The Rehabilitation of John Brunner

2014 ◽  
Vol 41 (1) ◽  
pp. 227
Author(s):  
Jeffrey Hicks
Keyword(s):  
1976 ◽  
Vol 11 (1) ◽  
pp. 8-8
Author(s):  
Lawrence J. Mazlack
Keyword(s):  

Author(s):  
Jad Smith

Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. This book, an intensive review of Brunner's life and works, demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, the book approaches Brunner in the context of markets and trends that affected many writers of the time, including his uneasy association with the “New Wave” of science fiction in the 1960s and 1970s. This book shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction, and between hard and soft science fiction, and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.


2013 ◽  
Vol 50 (12) ◽  
pp. 50-6636-50-6636
Keyword(s):  

Author(s):  
Jad Smith

This chapter presents the transcript of an interview with John Brunner conducted by Steven L. Goldstein. The interview covered topics such as where Brunner gets his ideas; how he goes about putting his ideas on paper; whether he believes that the future will be as bleak as he made it appear in The Sheep Look Up; whether he follows a set, daily pattern in his work; if he knew that his experimental novels such as Stand on Zanzibar and The Jagged Orbit would turn out the way they did; advice that he can give to aspiring writers; his views on the influence of mainstream writers on science fiction; and how he felt when he won the Hugo Award for Stand on Zanzibar.


1971 ◽  
Vol 6 (3) ◽  
pp. 410-414
Author(s):  
A. J. A. Morris
Keyword(s):  

Author(s):  
Jad Smith

This introductory chapter discusses the metaphor of parallel worlds as it relates to the work of John Brunner. Brunner once observed that while we all inhabit the same world, we live in and among parallel worlds. He believed that a good science-fiction writer should cultivate awareness of parallel forms of experience and open up vistas onto the future that make readers more mindful of them. In keeping with this view, he developed plots with an eye toward the possible interplay of parallel worlds, imagining zones of contact as native to human experience as the tense friendship of the WASP and “Afram” roomies Donald Hogan and Norman House in Stand on Zanzibar (1968), and as foreign to it as the alternate ecology and symbiotic biotechnologies of The Crucible of Time (1983). Throughout his career, he made a practice of conducting idiosyncratic “thought experiments” in his fiction. These ranged from mirroring the moves of a famous 1892 Steinitz-Chigorin chess game in the plot of The Squares of the City (1965) to exploring the ethical quandaries of artificial intelligence through the grafted consciousness of a sentient spaceship in A Maze of Stars (1991). Time and again, Brunner proved himself an idea merchant of the first and best order. His narrative ventures often brought together parallel genres just as dynamically as parallel worlds, and he enjoyed a lasting reputation for handling even conventional storylines and concepts with an alluring difference that made them distinct—and distinctly his.


Author(s):  
Dariusz Brzostek

The predictions of science fiction play an important part in the cultural landscape of contemporary western culture, being integral to the popular culture (novels, movies, TV series, graphic novels). Science fiction narratives predict the future of society, technology, culture but also – the science itself and a university as a scientific institution. The aim of this work is to shed light on the depiction of the future of science, knowledge, and university in the science fiction works, predicting the ineluctable societal collapse. The essay focuses on the use of the scientific discourse and scientific knowledge in the chosen science fiction narratives by Stanisław Lem, Walter M. Miller jr., John Brunner, and Paolo Bacigalupi.


Author(s):  
Jad Smith

This chapter focuses on the legacy of John Brunner. A wave of memorials followed in the wake of his sudden death. His novel Stand on Zanzibar was classed as his greatest achievement and, along with The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider, were portrayed as the foundation of his reputation. However, speculation about when and why his career faltered was rife. Attention was also focused on his complex personality, relegating important aspects of his literary legacy to the background. Perhaps this outcome was inevitable, given Brunner's lack of commercial success and reputation as a crusty defeatist toward the end of his career.


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