scholarly journals American Soft Power Through Hollywood Superhero Movies: The Case of the Trilogy of Captain America

2021 ◽  
Vol 11 (3) ◽  
pp. 1
Author(s):  
Lalita Suwankaewmanee

The Captain America trilogy exemplifies American ideals: individuality, democracy, liberty, equality, and patriotism through the life and identity of its protagonist Steve Rogers. From the blatant display of American cultures to American values to the artistic imitation of American policies, the Captain America trilogy incorporates all mentioned elements and presents the world the compelling stories where heroes are created, sacrifices are made, damages are done—all for the protection of humanity. As the curtain closes, superheroes always emerge as the saviors—to all. The assertion of power, as the trilogy demonstrates, is no longer through the brutal force of military power but wielded through soft power, namely culture, values, and policies. Only through careful analysis of the storyline, character traits, dialogues, and images, one may discover hidden messages in the art that imitates life. As stated by Joseph Nye (1990), a political scientist, “the best propaganda is not propaganda”.

2012 ◽  
Vol 5 (2) ◽  
pp. 89
Author(s):  
Ratini Setyowati

This article is aimed to know about the spirit of American dream and its influences. The study is a qualitative study using library research and the data were obtained from texts.  The data are analyzed and presented descriptively. The researcher finds that The American Dream has influenced people around the world because America has very effective ways to promote their ideology through soft power “five big ideas”. The power is more powerful than military power. Meet the Robinson has been a provocative film; it can be media to promote the spirit of the American Dream.Keywords:  The American Dream; Soft power ;five big ideas


Bluster ◽  
2020 ◽  
pp. 1-10
Author(s):  
Peter R. Neumann

This chapter introduces the book, defines key terms, reviews the literature, and describes the process of research. It also sets out the book's structure, and summarizes the argument, which is that Trump's War on Terror may, in many respects, not look different from the counter-terrorism campaigns of his predecessors, but that his counter-terrorism doctrine -- which can be summed up as "killing terrorists" and "keeping Muslims out of the country" -- is deeply at odds with established views of American values and America's role in the world. Since taking office, American counter-terrorism has become more militaristic and less interested in causes and consequences. Far-right extremists feel emboldened. The biggest shift, however, has been the systematic ideological conflation between terrorism, immigration, and Islam, which has undermined the idea of America as an ethnically and religiously diverse nation. Trump's War on Terror has not only made the world and America less safe, but weakened America's greatest soft power asset -- they very idea of America.


2021 ◽  
Vol 27 (2) ◽  
Author(s):  
Bella Ernita Ramadhana

<div class="WordSection1"><p>This research examines a Hollywood movie entitled Arrival (2016) to see how American hegemony is represented and maintained in the movie. This is a qualitative research that is conducted under the framework of American studies. The concept of American values, Hegemony by Antonio Gramsci and Soft Power by Joseph Nye are used to answer the research questions. Semiotic film theory is employed to analyze the data in the form of dialogues and movie scenes. The results show the representation of American hegemony are seen in the characters that show American values, the U.S foreign policy, the U.S military supremacy, and the U.S economic field. Meanwhile, the maintenance of American hegemony is represented in American’s destiny to unify the world and also in hegemony through the language.</p><p> </p><p><em>Keywords</em>: American hegemony, manifest destiny, science fiction, representation, soft power</p></div>


2012 ◽  
Vol 5 (2) ◽  
pp. 89-106
Author(s):  
Ratini Setyowati

This article is aimed to know about the spirit of American dream and its influences. The study is a qualitative study using library research and the data were obtained from texts.  The data are analyzed and presented descriptively. The researcher finds that The American Dream has influenced people around the world because America has very effective ways to promote their ideology through soft power “five big ideas”. The power is more powerful than military power. Meet the Robinson has been a provocative film; it can be media to promote the spirit of the American Dream.Keywords:  The American Dream; Soft power ;five big ideas


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


Neophilologus ◽  
2021 ◽  
Author(s):  
Natalie Jones

AbstractThis article examines the iconographic programme of the Last Judgement scene depicted in Christ III. A notable feature of the poem’s detailed visual programme is the way in which it provides the audience with a single, panoramic vision that encompasses the divergent perspectives of the blessed and the damned. It is on account of this dual perspective that the poem, through its precise use of language and imagery, presents the audience with a bifocal vision of Christ as King of Kings and Judge of the World, in keeping with the words of Revelation 19:16. A detailed analysis of the poem’s imagery, however, suggests that its portrait of Christ as Judge is not only informed by scripture and exegetical sources, but is also indebted to contemporary visual imagery, particularly the depiction of Christ as Majestas Domini, or Christ in Majesty. As a result, and by approaching the poem’s imagery from an iconological perspective, it is argued that the poet of Christ III had a detailed knowledge of contemporary Christological motifs. Furthermore, a careful analysis of the language used to describe the Judgement scene, and particularly the depiction of Christ as Judge, suggests that the poet intentionally seeks to evoke a range of specific visual images in the mind of his audience in order to amplify the poem’s instructive and penitential aims.


2016 ◽  
Vol 10 (5) ◽  
pp. 724-727 ◽  
Author(s):  
Nasim Sadat Hosseini Divkolaye ◽  
Mohammad Hadi Radfar ◽  
Fariba Seighali ◽  
Frederick M. Burkle

AbstractObjectiveHealth diplomacy has increasingly become a crucial element in forging political neutrality and conflict resolution and the World Health Organization has strongly encouraged its use. Global turmoil has heightened, especially in the Middle East, and with it, political, religious, and cultural differences have become major reasons to incite crises.MethodsThe authors cite the example of the human stampede and the deaths of over 2000 pilgrims during the 2015 annual Haj pilgrimage in Mecca.ResultsThe resulting political conflict between Iran and Saudi Arabia had the potential to escalate into a more severe political and military crisis had it not been for the ministers of health from both countries successfully exercising “soft power” options.ConclusionGlobal health security demands critical health diplomacy skills and training for all health providers. (Disaster Med Public Health Preparedness. 2016;page 1 of 4)


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