Mapping the past for the future : mapping the tangible and intangible cultural heritage of three villages at Tai Tseng, Yuen Long, as resources for sustainable development

2014 ◽  
Author(s):  
Kin-pui Lui
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The Past ◽  
The Future

scholarly journals Cultural Heritage: The Forgotten Resource for Marketing and Sustainable Development of the Local Communities

2019 ◽  
Vol 8 (3) ◽  
pp. 41
Author(s):  
Călin Vegheș
Keyword(s):  
European Union ◽  
Sustainable Development ◽  
Cultural Heritage ◽  
Secondary Data ◽  
Local Communities ◽  
Marketing Effort ◽  
The Sustainable Development ◽  
The Past ◽  
Perceived Importance ◽  
The Future

Under the slogan “Our heritage: where the past meets the future”, European Union has declared 2018 as the European Year of Cultural Heritage in an unprecedented attempt to enable people to become more interested in and involved with the cultural heritage, and to recognize its universal value and importance in the future development of the individuals, communities and societies. In spite of an increased acknowledgement and extending capitalization, the employment of the cultural heritage, in its tangible and intangible forms, as an asset the local communities may benefit from is still limited. The contribution of the cultural heritage to the sustainable development remains less relevant and illustrates the extent toward which individuals and the local communities, consequently societies, are able to preserve, promote and make the most of this forgotten resource. Paper explores the connections between the cultural heritage, marketing and the sustainable development of the local communities based on the secondary data regarding the involvement, perceived importance, access and participation related to the cultural heritage in order to assess if local communities grasp and consider the potential of this heritage to support their sustainable development through of an appropriate marketing effort. Keywords: Cultural heritage, sustainable development, local communities, marketing

scholarly journals Twelve Symbolic Objects of Tangible/Intangible Culture

Res Mobilis ◽  
2020 ◽  
Vol 9 (11) ◽  
pp. 46-64
Author(s):  
Juan Fernando De Laiglesia González
Keyword(s):  
Cultural Heritage ◽  
Key Words ◽  
Language Use ◽  
Research Question ◽  
Intangible Cultural Heritage ◽  
The Past ◽  
The World ◽  
The Future ◽  
Tangible Culture

Design as Cultural Heritage is a 2018 European proposal; this draws on Tangible and Intangible Cultural Heritage regarded as ‘our heritage: where the past meets the future’. This paper aims to answer the research question about the nature of the space between the human been and the world. Therefore, it will analyse certain processes that occur in their thickness, focussing on ‘authenticity criteria’ employed by UNESCO to define tangible culture in order to identify different language use of ‘culture’. From these, both criteria and usage, this paper evaluate the four main reasons multidisciplinary background to support the late correlation between ‘tangible and intangible culture’. Eventually, this paper proposes four sequences of symbolic objects which embody tangible culture contents. Key Words: Culture, Tangible, Intangible, Authenticity.

scholarly journals The Effects of Tourism on Traditional Craftsmanship for The Sustainable Development of Historic Environments

2019 ◽  
Vol 8 (4) ◽  
pp. 380
Author(s):  
Özlem Karakul
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Economic Benefits ◽  
Intangible Cultural Heritage ◽  
The Sustainable Development ◽  
Transmission Of Knowledge ◽  
Cultural Aspects ◽  
Life Conditions ◽  
United Nations General ◽  
Increasing Demand

Improving the quality of life and creating various economic benefits, conservation of cultural heritage can contribute to sustainable development as a concept having environmental, economic and socio-cultural aspects. Intangible cultural heritage as the chief reason of cultural diversity particularly guarantee sustainable development. In recent years, the increase in the concern about local ways of life, festivities, has motivated the conservation of intangible cultural heritage specifically, and contributed to the continuity of the implementation of traditional craftsmanship as a domain of intangible cultural heritage and guaranteed the sustainable development. The conservation of traditional craftsmanship necessitates providing the transmission of knowledge between master and apprentice and the continuity of practice. Through 20th century, rapidly changing life conditions, the demand for traditional craftsmanship has noticeably decreased causing the decrease in the number of practitioner craftsmen. It needs to regenerate the organic relationships of crafts with the changing life conditions for their conservation. Tourism can be a motivating force to regenerate interrelations with the increasing demand of tourists for traditional crafts. This paper aims to present the effects of tourism on crafts and discuss specific conservation approach focusing on the sustainable development of historic environments particularly focusing on 17 sustainable development goals highlighted within the 2030 Agenda for Sustainable Development published by United Nations General Assembly in 2015.Keywords: Traditional craftsmanship, tourism, conservation, historic environments, sustainable development

scholarly journals Keeping Watch on Intangible Cultural Heritage: Live Transmission and Sustainable Development of Chinese Lacquer Art

2019 ◽  
Vol 11 (14) ◽  
pp. 3868 ◽  
Author(s):  
Xiaoting Song ◽  
Yongzhong Yang ◽  
Ruo Yang ◽  
Mohsin Shafi
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Reference Value ◽  
Final Conclusion ◽  
Chinese Government ◽  
Intangible Cultural Heritage ◽  
Protection Measures ◽  
Whole Process ◽  
Countermeasures And Suggestions ◽  
Depth Interviews

Countries all over the world have been constantly exploring ways to rescue and protect intangible cultural heritage. While learning from other countries’ protection measures, the Chinese government is also constantly exploring ways that conform to China’s national conditions. As China’s first batch of intangible cultural heritage, lacquer art boasts a brilliant history, but many people are not familiar with it today. Moreover, in the process of modernization, the lacquer art transmission is declining day by day, and it is facing unprecedented major crises such as loss and division of history into periods. Hence, it is essential to verify and reveal the challenges and dilemmas in the lacquer art transmission, and come up with corresponding protection measures around these problems. First of all, this research, through literature review, “horizontally” explores the current research status and the universal problems of lacquer art transmission from the macro level. With a view to make up for the deficiencies of the existing research and further supplement the empirical evidence, the current research, with the transmission of “Chengdu lacquer art” as an example and through in-depth interviews, tracks and investigates the whole process of transmission of Chengdu Lacquer Art Training Institute, and “vertically” analyzes the survival situation of lacquer art transmission and the core problems affecting transmission behaviors from the micro level. In the final conclusion, the research comes up with corresponding countermeasures and suggestions for the identified key problems, which is of significant reference value for facilitating the live transmission and sustainable development of Chinese lacquer art.

scholarly journals Digesting the Finnish Nature and Past: Food, Pastness, and the Naturalness of the National in the Wiki-Inventory for Living Heritage

2021 ◽  
Vol 15 (2) ◽  
pp. 89-111
Author(s):  
Heidi Henriikka Mäkelä
Keyword(s):  
Cultural Heritage ◽  
Cultural Diversity ◽  
Theoretical Background ◽  
Intangible Cultural Heritage ◽  
The Past ◽  
Complex Processes ◽  
Heritage Studies ◽  
Critical Heritage ◽  
The Ideal

Abstract This article examines the inventorying of Finnish intangible cultural heritage with regard to UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage. I analyse the participatory Wiki-inventory for Living Heritage, concentrating on entries that discuss food and foodways to study how food, materiality, and the national intertwine with practices of producing intangible cultural heritage. The article’s theoretical background draws from the fields of banal nationalism and critical heritage studies. Food is eminently important in narratives of Finnishness: by using the concepts of naturalness and pastness, I show how Finnish food becomes interpreted as ‘authentic’ Finnish heritage. The concepts illuminate the complex processes in which the materiality of food, the Finnish terroir and landscape, narratives of the past, and the consumer who prepares, eats, and digests the heritagised food are tied to each other. These processes reinforce the banality of Finnishness, although the practices of inventorying paradoxically strive for the ideal of cultural diversity that UNESCO promotes.

Le « Musée de poche »: collection productrice d'un patrimoine artistique

2019 ◽  
Vol 58 (3) ◽  
pp. 382-395
Author(s):  
Colette Leinman
Keyword(s):  
Cultural Heritage ◽  
Contemporary Art ◽  
Art Criticism ◽  
Socialist Realism ◽  
Abstract Art ◽  
Discursive Analysis ◽  
The Past ◽  
Art Writing ◽  
The Future ◽  
Post War

In 1955 a polychrome and affordable collection of writers' biographies was created, allowing a large and young audience to easily access contemporary art, especially abstract art. This is hardly a given in the context of post-war, where the return to classical French aesthetics clashes with Socialist Realism. This study of ‘The Pocket Museum’ (1955–1965), shows how the collection fits into art writing, between art criticism and poetic writing, and how it enables the reader to discover abstract works. An ideal place for mediation and transmission, the collection, as an editorial strategy, helps to transform these new aesthetic creations into a national cultural heritage. Through a discursive analysis of ten books from the collection, three processes that have contributed to the promotion of abstract art are highlighted: the legitimacy of the author's discourse, whether he is an art critic, a poet, writer or journalist; the representation of the artist in question, whose difficult path is both stereotyped and singular, but always valorized; and finally, a series of analogies between abstract art and nature or comparisons with music, or else metaphorical expressions manifesting the ‘collapse of time’ where the universality of abstract art is part of the past, the present and the future.

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