scholarly journals An Engineering Education of Holism: Einstein’s Imperative

2021 ◽  
Author(s):  
Linda Vanasupa ◽  
Gilda Barabino
Keyword(s):  
World War Ii ◽  
Brain Development ◽  
Engineering Education ◽  
The Novel ◽  
World War ◽  
Dynamic Complexity ◽  
Societal Challenges ◽  
Educational Foundation ◽  
New Thinking ◽  
Radical Shift

In the aftermath of World War II, Einstein urged scientists to develop a substantively new thinking, lest we suffer a technology-enabled self-destruction. In this chapter, we will unfold the emerging scientific findings that serve as vectors, pointing to the same conclusion: the educational foundation that has brought about Industry 5.0 is causal to brain development that not only undermines our ability to address our emerging complex societal challenges, but biases us toward inhumane logic. We will outline a science of holism, the profoundly new thinking urged by Einstein. This science is rooted in nature’s ontology of dynamic complexity. An engineering education reflecting this new thinking will be described along with the novel developmental capacities afforded by it. The chapter will end by considering questions that need to be resolved to manifest such a radical shift in engineering education.

scholarly journals Moving Lightly over the Earth

2021 ◽  
Author(s):  
Giovanni Spissu
Keyword(s):  
World War Ii ◽  
Lived Experiences ◽  
The Novel ◽  
World War ◽  
Unemployed People ◽  
The Earth ◽  
Ethnographic Observation ◽  
The Future ◽  
Specific Meaning ◽  
The Town

In the novel The Rings of Saturn (1995), the German writer W. G. Sebald recounts his solitary journey to the town of Suffolk (UK) at the end of his years, while he also reflects on some of the dramatic events that shaped World War II and his personal memories. In this work, he takes on a particular narrative tactic defined by the interaction between the text and images that creates a special type of montage in which he seems to draw from cinematic language. I argue that, drawing on Sebald’s work, we can imagine a form of ethnographic observation that involves the creation of a cinematic map through which to explore the memories and imagination of individuals in relation to places where they live. I explore the day-to-day lived experiences of unemployed people of Sulcis Iglesiente, through their everyday engagement with, and situated perceptions of, their territory. I describe the process that led me to build Moving Lightly over the Earth, a cinematic map of Sulcis Iglesiente through which I explored how women and men in the area who lost their jobs as a result of the process of its deindustrialization give specific meaning to the territory, relating it to memories of their past and hopes and desires for the future.

scholarly journals Ciało, trup, śmierć w utworze Götz i Meyer Davida Albahariego

2019 ◽  
Vol 168 ◽  
pp. 553-564
Author(s):  
Sabina Giergiel
Keyword(s):  
World War Ii ◽  
The Body ◽  
The Novel ◽  
World War ◽  
City Center ◽  
Independent State ◽  
The City

Body, corpse and death in David Albahari’s Gotz and MeyerThe article investigates the broadly understood record of Jewish death that emerges from the text of the Serbian prose writer David Albahari. Emphasizing the dominance of economy in the Nazi system, the author indicates those procedures described in Albahari’s book which justify such an assessment e.g. human reification, the body as debris, technical syntax used by German officials. Additionally, these considerations on death representation are supplemented with an endeavor to establish the Belgrade dwellers’ attitude towards the fortunes of the Jews. According to the author, the novel explicitly marks the spatial opposition enclosure vs. opening, the camp vs. the city center that is reinforced by the river, which during World War II divided the capital into Zemun belonging to the Independent State of Croatia, also the place where the camp was situated and Belgrade’s Serbian center. This demarcation intensifies the victims’ feelings of separation and loneliness, at the same time enabling the capital’s dwellers to occupy a comfortable position of bystanders.  Telo, mrtvac, smrt u romanu Gec i Majer Davida AlbaharijaRad se bavi vidovima smrti u romanu Gec i Majer Davida Albaharija. Pokazuje mehanizme koje potvrđuju opštepoznatu činjenicu da je u nacističkom sistemu dominirala ekonomija. U te mehanizme se ubrajaju, između ostalih: reifikacija čoveka, tretiranje tela kao otpada i tehnička leksika koju upotrebljavaju nemački funkcioneri. Analiza uključuje i pokušaj odgovora na pitanje kakav je bio odnos stanovnika Beograda prema sudbini Jevreja. Istraživanje pokazuje prostornu opoziciju zatvoren i otvoren prostor, logor i centar grada. Nju naglašava reka koja je za vreme Drugog svetskog rata delila srpsku prestonicu na Zemun, gde je bio smešten logor, a koji je pripadao NDH, i srpski centar Beograda. Ova granica je vezana za osećaj separacije i usamljenost žrtava, s jedne starne, i udobnost i bajstander-efekat stanovnika prestonice, s druge strane

Malcolm Lowry, Under the Volcano (1947): singular experiences

2018 ◽  
pp. 118-135
Author(s):  
Steven Earnshaw
Keyword(s):  
World War Ii ◽  
Subjective Experience ◽  
The Novel ◽  
Main Character ◽  
World War ◽  
Malcolm Lowry ◽  
Day Of The Dead ◽  
The Dead ◽  
Under The Volcano

Malcolm Lowry’s Under the Volcano places the committed drinker, in the form of ex-Consul Geoffrey Firmin, in the Mexican ‘Day of the Dead’ festival, so that the main character encounters ‘hell’ in physical and spiritual dimensions. The novel is technically innovative in its aim to register the subjective experience of the Existential drinker: Geoffrey Firmin’s world is constructed through a highly-individualised, expressionistic symbolism, a mid-century representation of the modern, alienated self, abandoned and suffering despair in a Godless world – the latter made evident by the novel’s attention to the rise of totalitarianism, which forms the backdrop to the events here on a day close to the onset of World War II. There is discussion of the novel’s difficulty and form, and a comparison of some aspects of the novel with Kafka’s The Trial, and how these relate to representation of the Existential drinker.

Oil For the Lamps of China: Alice Tisdale Hobart’s Dark Novel of American Capitalism and Chinese Revolution

2013 ◽  
Vol 20 (1) ◽  
pp. 69-78
Author(s):  
Sherman Cochran
Keyword(s):  
World War Ii ◽  
Chinese Culture ◽  
The Novel ◽  
World War ◽  
Chinese Revolution ◽  
American Capitalism ◽  
American Corporation ◽  
Standard Oil Company ◽  
Oil Company

Among American works of fiction about China before World War II, Alice Tisdale Hobart’s Oil for the Lamps of China (1933) was second only to Pearl S. Buck’s The Good Earth (1931) in influence and sales. Hobart’s novel, evidently set during the Northern Expedition of 1926-28, also inspired a Warner Brothers film by the same name in 1935. Unlike the film, Hobart’s novel did not give a boosterish picture of American capitalism. In portraying the leading character, Steven Chase, a field agent for an American oil firm in China, Hobart drew on the experience of her husband, a field agent for Standard Oil Company. Her husband, like Chase, was callously fired after loyally serving the company and adapting to Chinese culture and protecting company property from anti-imperialist mobs. The novel is memorable for its vivid characterizations of Americans and Chinese working for an American corporation in China and for its dark view of American capitalism and Chinese revolution.

Review Essay: New Thinking about the Eastern Front in World War II

1992 ◽  
Vol 56 (2) ◽  
pp. 283
Author(s):  
John Erickson ◽  
Earl F. Ziemke ◽  
Magna E. Bauer ◽  
Michael Parrish ◽  
Louis C. Rotundo ◽  
...  
Keyword(s):  
World War Ii ◽  
Review Essay ◽  
World War ◽  
Eastern Front ◽  
New Thinking

scholarly journals Michal Kolmaš: National Identity and Japanese Revisionism

2021 ◽  
Vol 56 (2) ◽  
pp. 109-114
Author(s):  
Jakub Harašta
Keyword(s):  
Twentieth Century ◽  
Foreign Policy ◽  
World War Ii ◽  
National Identity ◽  
Prime Minister ◽  
Political Elites ◽  
World War ◽  
Self Perception ◽  
Institutional Forces ◽  
Radical Shift

Over the course of the twentieth century, Japan has experienced a radical shift in its self-perception. After World War II, Japan embraced a peaceful and anti-militarist identity, which was based on its war-prohibiting Constitution and the foreign policy of the Yoshida doctrine. For most of the twentieth century, this identity was unusually stable. In the last couple of decades, however, Japan’s self-perception and foreign policy seem to have changed. Tokyo has conducted a number of foreign policy actions as well as symbolic internal gestures that would have been unthinkable a few decades ago and that symbolize a new and more confident Japan. Japanese politicians – including Prime Minister Abe Shinzō – have adopted a new discourse depicting pacifism as a hindrance, rather than asset, to Japan’s foreign policy. Does that mean that “Japan is back”? In order to better understand the dynamics of contemporary Japan, Kolmaš joins up the dots between national identity theory and Japanese revisionism. The book shows that while political elites and a portion of the Japanese public call for re-articulation of Japan’s peaceful identity, there are still societal and institutional forces that prevent this change from entirely materializing.

scholarly journals Painful Neutrality: Screening the Extradition of the Balts from Sweden

2018 ◽  
Vol 6 (1) ◽  
pp. 72-92
Author(s):  
Lars Kristensen ◽  
Christo Burman
Keyword(s):  
World War Ii ◽  
Film Studies ◽  
Traumatic Event ◽  
Historical Event ◽  
Trauma Studies ◽  
The Novel ◽  
World War ◽  
Moving Images ◽  
The Holocaust ◽  
The Baltic

Abstract The article deals with the extradition of Baltic soldiers from Sweden in 1946 as represented in Per Olov Enquist’s novel The Legionnaires: A Documentary Novel (Legionärerna. En roman om baltutlämningen, 1968) and Johan Bergenstråhle’s film A Baltic Tragedy (Baltutlämningen. En film om ett politiskt beslut Sverige 1945, Sweden, 1970). The theoretical framework is taken from trauma studies and its equivalent within film studies, where trauma is seen as a repeated occurrence of a past event. In this regard, literature and moving images become the means of reaching the traumatic event, a way to relive it. What separates the extradition of the Baltic soldiers from other traumas, such as the Holocaust, is that it functions as a guilt complex related to the failure to prevent the tragedy, which is connected to Sweden’s position of neutrality during World War II and the appeasement of all the warring nations. It is argued that this is a collective trauma created by Enquist’s novel, which blew it into national proportions. However, Bergenstråhle’s film changes the focus of the trauma by downplaying the bad conscience of the Swedes. In this way, the film aims to create new witnesses to the extradition affair. The analysis looks at the reception of both the novel and film in order to explain the two different approaches to the historical event, as well as the two different time periods in which they were produced. The authors argue that the two years that separate the appearance of the novel and the film explain the swing undergone by the political mood of the late 1960s towards a deflated revolution of the early 1970s, when the film arrived on screens nationwide. However, in terms of creating witnesses to the traumatic event, the book and film manage to stir public opinion to the extent that the trauma changes from being slowly effacing to being collectively ‘experienced’ through remembrance. The paradox is that, while the novel still functions as a vivid reminder of the painful aftermath caused by Swedish neutrality during World War II, the film is almost completely forgotten today. The film’s mode of attacking the viewers with an I-witness account, the juxtaposition and misconduct led to a rejection of the narrative by Swedish audiences.

scholarly journals IHAB HASSAN POSTMODERNISM’S INDETERMINACY AND IRONY:LAURA BROWN’S INNER CONFLICT IN THE HOURS

2020 ◽  
Vol 7 (2) ◽  
pp. 173-182
Author(s):  
Rina Wahyu Setyaningrum
Keyword(s):  
World War Ii ◽  
Virginia Woolf ◽  
Life Story ◽  
Literary Work ◽  
The Novel ◽  
World War ◽  
Narrative Design ◽  
Michael Cunningham ◽  
The Hours ◽  
Good Wife

Virginia Woolf is one of the modernist writers who write Mrs. Dalloway for which Michael Cunningham has taken Virginia’s life story into his novel, The Hours that characterized Laura Brown who reads Mrs. Dalloway. Cunningham’s literary work which foregrounds the uncertainty of sexual orientation, confusion, and difficulty of identity is suitable with postmodernism’s conventions and is valid in both Woolf's and Cunningham's novels. There have been studies conducted by the scholars in terms of various technical aspects, such as narrative, design, and structure. The other topics comprise the equivalence of characters, the parallelism of scenes, and the borrowing of themes and symbolism, in order to demonstrate the effects of the adaptation process. This paper focuses on Laura Brown’s inner conflicts which are connected to postmodernism features. From the quotations in the novel, this paper showcases the novel’s analysis based on Ihab Hassan’s theory of postmodernism’s indeterminacy and irony. It is found that Laura Brown’s inner conflicts are shown from her efforts of being a good wife for Dan. She is trying hard to answer her own question whether or not she loves her husband. Ironically, the perfect status of being a wife of a soldier who takes part in winning the World War II, a woman with a perfect family, as well as a woman living a good life, do not make her happy. Mrs. Dalloway has inspired her to find her true happiness, her former self that has disappeared.

scholarly journals WAR TRAUMA IN THE CONTEMPORARY SERBIAN NOVEL: THE HOUSE OF REMEMBRANCE AND OBLIVIONBY FILIP DAVID, THE DELUSION OF ST. SEBASTIANBY VLADIMIR TABAŠEVIĆ, THE DOG AND THE DOUBLE BASSBY SAŠA ILIĆ

2020 ◽  
Vol 18 (1) ◽  
pp. 278-300
Author(s):  
Miloš Živković ◽  
Keyword(s):  
World War Ii ◽  
Traumatic Stress ◽  
Psychiatric Treatment ◽  
Double Bass ◽  
War Trauma ◽  
The Novel ◽  
Post Traumatic Stress ◽  
World War ◽  
The Holocaust ◽  
Post Traumatic

The paper discusses the literary shaping of war traumas in the novels “The House of Remembrance and Oblivion” by Filip David, “The Delusion of St. Sebastian” by Vladimir Tabašević and “The Dog and the Double Bass” by Saša Ilić. The manner in which the Holocaust influences the life of Albert Weiss and the lives of other characters, decades after World War II, and the mystical contemplation of the meaning of evil stand out as the most important themes of David’s novel. The interpretation of “The Delusion of St. Sebastian” proceeds via the protagonist Karl and his attitude to the language he learned during the war. The war induces dissociative identity disorder, the protagonist’s adoption and subsequent overcoming of the victim’s position. The analysis of Ilić’s work focuses on the protagonist of the novel “The Dog and the Double Bass”, Filip Isaković, and his post-traumatic stress disorder, as well as psychiatric and anti-psychiatric treatment methods.

scholarly journals State-Building after Disaster: Jiang Tingfu and the Reconstruction of Post-World War II China, 1943–1949

2018 ◽  
Vol 61 (1) ◽  
pp. 176-206
Author(s):  
Rana Mitter
Keyword(s):  
World War Ii ◽  
Cold War ◽  
Civil War ◽  
United Nations ◽  
State Building ◽  
Humanitarian Relief ◽  
World War ◽  
Post World War Ii ◽  
Chinese Civil War ◽  
New Thinking

AbstractPost-World War II reconstruction in Europe and Asia is a topic of growing interest, but relatively little attention has been paid to the relief and rehabilitation effort in China in the immediate post-1945 period. This article reassesses the postwar program implemented by the Chinese Nationalist (Guomindang) government and the UNRRA (the United Nations Relief and Rehabilitation Administration), not just in terms of humanitarian relief, but also as part of a process that led to new thinking about the nature of the postwar state in Asia. It focuses on the ideas and actions of Jiang Tingfu (T. F. Tsiang), head of the Chinese National Relief and Rehabilitation Administration that worked with UNRRA. Chinese ideas for reconstruction in China were simultaneously statist, international, and transnational, and were shaped by high modern ideas drawn from Soviet and American examples. They were also influenced by China's poverty and wartime vulnerability, which made locally directed solutions more relevant in areas such as public hygiene. Success was unlikely because of the incipient Chinese Civil War and the huge demands of reconstruction on a state that was near-destitute, with a destroyed infrastructure. Nonetheless, its characteristics still bear examination as a first, tentative chapter in a longer story of post-imperialist and Cold War state-building that would shape countries in Asia and beyond.

Sign in / Sign up

Export Citation Format

Share Document