scholarly journals Gilles Deleuze’s Point of View for Biographical Trends of Frances Bacon’s Ideas

2016 ◽  
Vol 12 (3) ◽  
pp. 50
Author(s):  
Zahra Pakzad
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Gilles Deleuze ◽  
History Of Philosophy ◽  
Point Of View ◽  
Francis Bacon ◽  
Philosophical Interpretation ◽  
History Of

<p>Francis Bacon as a precursor of modern painting, in addition to reputation in the fields of visual arts, has attracted the attention of many philosophers and scholars of the twentieth century due to its creative and controversial works. One of these philosophers is Gilles Deleuze. Gilles Deleuze is written numerous works in various fields ranging from photography and cinema to the history of philosophy. In a book entitled “Francis Bacon: The Logic of Sense”, Deleuze presented a new understanding of the concepts contained and hidden in Bacon’s paintings of Bacon. Seeking to explore Bacon’s position in painting and also Deleuze’s position in the philosophy, the current study intends to analyze Deleuze philosophical interpretation of the works of Bacon.</p>

On the possibility/possibilities of the history of philosophy today

2006 ◽  
Vol 49 (1-2) ◽  
pp. 81-95
Author(s):  
Predrag Milidrag
Keyword(s):  
History Of Philosophy ◽  
Philosophy Today ◽  
Philosophical Interpretation ◽  
History Of

The article discusses the philosophical presuppositions of the history of philosophy as a philosophical discipline on the example of the problem of interpreting mutually incoherent claims of a philosopher. The conclusion is that the constitution of these presuppositions is onto-theo-logical. The importance of the criteria of coherence and comprehensiveness for historic philosophical interpretation is analyzed. Finally, the idea of the possibility of a postmetaphysical history of philosophy as a philosophical discipline is exposed, viewed as the accumulation of understandings of various paths - followed and not followed alike -found in past philosophers.

Italian Minor Theatre, 2000–14: the Development of ‘Short Forms’ and the Politics of the Stage

2019 ◽  
Vol 35 (03) ◽  
pp. 195-208
Author(s):  
Silvia Mei
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Modern Dance ◽  
Minor Literature ◽  
Philosophical Concept ◽  
Short Forms ◽  
Research Fellow ◽  
History Of ◽  
Expressive Dimension ◽  
The University

Brevity in experimental Italian theatre is not merely an expressive dimension of scenic creation, but a forma mentis, a conceptual vocation of young companies. The 2000s produced a minor theatre in Italy – first because of the reduced stage size, and second because of the brevity of works such as installation pieces. Moving from the linguistic disintegration of the historical avant-gardes of the twentieth century, this theatre is especially inspired by the visual arts, even though its historical roots remain fragmented and art is still seen in the synthetic language of modern dance and Futurist variety. Short forms actually become a tool for crossing artistic genres and languages. Starting from Deleuze’s and Guattari’s philosophical concept of minor literature, in this article Silvia Mei explores and analyzes work by such Italian contemporary companies as gruppo nanou, Città di Ebla, Anagoor, Opera, ErosAntEros, and Teatro Sotterraneo – all representative of what can be called installation theatre, a new theatrical wave that crosses the boundaries and specificities of artistic language, leading to the deterritorialization of theatre itself, a rethinking of the artistic work as well as its relationship with the audience. Silvia Mei is Adjunct Professor of the History of Theatre Directing and Theatre Iconography at the University of Bologna, having been a Research Fellow at the University of Turin. Her recent publications include ‘La terza avanguardia: ortografie dell’ultima scena italiana’, in Culture Teatrali, No. 14 (2015), and Displace Altofest (Valletta: Malta 2018 Foundation).

scholarly journals Гермотим из Клазомен и начало афинской философии

2020 ◽  
Vol 53 (3) ◽  
pp. 141-148
Author(s):  
О.А. Матвейчев
Keyword(s):  
Ancient Greece ◽  
Fundamental Principle ◽  
History Of Philosophy ◽  
Point Of View ◽  
Greek Philosophy ◽  
History Of ◽  
The Difference ◽  
Classical Greek Philosophy ◽  
Available Information ◽  
Greek World

Гермотим из Клазомен – фигура в истории греческой философии, можно сказать, маргинальная. В современной литературе он появляется разве что в ряду других колдунов и мистиков VII–VI вв. до н.э. В таком статусе он включается и в собрание Дильса. Анализируя сведения о Гермотиме, автор ставит перед собой цель найти ему место среди малоазийских философов первой величины, которых считают основателями греческой философии. Различение духа (души) и материи (тела) станет основополагающим принципом греческой философии, понятие Ума (нуса) выступит фундаментом для системы Анаксагора, первого афинского философа, с которого, собственно, и начнется история классической греческой философии. Автор разделяет точку зрения Э. Доддса и др., что появление нового для Греции представления о различии души и тела коренится в северной (гиперборейской?) ментальности, привнесенной в греческий мир во времена колонизации VII–VI вв. до н.э., а возможно – и в более ранние. Ключевые слова: история философии, Древняя Греция, Гиперборея, Гермотим из Клазомен, Анаксагор, шаманизм, нус, душа, тело Hermotimus of Clazomenae can be called a marginal figure in the history of Greek philosophy. In modern literature he is mentioned only among other sorcerers and mystics of the VIIth–VIth centuries BC. The collection of Hermann Diels describes him in the same manner. Analyzing available information about Hermotimus, the author makes an attempt to place him among the primary Anatolian philosophers who are considered the founders of Greek philosophy. The distinction between spirit (soul) and matter (body) will become the fundamental principle of Greek philosophy; the concept of Nous (cosmic Mind) will be the foundation for the system of Anaxagoras, the first Athenian philosopher, from which, in fact, the history of classical Greek philosophy begins. The author shares the point of view of E. Dodds and others that the emergence of a new concept about the difference between soul and body in Greece is rooted in the northern (Hyperborean?) mentality introduced into the Greek world during the colonization of the VIIth–VIth centuries BC or possibly in earlier times. Keywords: history of philosophy, Ancient Greece, Hyperborea, Hermotimus of Clazomenae, Anaxagoras, shamanism, nous, soul, body

scholarly journals THE ISSUE OF TRUTH IN MARXIST COGNITIVE THEORY

2021 ◽  
Vol 6 (5) ◽  
Author(s):  
Nguyen Thi Van
Keyword(s):  
Cognitive Theory ◽  
History Of Philosophy ◽  
Point Of View ◽  
History Of

Truth is an issue that has been mentioned a lot in the history of philosophy. However, before Marx's philosophy was born, no school of philosophy had a complete and correct conception of truth. In this article, the author analyzes the point of view of Marxism - Leninism on the issue of truth.<p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0874/a.php" alt="Hit counter" /></p>

Brentano, Franz Clemens (1838–1917)

2018 ◽  
Author(s):  
Roderick M. Chisholm ◽  
Peter Simons
Keyword(s):  
Twentieth Century ◽  
Philosophy Of Mind ◽  
Philosophy Of Language ◽  
History Of Philosophy ◽  
Descriptive Psychology ◽  
Phenomenological Movement ◽  
Precise Statement ◽  
Philosophical Language ◽  
History Of ◽  
Sparse Ontology

Brentano was a philosopher and psychologist who taught at the Universities of Würzburg and Vienna. He made significant contributions to almost every branch of philosophy, notably psychology and philosophy of mind, ontology, ethics and the philosophy of language. He also published several books on the history of philosophy, especially Aristotle, and contended that philosophy proceeds in cycles of advance and decline. He is best known for reintroducing the scholastic concept of intentionality into philosophy and proclaiming it as the characteristic mark of the mental. His teachings, especially those on what he called descriptive psychology, influenced the phenomenological movement in the twentieth century, but because of his concern for precise statement and his sensitivity to the dangers of the undisciplined use of philosophical language, his work also bears affinities to analytic philosophy. His anti-speculative conception of philosophy as a rigorous discipline was furthered by his many brilliant students. Late in life Brentano’s philosophy radically changed: he advocated a sparse ontology of physical and mental things (reism), coupled with a linguistic fictionalism stating that all language purportedly referring to non-things can be replaced by language referring only to things.

Jan Patočka’s Philosophical Legacy

2018 ◽  
Author(s):  
James Dodd
Keyword(s):  
Twentieth Century ◽  
Edmund Husserl ◽  
Philosophy Of History ◽  
History Of Philosophy ◽  
Philosophical Perspective ◽  
Phenomenological Philosophy ◽  
History Of

This chapter sketches the trajectory of Jan Patočka’s philosophical development against the background of the conflicts and crises that marked the history of the twentieth century, and which profoundly affected the Czech philosopher. The relevant period spans from the 1930s, when Patočka studied under Edmund Husserl in Freiburg, to the philosopher’s activities as a dissident in 1970s Czechoslovakia. Particular attention is paid to Patočka’s deep reading of the history of philosophy; the complexities of his appropriation of the phenomenological philosophies of Husserl and Heidegger; and the philosophy of history developed late in his career. The chapter ends with a consideration of Patočka’s influence on contemporary phenomenological philosophy, suggesting that his most promising contribution lies in his challenging engagement with the problem of Europe, above all his call for a post-European philosophical perspective.

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