scholarly journals Empty Pews and Empty Altars: A Reconsideration of the Catholic Priest Shortage

2001 ◽  
Vol 6 ◽  
pp. 253-269
Author(s):  
Paul Sullins ◽  
2021 ◽  
pp. 009164712110494
Author(s):  
Amanda Edwards-Stewart ◽  
Tim Hoyt ◽  
Sam Rennebohm ◽  
Fiona B. Kurtz ◽  
John S. Charleson ◽  
...  

The Minnesota Multiphasic Personality Inventory (MMPI-2) is often utilized to assess the suitability of ordination candidates by a religious organization. Published MMPI-2 scale scores for Roman Catholic priest, Episcopal, Presbyterians, and United Methodist ministry samples exist. However, previous research has not provided MMPI-2 scale scores for Free Methodist ordination candidates and has not provided a statistical comparison of scale scores between religious groups. The this study reports on MMPI-2 scale scores for Free Methodist ordination candidates and compares this group’s scores to Roman Catholic priests, Episcopal and Presbyterian ordination candidates, and a United Methodist sample. We found statistically significant differences between Free Methodist and Catholic Priests, Episcopal, Presbyterian ordination candidates on MMPI-2 Hs, Pd, Pt, and Sc scales and L, Pd, Mf, Pa, Pt, Sc, and Ma differences between Free and United Methodist groups. These results seem to indicate that Free Methodist candidates have fewer non-organic health concerns, less obsessive thoughts, positive social relationships, and more readily submit to authority when contracted with other comparative ordination candidates or ministry sample.


2020 ◽  
Vol 3 (1) ◽  
pp. 64
Author(s):  
Alket Aliu

It is of special importance to differentiate between the original Albanian language used orally by the Albanian highlanders reciting by heart the articles of the Codex “Kanun” and the Albanian language used by the staff who recorded the highlanders’ reciting, as well as the language used by the editors, who edited the book before it was forwarded for printing. Our study pays special attention to the abilities and capabilities of the recorder of “Kanun”, who was a renowned intellectual. He possessed all round knowledge of jurisprudence in general and the traditional law “Kanun” in particular because he was not only ordained a catholic priest but he was a law graduated as well. At the same time father Gjeçovi was a well known ethnographer, historian and archeologist. Our study aims at analyzing the material (stuff) recorded by father Gjeçovi focusing on some “artificial” out of place elements cropping up in such a material. Such elements are due to the double functioning of him as the recorder of the oral traditional law “Kanun”, but also as an editor of the recorded material. These recorded material of the traditional law is studied by us not simply as something frozen in that moment of time when Gjeçovi recorded them, but also as they evolved up to nowadays trying to shed light upon their “roots” in the framework of the linguistic usage.


2019 ◽  
Vol 34 (1) ◽  
pp. 103-125
Author(s):  
Mirosław Górecki

This text is a draft of Carl Sonnenschein (1876–1929) biography. He was a German Catholic priest, theologian, philosopher, social reformer, charismatic social activist, founder of the Catholic social movement in Germany, the creator of new forms of metropolitan pastoral ministry, the apostle of Berlin, after his death he was called Saint Francis of Berlin. In Poland, his figure is almost unknown. The aim of this article is to bring closer his profile, the climate accompanying his activities and to contribute to the understanding of the aura of fascination and uniqueness, which surrounds not so much his work as a person, so important in the history of the German and universal Catholic Church and also for followers of other religions.


2018 ◽  
Vol 10 (1) ◽  
pp. 105-115
Author(s):  
Levente Pap

AbstractThe relatively short history of the Transylvanian Principality (one hundred and fifty years or so) was full of unexpected changes. From the tragic Battle of Mohács, fought against the Ottoman invasion (1526), until the Diploma Leopoldinum, which integrated the Principality in the huge Habsburg Empire, events like the rise of Lutheran, Calvinian or Unitarian reforms, the Catholic Reformation or Counter-Reformation – despite the Edict of Torda in 1568, which declared religious tolerance and freedom of conscience – brought forth more disagreements. In the 1670s a new population coming from Moldova appeared in the Principality: the Armenians. The history of the establishment of this population was mentioned by the Catholic priest István Lakatos in his work Siculia (1702). Through the analysis of this work, we search for answers to the question regarding the relatively short integration period of this ethnic group.


PMLA ◽  
1915 ◽  
Vol 30 (2) ◽  
pp. 195-214
Author(s):  
Dudley H. Miles

Colley Cibber declared that for The Non-juror, the most important of his dramas, he employed Molière's Tartuffe as the basis. His declaration has been accepted by later writers. Genest says, “it is taken from Moliere's Tartuffe.” Ward repeats, “Crowne may have helped to suggest to Cibber the composition of The Non-Juror (1717), which however more closely follows Tartuffe.” Van Laun declares: “Cibber has been accused of having stolen the plot, characters, incidents, and most part of the language from Medbourne; but this is untrue. What he has taken from him is the servant Charles (Laurence), who also betrays his master.” The ever-present German dissertation solemnly copies the statement: a certain Wilhelm Schneider concludes: “Medbournes ‘Tartuffe’ kann, zumal er zunächst Übersetzung ist, nach van Launs Artikel nur für wenige Anregungen herangezogen werden.” Joseph Knight in his article on Cibber in the Dictionary of National Biography remarks: “A strong Hanoverian, as was natural from his origin, Cibber saw bis way to adapting the ‘Tartuffe’ of Molière to English politics. ‘Tartuffe’ became accordingly in the ‘Non-juror’ an English catholic priest.” Americans have joined the chorus. A Western man asserts: “The Non-Juror is based directly on Molière's Tartuffe. … Cibber was no doubt familiar with Medbourne's play, but he used Molière as a basis, and owed practically nothing to any play other than the Tartuffe of Molière.” More recently Professor Nettleton speaks of “The Non-Juror (1717), an adaptation of Molière's Tartuffe to English setting,” and quotes with approval the words of Cibber.


Author(s):  
Mario T. García

This chapter concerns the young Luis Olivares at age 14 going to study to become a Catholic priest as a member of the Claretian order in Compton, California. It deals with his socialization and training first in the minor seminary (high school) at Del Amo Seminary. This chapter examines the particularities of seminary life and culture including the strict discipline administered by the faculty and how Olivares adjusted to it.


Author(s):  
Tomas Macsotay ◽  
Cornelis van der Haven ◽  
Karel Vanhaesebrouck

Taking the infamous Theatrum Crudelitatum Haereticorum nostri temporis by the Catholic priest Richard Verstegan as its starting point, this chapter introduces the reader to the over-arching agenda of the book, clearly formulating its interdisciplinary research agenda. The Hurt(ful) Body focuses on both literal and metaphorical violence, performed and depicted in early modern performing and visual arts. Indeed, Theatrum Crudelitatum is a very outspoken example of the issues at stake in this book: the violence inflicted on bodies and the representation of this very same violence, in theatres, in pictures and paintings but also in non-artistic modes of representation. In the introduction, the editors describe the threefold structure of the book. The first part will focus mainly on performing bodies (on stage), whereas the second part will discuss the pain of someone who watches the suffering of others, both in regard to theatre audiences and beholders of art, as well as to the onlooker in art: the theatre character or individual on canvas who is watching a(nother) hurt body. The third and final part will analyse how this circulation of gazes and affects functions within a specific institutional context, paying particular interest to the performative context of public space.


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