scholarly journals Connection between News Narrative Discourse and Ideology--Based on Narrative Perspective Analysis of “News Probe”

2012 ◽  
Vol 8 (12) ◽  
Author(s):  
Fangzhou Cheng
Keyword(s):  
Narrative Discourse ◽  
Narrative Perspective ◽  
Perspective Analysis

Paradigmatic Psychology in Narrative Perspective

1998 ◽  
Vol 8 (1) ◽  
pp. 1-25 ◽  
Author(s):  
Allan Cheyne ◽  
Donato Tarulli
Keyword(s):  
Psychological Theory ◽  
Narrative Discourse ◽  
Scientific Psychology ◽  
Narrative Structures ◽  
Narrative Perspective

Structural and conceptual parallels between paradigmatic and narrative discourse are drawn and a single taxonomy of genres is applied to each. In particular, we argue that narrative depictions of person, place, and time, as reflected in Bakhtin's account of novelistic genres, find their parallels in the paradigmatic discourse of scientific psychology. In the first part of the paper we provide illustrations of the application of Bakhtin's description of narratives of adventure and ordeal to naturalistic and experimental reports in psychology. In the second part of the paper we turn to the theoretical discourse of psychology and illustrate the relevance of Bakhtin's historical typology of the Bildungsroman to various ways in which the notion of development is inscribed in psychological theory. In each case we consider the ways in which implicit narrative structures and themes enable and constrain practice and theory in paradigmatic science.

Persuasion: Fellow Creatures

2017 ◽  
Author(s):  
Pam Morris
Keyword(s):  
The Self ◽  
The Novel ◽  
Class Relations ◽  
Narrative Perspective ◽  
Class Hierarchies ◽  
A Chain ◽  
Porous Boundaries

Persuasion overtly foregrounds the self as embodied: physical accidents and sickness are recurrent. Sir Walter Eliot’s belief in the time-defying bodily grace of nobility is subject to Austen’s harshest irony. The transition from vertically ordered place to horizontal space in Persuasion is more extreme than in any other of the completed novels. Anne Elliot’s movement from social exclusiveness to socially inclusive possibility allows Austen to challenge gender and class hierarchies traditionally held to be inborn. Her writerly experimentation expands the possibilities of narrative perspective to encompass the porous boundaries of the physical, the emotional and the rational that constitute any moment of consciousness. Her focalisation techniques in the text look directly towards Woolf’s stylist innovations. A chain of references to guns and shooting gathers into the novel contentious contemporary discursive networks on class relations, notions of masculinity and the nature of creaturely life.

The attention regulating role of shifting narrative perspective in therapeutic discourse: The analysis of two psychotherapeutic sessions

2012 ◽  
Vol 67 (3) ◽  
pp. 467-490 ◽  
Author(s):  
Eszter Berán ◽  
Zsolt Unoka
Keyword(s):  
Therapeutic Discourse ◽  
Narrative Perspective

Háttér: A terápiás diskurzusban megvalósuló narratív konstrukciós folyamat során a páciens és a terapeuta kölcsönösen befolyásolják egymás nézőpontjának változásait. Ez a nézőpont, vagy narratív perspektíva (NP) váltás szorosan kapcsolódik a figyelem irányításának nyelvi eszközökkel megvalósuló szabályozásához, amit korábban Chafe fogalmazott meg a beszédmegértésre vonatkozó kognitív-diskurzív elméletében. Célkitűzések: Vizsgálatunkban a pszichoterápiás folyamatot a beszélők NP-váltásain keresztül tanulmányozzuk. Hipotézisünk az, hogy a NP-váltással megvalósuló figyelmi szabályozás spontán, nem tudatos használata lehetővé teszi azt, hogy a terapeuta a terápiás célkitűzések szempontjából megfelelő módon befolyásolja a páciens szelf-narratívumainak átszerkesztési, és újraírási folyamatait. Az átszerkesztés, újraírás során a páciens nem pusztán a feldolgozás alatt álló problémára – történetre – tud megváltozott nézőpontból tekinteni, de a számára új típusú perspektíva váltások elsajátításával a figyelmi szabályozás új módjait is megtanulja. Módszerek: Jelen elemzés egy 1,5 évig tartó megfigyeléses vizsgálat része, melynek során páciens-terapeuta párosok közötti terápiás beszélgetéseket rögzítettünk magnóra. A szövegeket CHILDES módszerrel jegyeztük le, majd kódoltuk a NP-váltásokat. A vizsgálatban résztvevő terapeuta és kliens nem ismerte a szöveg elemzésére használt NP-modellünket, a diskurzív elemzésben általunk leírt NP-váltások nyelvi eszköztárát spontán és nem tudatosan használta. Eredmények: Elemzésünkben kimutattuk, hogy a terapeuta által végrehajtott perspektívaváltások, vagy váltások sorozata előzte meg azt a momentumot, amikor a páciens képes volt kilépni korábbi perspektívájából, és alternatív nézőpontokat tudott felvenni. A terapeuta a páciens figyelmének irányítása során sikeresen avatkozott közbe olyan perspektíva-váltások indukálásával, amelyekből a páciens megtapasztalhatta, és sajátjaként élhette át szelf-állapotait, és ágenciáját. Következtetések: Hipotézisünket, miszerint a NP-váltással megvalósuló figyelmi szabályozás használatával a terapeuta befolyásolni tudja a páciens szelf-narratívumainak újraszerkesztési folyamatait, sikerült alátámasztani.

VOICE AND FREQUENCY IN QUENTIN TARANTINO’S PULP FICTION MOVIE SCRIPT

CALL ◽  
2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandy Agung ◽  
Dadan Rusmana ◽  
Lili Awaludin
Keyword(s):  
Research Problem ◽  
Narrative Discourse ◽  
Discourse Theory ◽  
Discourse Structure ◽  
Pulp Fiction ◽  
Movie Script

This research discusses the narrative discourse structure in Quentin Tarantino’s Pulp Fiction movie script. Pulp Fiction (1994) Pulp Fiction is known as one of the best crime and drama genre movie. Pulp Fiction directed by Quentin Tarantino. Quentin Tarantino and Roger Avery wrote the script. The movie presented many drops of blood, fights, and gun in the scenes. This movie also provides us with many “nigga” words. The researcher used Gerrard Genette’s narrative discourse theory. This study was conducted into two research problem; 1. What are the kinds of voice that consist in Quentin Tarantino’s Pulp Fiction movie script? 2. What are the kinds of frequency that consists in Quentin Tarantino’s Pulp Fiction movie script? The result of this research shows that in this movie there are two kinds of voice. Moreover, there are some data that show frequency that exist in Quentin Tarantino’ Pulp Fiction movie script.

Miasto jako labirynt. Obraz Tel-Aviwu-Jaffy w „Piotrusiu” Leo Lipskiego

2012 ◽  
Vol 53 (3) ◽  
pp. 321-341
Author(s):  
Beata Tarnowska
Keyword(s):  
Urban Space ◽  
Geographical Location ◽  
Point Of View ◽  
Tel Aviv ◽  
Narrative Perspective

Summary This article examines the urban themes in Leo Lipski’s micro-novel Piotruś: An ApocryphalTale from 1960. The narrative relies on both traditional realism (for the most part) and the 20thcentury subjective point-of-view technique to represent urban space, which in this case belongs to be a well-defined geographical location. The use of personalized narrative perspective turns the urban space of Tel Aviv-Jafa - heterogeneous and subject to differing assessments - into a labyrinth, closed, dense, expanding horizontally, chthonic, and alien.

PROMOTING POSITIVE YOUTH DEVELOPMENT: A SCHOOL GARDEN NARRATIVE

2017 ◽  
Vol 14 (2) ◽  
pp. 135-150
Author(s):  
Andile Mji
Keyword(s):  
Youth Development ◽  
Positive Youth Development ◽  
Qualitative Data ◽  
Development Programme ◽  
School Garden ◽  
Narrative Perspective ◽  
Resultant Effect

This study reports on a programme encapsulating the ideals of positive youth development. Here, a specific narrative of an observed problem, how youths were encouraged to participate in activities and the resultant effect of interactions, is described. Participants were 118 learners, 67 (56.8%) of whom were females. The learners were in Grades 10, 11 and 12 with ages ranging between 16 years and 18 years. The programme learners participated in starting and tending gardens at school. Here, the aim was to determine how exposing learners to an empowering environment resulted in building their competencies. Specifically, this article determined what lessons learners learnt from the development programme and whether attributes of positive youth development could be extracted from learners’ utterances. Qualitative data using open-ended interviews and following a narrative perspective were collected. Findings revealed that learners changed, learned to share and understood what it meant to work with others. Also, their utterings were consistent with competencies illustrating positive youth development. The findings illustrated the importance and value of positive programmes among the youth.

Demonisasi Islam dalam Film ‘Tanda Tanya (?)’

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Rajab Ritonga
Keyword(s):  
Narrative Theory ◽  
Narrative Discourse ◽  
Semiotic Analysis ◽  
Constructivist Perspective ◽  
Analysis Models

ABSTRACT ‘Tanda Tanya (?)’ movie has become an Indonesian cinematic work with some controversies complement with it. The controversies lie on how the movie constructed their messages related to the description of Islamic image. The Islamic image which is depicted in this movie contains several sym- bols which created a demonization on the construction of Islam and Moslem. The narrative theory that has been employed focuses on greimas actantial analysis models which emphasizes on how the narrative creates a story and how the story becomes a narrative discourse. The semiotic analysis used on this research is in term of constructivist perspective which aims at constructing the phenomena as a whole answer. The result of the research is that demonization of Islam has been constructed through the narrative sequences of ‘Tanda Tanya’. The movie depicted Islam in an image of traditional, un- civilized, terrorism, destructive, and aggressive community. This created a meaning of Islam as a negative and demonic community, religion, and value. Keywords: demonization, Islam, narrative  ABSTRAK Film ‘Tanda Tanya (?)’ merupakan sebuah karya cinema Indonesia yang mengundang banyak kontroversi. Kontroversi terletak pada bagaimana film ini mengkonstruksikan pesan-pesannya terkait penggambaran citra Islam. Citra Islam yang digambarkan dalam film ini mengandung simbol-simbol yang menciptakan sebuah demonisasi pada kon- struksi Islam dan muslim. Dalam penelitian ini teori naratif digunakan sebagai alat un- tuk memberikan gambaran tentang fenomena demonisasi. Teori naratif yang digunakan berfokus pada model analisis aktansial greimas yang menitikberatkan bagaimana naratif menciptakan sebuah cerita dan bagaimana cerita menjadi sebuah wacana naratif. Analisis semiotik yang digunakan dalam penelitian ini berdasarkan penggunaan dalam paradigma konstruktivis yang bertujuan mengkonstruksi fenomena sebagai sebuah jawaban. Temuan penelitian ini ialah demonisasi umat Islam dikonstruksikan melalui sekuen/babakan nara- tif dalam film ‘Tanda Tanya’. Film ini menggambarkan Islam dalam sebuah citra masyara- kat yang tradisional, tidak beradab, teroris, merusak, dan agresif. Ini menciptakan suatu pemaknaan Islam sebagai masyarakat, agama, dan nilai yang demonik dan negatif. Kata kunci: demonisasi, Islam, naratif

Demonisasi Islam dalam Film ‘Tanda Tanya (?)’

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Rajab Ritonga
Keyword(s):  
Narrative Theory ◽  
Narrative Discourse ◽  
Semiotic Analysis ◽  
Constructivist Perspective ◽  
Analysis Models

ABSTRACT ‘Tanda Tanya (?)’ movie has become an Indonesian cinematic work with some controversies complement with it. The controversies lie on how the movie constructed their messages related to the description of Islamic image. The Islamic image which is depicted in this movie contains several sym- bols which created a demonization on the construction of Islam and Moslem. The narrative theory that has been employed focuses on greimas actantial analysis models which emphasizes on how the narrative creates a story and how the story becomes a narrative discourse. The semiotic analysis used on this research is in term of constructivist perspective which aims at constructing the phenomena as a whole answer. The result of the research is that demonization of Islam has been constructed through the narrative sequences of ‘Tanda Tanya’. The movie depicted Islam in an image of traditional, un- civilized, terrorism, destructive, and aggressive community. This created a meaning of Islam as a negative and demonic community, religion, and value. Keywords: demonization, Islam, narrative  ABSTRAK Film ‘Tanda Tanya (?)’ merupakan sebuah karya cinema Indonesia yang mengundang banyak kontroversi. Kontroversi terletak pada bagaimana film ini mengkonstruksikan pesan-pesannya terkait penggambaran citra Islam. Citra Islam yang digambarkan dalam film ini mengandung simbol-simbol yang menciptakan sebuah demonisasi pada kon- struksi Islam dan muslim. Dalam penelitian ini teori naratif digunakan sebagai alat un- tuk memberikan gambaran tentang fenomena demonisasi. Teori naratif yang digunakan berfokus pada model analisis aktansial greimas yang menitikberatkan bagaimana naratif menciptakan sebuah cerita dan bagaimana cerita menjadi sebuah wacana naratif. Analisis semiotik yang digunakan dalam penelitian ini berdasarkan penggunaan dalam paradigma konstruktivis yang bertujuan mengkonstruksi fenomena sebagai sebuah jawaban. Temuan penelitian ini ialah demonisasi umat Islam dikonstruksikan melalui sekuen/babakan nara- tif dalam film ‘Tanda Tanya’. Film ini menggambarkan Islam dalam sebuah citra masyara- kat yang tradisional, tidak beradab, teroris, merusak, dan agresif. Ini menciptakan suatu pemaknaan Islam sebagai masyarakat, agama, dan nilai yang demonik dan negatif. Kata kunci: demonisasi, Islam, naratif

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