New Approaches Developed by Relating Film Production Techniques to Theater Exhibition

1951 ◽  
Vol 57 (3) ◽  
pp. 231-237 ◽  
Author(s):  
Benjamin Schlanger ◽  
William A. Hoffberg
Keyword(s):  
Film Production ◽  
New Approaches ◽  
Production Techniques

scholarly journals Performing the Identity of the Medium: Adaptation and Television Historiography

Adaptation ◽  
2019 ◽  
Vol 12 (2) ◽  
pp. 149-164 ◽  
Author(s):  
Jonathan Bignell
Keyword(s):  
Film Production ◽  
Multiple Cameras ◽  
Fictional World ◽  
Mixed Form ◽  
Television Broadcasting ◽  
Production Techniques ◽  
Live Television ◽  
Broadcast Radio ◽  
Dramatic Adaptations ◽  
Immediate Experience

AbstractThis article focuses on how histories of television construct narratives about what the medium is, how it changes, and how it works in relation to other media. The key examples discussed are dramatic adaptations made and screened in Britain. They include early forms of live transmission of performance shot with multiple cameras, usually in a TV studio, with the aim of bringing an intimate and immediate experience to the viewer. This form shares aspects of medial identity with broadcast radio and live television programmes, and with theatre. The article also analyses adaptations of a later period, mainly filmed dramas for television that were broadcast in weekly serialized episodes, and shot on location to offer viewers a rich engagement with a realized fictional world. Here, film production techniques and technologies are adapted for television, alongside the routines of daily and weekly scheduling that characterize television broadcasting. The article identifies and analyses the questions about what is proper to television that arise from the different forms that adaptations took. The analyses show that television has been a mixed form across its history, while often aiming to reject such intermediality and claim its own specificity as a medium. Television adaptation has, paradoxically, operated as the ground to assert and debate what television could and should be, through a process of transforming pre-existing material. The performance of television’s role has taken place through the relay, repetition, and remediation that adaptation implies, and also through the repudiation of adaptation.

Beyond autism: Challenging unexamined assumptions about social motivation in typical development

2019 ◽  
Vol 42 ◽  
Author(s):  
Karen Bartsch ◽  
David Estes
Keyword(s):  
Social Interest ◽  
Social Motivation ◽  
Typical Development ◽  
Typically Developing ◽  
New Approaches

Abstract In challenging the assumption of autistic social uninterest, Jaswal & Akhtar have opened the door to scrutinizing similar unexamined assumptions embedded in other literatures, such as those on children's typically developing behaviors regarding others’ minds and morals. Extending skeptical analysis to other areas may reveal new approaches for evaluating competing claims regarding social interest in autistic individuals.

Conceptual Development: New Approaches

1985 ◽  
Vol 30 (6) ◽  
pp. 457-458
Author(s):  
Carolyn B. Mervis
Keyword(s):  
Conceptual Development ◽  
New Approaches
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