Color Processing for Digital Cinema 6: An Example of Color Processing through the Entire System

Alternations between allomorphs that are not directly related by phonological rule, but whose selection is governed by phonological properties of the environment, have attracted the sporadic attention of phonologists and morphologists. Such phenomena are commonly limited to rather small corners of a language's structure, however, and as a result have not been a major theoretical focus. This paper examines a set of alternations in Surmiran, a Swiss Rumantsch language, that have this character and that pervade the entire system of the language. It is shown that the alternations in question, best attested in the verbal system, are not conditioned by any coherent set of morphological properties (either straightforwardly or in the extended sense of ‘morphomes’ explored in other Romance languages by Maiden). These alternations are, however, straightforwardly aligned with the location of stress in words, and an analysis is proposed within the general framework of Optimality Theory to express this. The resulting system of phonologically conditioned allomorphy turns out to include the great majority of patterning which one might be tempted to treat as productive phonology, but which has been rendered opaque (and subsequently morphologized) as a result of the working of historical change.

Download Full-text

Writing Time in Metaphors

10.3366/edinburgh/9781474423939.003.0004 ◽

2018 ◽

Author(s):

Jennifer J. Smith

Keyword(s):

United States ◽

The United States ◽

Western United States ◽

Entire System ◽

Language And Culture ◽

Space Race ◽

Do So

Coherence of place often exists alongside irregularities in time in cycles, and chapter three turns to cycles linked by temporal markers. Ray Bradbury’s The Martian Chronicles (1950) follows a linear chronology and describes the exploration, conquest, and repopulation of Mars by humans. Conversely, Louise Erdrich’s Love Medicine (1984) jumps back and forth across time to narrate the lives of interconnected families in the western United States. Bradbury’s cycle invokes a confluence of historical forces—time as value-laden, work as a calling, and travel as necessitating standardized time—and contextualizes them in relation to anxieties about the space race. Erdrich’s cycle invokes broader, oppositional conceptions of time—as recursive and arbitrary and as causal and meaningful—to depict time as implicated in an entire system of measurement that made possible the destruction and exploitation of the Chippewa people. Both volumes understand the United States to be preoccupied with imperialist impulses. Even as they critique such projects, they also point to the tenacity with which individuals encounter these systems, and they do so by creating “interstitial temporalities,” which allow them to navigate time at the crossroads of language and culture.

Download Full-text

Digital Cinema. Now.

Afterimage The Journal of Media Arts and Cultural Criticism ◽

10.1525/aft.2011.38.6.37 ◽

2011 ◽

Vol 38 (6) ◽

pp. 37-37

Author(s):

Varpu Rantala

Keyword(s):

Digital Cinema

Download Full-text

Color processing and management in Ghostscript

Color and Imaging Conference ◽

10.2352/issn.2169-2629.2019.27.12 ◽

2019 ◽

Vol 2019 (1) ◽

pp. 62-68

Author(s):

Michael J. Vrhel ◽

Artifex Software

Keyword(s):

Open Source ◽

Computational Efficiency ◽

Color Processing ◽

Description Languages

Ghostscript has a long history in the open source community and was developed at the same time that page description languages were evolving to the complex specification of PDF today. Color is a key component in this specification and its description and proper implementation is as complex as any other part of the specification. In this document, the color processing and management that takes place in Ghostscript is reviewed with a focus on how its design achieves computational efficiency while providing flexibility for the developer and user.

Download Full-text