Stream and File Formats – Where are We Now?

2001 ◽  
Author(s):  
Bob Edge
Keyword(s):  
File Formats

scholarly journals Forensic analysis of video file formats

2014 ◽  
Vol 11 ◽  
pp. S68-S76 ◽  
Author(s):  
Thomas Gloe ◽  
André Fischer ◽  
Matthias Kirchner
Keyword(s):  
Forensic Analysis ◽  
Video File ◽  
File Formats

Politics and the technology of file formats

netWorker ◽  
2006 ◽  
Vol 10 (1) ◽  
pp. 15-17
Author(s):  
Win Treese
Keyword(s):  
File Formats

QuickFuzz: an automatic random fuzzer for common file formats

2018 ◽  
Vol 51 (12) ◽  
pp. 13-20
Author(s):  
Gustavo Grieco ◽  
Martín Ceresa ◽  
Pablo Buiras
Keyword(s):  
File Formats

scholarly journals The effects of publishing processes on scientific thought: Typography and typology in prehistoric archaeology (1950s–1990s)

2020 ◽  
Vol 33 (3) ◽  
pp. 273-297
Author(s):  
Sébastien Plutniak
Keyword(s):  
Twentieth Century ◽  
Scientific Production ◽  
Support Networks ◽  
Scientific Publishing ◽  
Prehistoric Archaeology ◽  
Data Repositories ◽  
Editorial Policies ◽  
Publication Data ◽  
File Formats ◽  
Wide Scale

ArgumentIn the last decades, many changes have occurred in scientific publishing, including online publication, data repositories, file formats and standards. The role played by computers in this process rekindled the argument on forms of technical determinism. This paper addresses this old debate by exploring the case of publishing processes in prehistoric archaeology during the second part of the twentieth century, prior to the wide-scale adoption of computers. It investigates the case of a collective and international attempt to standardize the typological analysis of prehistoric lithic objects, coined typologie analytique by Georges Laplace and developed by a group of French, Italian, and Spanish researchers. The aim of this paper is to: 1) present a general bibliometric scenario of prehistoric archaeology publishing in continental Europe; 2) report on the little-known typologie analytique method in archaeology, using publications, archives, and interviews; 3) show how the publication of scientific production was shaped by social (editorial policies, support networks) and material (typography features and publication formats) constraints; and 4) highlight how actors founded resources to control and counterbalance these effects, namely by changing and improving publishing formats.

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