scholarly journals Traumatic Narrative in Virginia Woolf’s Novel Mrs. Dalloway

2017 ◽  
Vol 7 (1) ◽  
pp. 18
Author(s):  
Jin Wang ◽  
Xiaoyu Xie
Keyword(s):  
20Th Century ◽  
Virginia Woolf ◽  
English Literature ◽  
Social Conditions ◽  
Stream Of Consciousness ◽  
Spiritual Crisis ◽  
Representative Work

Virginia Woolf was one of the greatest literary artists in the 20th century, pioneering the contemporary English literature with the stream-of-consciousness technique. Mrs. Dalloway is her representative work that centers on the internal description of the characters while presenting social conditions of the postwar Britain. This paper examines traumatic narratives of the two protagonists, Clarissa Dalloway and Septimus Warren Smith, and explores implications of the war as the primordial cause of the spiritual crisis.  

scholarly journals “A King, Riding” by Klaas de Vries as an Artwork of the 20th Century

2014 ◽  
pp. 57-65
Author(s):  
Elizaveta V. Sanicheva
Keyword(s):  
20Th Century ◽  
Virginia Woolf ◽  
Stream Of Consciousness ◽  
De Vries ◽  
The Waves

Considers the scenic oratorium “A King, Riding” by contemporary Dutch composer Klaas de Vries. It was composed after his own libretto based on the “Waves” novel by Virginia Woolf, which is a classic example of the stream of consciousness literature. The libretto and the opera work are studied as a part of rich and powerful mixture of different contemporary styles, manners, techniques and retrospections, such as impressionism, expressionism, neoclassicism. Its performance of 1996 in Brussels directed by Christoph Marthaler is also analysed.

Physiology of Intraluminal Administration of Carbon Dioxide as a Contrast Medium

2020 ◽  
Vol 25 (44) ◽  
pp. 4656-4661 ◽  
Author(s):  
Nikolaos Patelis ◽  
Mikes Doulaptsis ◽  
Stylianos Kykalos ◽  
Eleftherios Spartalis ◽  
Anastasios Maskanakis ◽  
...  
Keyword(s):  
Carbon Dioxide ◽  
Contrast Agent ◽  
20Th Century ◽  
English Literature ◽  
Human Organism ◽  
Digital Subtraction ◽  
Extensive Search ◽  
Iodinated Contrast ◽  
Iodinated Contrast Agent ◽  
Carbon Dioxide Co2

Background: Carbon dioxide (CO2) exists in nature around us. In the middle of the 20th century, the intraluminal injection of CO2 demonstrated similar results to those of Digital Subtraction Angiography (DSA) with an iodinated contrast agent (ICA). Since then, the technology behind CO2 DSA has developed significantly. Objective: The aim of this study is to inform physicians about the unique properties of CO2 and its physiology after intraluminal injection. Methods: An extensive search for English literature on the properties of CO2 and the physiology of intraluminal administration was conducted using Pubmed. Results: There is sufficient literature on the properties of CO2 and the physiology of CO2 DSA. A review of this literature explains what happens to the human organism after the injection of CO2. Conclusions: There is enough evidence that CO2 DSA is both effective, diagnostic and safe, but the properties of CO2 should be taken under consideration as complications occur, although rarely.

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

scholarly journals TAFSIR AYAT ALAHKAM ABIL FADHOL ALSENORY: SEBUAH MODEL TAFSIR ANALISIS KRITIS

2019 ◽  
Vol 16 (1) ◽  
pp. 1
Author(s):  
Muhammad Asif ◽  
Abdul Wadud Kasyful Humam
Keyword(s):  
20Th Century ◽  
Political Context ◽  
Social Conditions ◽  
Critical Discourse ◽  
New Order ◽  
Historical Approach ◽  
Restriction Policy ◽  
Religious Polemic ◽  
Interpretation Model

This study tries to trace and find out the interpretation model of the tafsir Alahkam written by Abil Fadhol Alsenory, as an earlier tafsir of the pesantren in Indonesia. Based on the historical approach, philology, and analysis of critical discourse, by describing the socio-political context, as well as the author's response to the socio-religious conditions at the time, the results indicate that there are one primer script and two manuscript copies of his students. The primer script was written directly by Abil Fadhol, while the manuscript was a copy of the students' writing from Abil Fadhol's explanation during his teaching moment. All of the three texts show that there are two social conditions as its background, namely 'restriction' policy of the New Order regime with NU, and the debate over religious polemic between traditionalists (NU) and modernists in Indonesia in the second half of the 20th century. From this, it was revealed that Abil Fadhol's interpretation model was very critical but contextual and applicable to its surrounding social conditions.

From front-line defence to back‑foot retreat: the diminishment of local government’s role in social health outcomes

2020 ◽  
pp. 347-364
Author(s):  
Michael Bennett
Keyword(s):  
Public Health ◽  
Local Government ◽  
Health Outcomes ◽  
20Th Century ◽  
Social Determinants ◽  
Social Conditions ◽  
Social Health ◽  
Health Issues ◽  
The United Kingdom ◽  
The Uk

This chapter investigates the diminishment of local government's role in social health outcomes. The 20th century led to radical improvements in public health across England and the United Kingdom (UK). Modern local government in the UK was born out of a growing concern about the links between social conditions and the state of public health. Yet while 'social determinants of health' has become a global discipline, local government has ceded its role over the last decade as its capacity has withered during the time of austerity. The COVID-19 crisis of 2020 has shown the capacity of local government to mobilise anew around public health issues, but its fundamental fiscal and constitutional weaknesses show that a new settlement is needed more than ever.

Prosody and Meter: Early Modern to 19th Century

2019 ◽  
Author(s):  
Meredith Martin
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Historical Linguistics ◽  
English Literature ◽  
Literary Study ◽  
Historical Discourse ◽  
Irish Studies ◽  
History Of ◽  
The 19Th Century ◽  
Terminological Confusion

Both of the terms prosody and meter have shifting and contested definitions in the history of English literature. Historically, prosody was a grammatical term adopted from early translations of Greek and then Latin grammatical models, forming part of an overarching structure: orthometry, etymology, syntax, prosody. In this structure, meter was not always named, but versification covered “the measure of language” and was a subsection of prosody, after “pronunciation, utterance, figures, versification” (or some variation on these) in most 19th-century grammar books. Therefore, prosody contains within it changing approaches to the study of pronunciation and versification. In the 20th century, prosody has become synonymous in linguistics with pronunciation, and in literary study with versification. Scholars of the history of versification are legion. The versification manual or poetic forms handbook is a genre unto itself. The beginning of these books usually accounts for inadequate predecessors; consequently, many manuals are also bibliographies. Historical discourse about versification is not limited to the manual or handbook, however, and is found in studies of poetry, school textbooks, grammar books, introductions to collected works by individual poets, addendums to dictionaries, articles and reviews of poetry in periodicals and newspapers, pronunciation guides, histories of language, and studies of translation. Because the history of the study of pronunciation in English and Irish studies is so vast, this bibliography will only consider a few key texts that consider pronunciation and versification together as prosody. The development of historical linguistics in the 19th century is concurrent with the largest proliferation of studies of prosody-as-versification, and therefore is an important context for the narrative of prosody’s dual fate in the 20th century, hovering between literary study and the science of linguistics. To provide a history of even the ways that these terms themselves have shifted is outside the scope of this bibliography. As T. V. F. Brogan rightly claimed in 1981, “In studies of the structure of verse the use of terms such as poetry, verse, accent, quantity, Numbers, Measure, rhythm, meter, prosody, versification, onomatopoeia, and rhyme/rime/ryme historically and consistently has been nothing short of Pandemonium.” (Brogan 1981, p. ix, cited under Histories of Prosodic Criticism) Indeed, any modern attempt to define prosody must wrestle with the terminological confusion that Brogan narrates. Following Brogan, this bibliography will highlight the confusion without attempting to correct it. Here, I consider both prosody and versification in their widest sense to mean “verse-theory” and not solely “linguistic prosody,” and will discuss texts that have been considered “canonical” as well as texts that consider prosody in all of its historical and cultural valences.

Blooming of the Novel in the Bloomsbury Group: An Investigation to the Impact of the Members of Bloomsbury Group on the Composition of the Selected Works of Virginia Woolf and E.M. Forster

2017 ◽  
Vol 6 (7) ◽  
pp. 323
Author(s):  
SeyedehZahra Nozen ◽  
Bahman Amani ◽  
Fatemeh Ziyarati
Keyword(s):  
Virginia Woolf ◽  
The Body ◽  
Stream Of Consciousness ◽  
Bloomsbury Group ◽  
To The Lighthouse ◽  
Howards End ◽  
The People ◽  
Single Voice ◽  
Visual Impact ◽  
The Impact

“For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice…”. Woolf’s belief has been put to the test in the Bloomsbury Group and this paper intends to investigate the validity of her claim through a critical analysis of the selected works of its novelist members. In a central part of London during the first half of the twentieth century a group of intellectual and literary writers, artists, critics and an economist came together which later on was labeled as Bloomsbury group. The group’s members had an influential role in blooming novel in a different form of expression and profoundly affect its literary figures, Virginia Woolf and E.M. Forster, in the composition of their fictions The Waves, A Room of One’s Own, To the Lighthouse and Forster’s A Room with a view and Howards End. The formation of Bloomsbury circle acted as a bridge from the Victorian bigotries and narrow-mindedness to the unbounded era of modernism as they searched for universal peace, individual liberalism and human accomplishments due to ideal social norms. They freely exchanged their views on variety of subjects without any limitation. The reasons behind their popularity compared to several contemporary groups were their innumerable works, the clarification of their lives through their diaries, biographies and autobiographies and their diverse kinds of activities such as criticism, painting, politics and literary writings. They were adherents of truth, goodness, enjoyment of beautiful object, intrinsic values, aesthetics, friendship and personal relationship. Intellectual intimacy and cooperation can be considered as the main attribute of its members as they collaborate with each other and employ the fundamental tenets of the group within their works. The modern style of its artists as post-impressionist highly affects the narration technique of its literary figures. These novelists tried to narrate the verbal utterances in a visual way as if the whole of the story is depicted on a canvas. Furthermore, this paper tries to discover the role of the non-literary (painters and critics) members of the group in blooming and forming of a different and novel kind of narration technique, namely ‘stream of consciousness’, through the visual impact of the painter and the discussion method of critic members of the group.

scholarly journals Housed Memories: Spatial and Temporal Portrayals in Virginia Woolf’s The Voyage Out

2018 ◽  
Vol 56 ◽  
pp. 109-118
Author(s):  
Paulina Pająk
Keyword(s):  
Autobiographical Memory ◽  
20Th Century ◽  
Virginia Woolf ◽  
Life Story ◽  
Spatial Perception ◽  
Early 20Th Century ◽  
Similar Role ◽  
Temporal Aspects ◽  
Growing Body ◽  
Politics Of Space

Neurocognitive research has confirmed that people perceive and remember the “rooms of their own” similarly to their own bodies. These psychological discoveries yield important new insights into the oeuvre of Virginia Woolf, an avid diarist, flâneuse and experimenter, preoccupied with gendered memory and space available to women in the early 20th century. While there exists an important and growing body of work on Woolf’s interest into women’s emancipation and politics of space, the gendered connection between spatial and temporal aspects of her works remains a little researched area, particularly in the context of neurocognitive theory of memory. This paper argues that in The Voyage Out the representations of the protagonist, Rachel Vinrace, are structured around the processes of autobiographical remembering and spatial perception, as her private rooms serve as loci of her memory and identity. It is then possible to interpret Rachel’s rooms as her spatial portraits, which perceived by other characters tell their inhabitant’s life story. A similar role could be attributed to the autobiographical memory, which preserves their owner’s temporal portrayals in particular moments of her life.

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