn of the XX–XXI centuries, are inherent in the desire for renewal. The artistic originality of his texts, however, determines the actualization of folklore material. The writer’s worldview is close to the high artistic, aesthetic and moral and philosophical potential of oral folk art. It is folklore origins that contribute to his creative quest and the development of his creative aspirations. O. Ulyashev’s works, like many other works of Komi literature of the late XX century about the historical past of the Zyryans, serve to increase and strengthen national identity. Conclusion. The work of the writer O. Ulyashev played an important role in the development of theatrical and dramatic art of the Komi Republic. His plays largely update the Komi drama, saturating it with folklore material, romanticizing the past of the Zyryans.


2015 ◽  
Vol 42 (1) ◽  
pp. 29-47
Author(s):  
Ranka Gašić

The debate over Yugoslav nationalism versus Serbian nationalism and the structure of the new Yugoslav state came to occupy a prominent place in the public discourse of the Belgrade political and intellectual elite at the end of the First World War and again before the start of the Second World War. The considerable prewar interest in Yugoslavism and some sort of Yugoslav state had not focused on the realistic challenges of including a large Croatian and Slovenian representation. The focus of this article is on the reaction of the Belgrade elite to these challenges, their major lines of division and agreement around the questions of centralism vs. federalism, and the national identity of Serbs, first in the new state and then in the later 1930s. Only then, after the efforts of King Aleksandar’s royal dictatorship to impose integral Yugoslavism had ended with his assassination, did the Belgrade elite turn to integral Serbian nationalism.


2016 ◽  
Vol 9 (5) ◽  
pp. 192
Author(s):  
Yang Yuan ◽  
Lu Fang

<p>Our country is a multi-ethnic country with plentiful national culture achievements, and the development of the national culture shows a trend of diversity, so cultural identity construction is particularly important. Article analyzes the concept of national identity, the relation between cultural identity and ethnic identity, the present situation of national cultural identity in the English education in our country, and the English education and national culture identity education in surrounding neighbor countries, then proposes some suggestions of implementing national cultural identity education based on English Education.</p>


2020 ◽  
Vol 3 (11) ◽  
pp. 1-4
Author(s):  
Jumaev Ulugbek Sattorovich

The author conducts globalization impact conceptual analysis on the national culture and cultural identity formation and development in contemporary societies. The main focus is driven on such issues, as the globalization phenomenon, the extent to which national cultures are exerted influence by globalization, as well as threats and opportunities produced by globalization that reflect on cultures.


1996 ◽  
Vol 56 (4) ◽  
pp. 837-861 ◽  
Author(s):  
Christopher Hanes

A modern household's consumption bundle is more finished than that of a typical worker in the past: the average consumption good passes through more stages of production before purchase. This has affected the cyclical behavior of wages relative to the price of the consumption bundle because wages are more procyclical relative to prices of more-finished goods. Nowadays real consumption wages are procyclical. They were less procyclical before the Second World War, and they may have been acyclical or even countercyclical before the First World War.


War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular wartime locations, maps national and transnational emotional cultures, and proposes new ways of deploying emotion as an analytical device. Whilst grief and fear are among the emotions most immediately associated with the rhetoric, experience, and memory of war, this collection suggests that feelings such as love, shame, pride, jealousy, anger, and resentment also merit attention. This book explores the status and uses of emotion as a category of historical and contemporaneous analysis. It goes beyond the cataloguing of discrete feelings to consider the use of emotion to understand the past. It considers the emotional agency of historical actors and the contexts, modes, and time frames in which they communicated their feelings. Wartime provides a dynamic context for thinking through the possibilities and limitations of the emotional approach. This collection provides case studies that explain how emotional registers respond to world events. These range from First World War Germany, interwar France, and Second World War Britain to the Greek Civil War and to the post-war world. Several chapters trace the emotional legacy of war across different conflicts and to the present day: they show how past, present, and possible futures intersect in the emotions of a moment. They also reveal links between the intimate, the national, and the international, between interiority and sociality, and between conflict and its aftermath.


Author(s):  
Jessica Ayesha Northey

This chapter explores the work of Algerian heritage associations. It focuses on a number of associations seeking to challenge, to redefine or to promote new conceptions of Algerian history and identity. From associations promoting Berber cultural identity, to those in Oran seeking to re-explore the colonial past of the city, it looks at the confrontations and negotiations which take place between associations, the state and external actors. It asks how Algerian perceptions of the past, as seen by associative actors, influence current debates about which Algerian culture and heritage is important to protect and promote. With increasing external funding to the heritage sector from actors such as the EU it explores how external or transnational perspectives are integrated into this process.


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