Audience Engagement and the Legitimation of Technological Discontinuities in Regulated Markets

2018 ◽  
Vol 2018 (1) ◽  
pp. 16449
Author(s):  
Tatjana Schneidmueller ◽  
Henk W Volberda
Keyword(s):  
Audience Engagement ◽  
Regulated Markets ◽  
Technological Discontinuities

scholarly journals CEO Narcissism, Audience Engagement, and Organizational Adoption of Technological Discontinuities

2013 ◽  
Vol 58 (2) ◽  
pp. 257-291 ◽  
Author(s):  
Wolf-Christian Gerstner ◽  
Andreas König ◽  
Albrecht Enders ◽  
Donald C. Hambrick
Keyword(s):  
Organizational Adoption ◽  
Audience Engagement ◽  
Technological Discontinuities ◽  
Ceo Narcissism

Intuition, Evidence, and Carroll's Theory of Narrative

Projections ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 37-57
Author(s):  
Jonathan Frome
Keyword(s):  
Explanatory Power ◽  
Narrative Structure ◽  
Audience Engagement ◽  
Film Genre

AbstractOver the last thirty years, Noël Carroll has elaborated his theory of erotetic narration, which holds that most films have a narrative structure in which early scenes raise questions and later scenes answer them. Carroll's prolific publishing about this theory and his expansion of the theory to issues such as audience engagement, narrative closure, and film genre have bolstered its profile, but, despite its high visibility in the field, virtually no other scholars have either criticized or built upon the theory. This article uses Carroll's own criteria for evaluating film theories—evidentiary support, falsifiability, and explanatory power—to argue that erotetic theory's strange position in the field is due to its intuitive examples and equivocal descriptions, which make the theory appear highly plausible even though it is ultimately indefensible.

scholarly journals Digital Storytelling in Cultural Heritage: Audience Engagement in the Interactive Documentary New Life

2021 ◽  
Vol 13 (3) ◽  
pp. 1193
Author(s):  
Anna Podara ◽  
Dimitrios Giomelakis ◽  
Constantinos Nicolaou ◽  
Maria Matsiola ◽  
Rigas Kotsakis
Keyword(s):  
Cultural Heritage ◽  
Full Range ◽  
Social Dimension ◽  
Data Driven ◽  
Specific Interest ◽  
Key Factors ◽  
Audience Engagement ◽  
Main Research ◽  
The Social

This paper casts light on cultural heritage storytelling in the context of interactive documentary, a hybrid media genre that employs a full range of multimedia tools to document reality, provide sustainability of the production and successful engagement of the audience. The main research hypotheses are enclosed in the statements: (a) the interactive documentary is considered a valuable tool for the sustainability of cultural heritage and (b) digital approaches to documentary storytelling can provide a sustainable form of viewing during the years. Using the Greek interactive documentary (i-doc) NEW LIFE (2013) as a case study, the users’ engagement is evaluated by analyzing items from a seven-year database of web metrics. Specifically, we explore the adopted ways of the interactive documentary users to engage with the storytelling, the depth to which they were involved along with the most popular sections/traffic sources and finally, the differences between the first launch period and latest years were investigated. We concluded that interactivity affordances of this genre enhance the social dimension of cultural, while the key factors for sustainability are mainly (a) constant promotion with transmedia approach; (b) data-driven evaluation and reform; and (c) a good story that gathers relevant niches, with specific interest to the story.

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