scholarly journals Escrita para Vassourinhas e sua relação com os sistemas de notação coreográfica

2020 ◽  
Vol 10 (2) ◽  
Author(s):  
Liliana Harb Bollos ◽  
Nelton Essi
Keyword(s):  

Quando tocamos com vassourinhas, fazemos sequências de padrões de movimentos como na dança. No entanto, no caso do baterista esses movimentos emitem som. Podemos relacionar a escrita do movimento usada na dança desde 1700 com a escrita para vassourinhas de Ed Thigpen, Clayton Cameron e Kirk Wilis a fim de melhorar nossas técnicas de notação. Apesar de ter uma forte tradição oral, os coreógrafos e bailarinos também sentiram necessidade de registrar e perpetuar suas coreografias pela escrita. Analisaremos a Labanotation, Benesh Movement Notation e a Sutton Movement Shorthand. A escrita para vassourinhas ainda se encontra em movimento de evolução e é necessário que olhemos para a história para poder contribuir com ela.

Leonardo ◽  
2018 ◽  
Vol 51 (3) ◽  
pp. 282-283
Author(s):  
Kai-Han Chung ◽  
June-Hao Hou

A dance notation system is usually regarded as a representation tool rather than a creative tool. This paper uses the indeterminacy approach as a creativity method to assist body-based limb exercise and development. The movement notation system is constructed based on the effort action from Laban Movement Analysis. In-depth interviews provide a comprehensive insight into the choreographer’s perspective. The findings show that the notation system and body-based improvisation training are not mutually exclusive. Therefore, the use of a notation system gives dancers a better understanding of how movements interact with various stimuli, in relation to internal and external environments.


1994 ◽  
Vol 17 (4) ◽  
pp. 754-754
Author(s):  
J. K. Shepherd ◽  
C. T. Dourish
Keyword(s):  

2001 ◽  
Vol 11 (2) ◽  
pp. 241-254 ◽  
Author(s):  
Yosef Garfinkel

A recently discovered painted pottery vessel from the Predynastic cemetery of Umm el-Qaab in Abydos, Egypt (early fourth millennium bc), bears one of the most sophisticated proto-historic scenes surviving from the ancient Near East. The excavators interpreted the scene as a depiction of warfare. A systematic analysis of its various components, however, as well as two similar contemporary scenes, suggests that the scene depicts dancing. It is even possible that the scene represents four stages in a sequence of movement. If so, it is one of the earliest movement notation documents preserved from antiquity.


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