Early post-second world war baby boomer's expectations on the quality of private property management service in Hong Kong

2009 ◽  
Author(s):  
Lee-lee Tsui
2017 ◽  
Vol 60 ◽  
pp. 97-139
Author(s):  
Jacek Puchalski

AN OVERVIEW OF RESEARCH INTO THE HISTORY OF LIBRARIES AND LIBRARIANSHIP IN POLAND IN 1945–2015The author of the article discusses selected academic and popular publications concerning the history of libraries and librarianship in Poland which appeared in 1945–2015. In that period information about the most important historical resources of various Polish libraries and early book collections was made available; in addition, the period was marked by progress in the study of materials originating before the end of the 18th century. Scholars published a range of methodological studies as well as studies dealing with sources, contributing to the development of scholarship. On the other hand, there were too few editions of source materials.After 1989 scholars intensified their efforts to find sources in foreign collections, especially in Lithuania, Belarus, Ukraine, Russia and Germany. Polish collections kept abroad are yet to be fully researched and have their inventories and catalogues published.The vast body of literature is uneven when it comes to its focus on the various historical periods, regions, subregions and local centres. It comprises publications dealing with the history of libraries, their function and role in culture with regard to the history of the book, and publications focused on the types of libraries or individual libraries — of different traditions, sizes and stature. Scholars also explored the history of home book collections, reading rooms and libraries as well as biographies of librarians and collectors. The quality of the publications varies. There are gaps in, for example, the history of libraries in the former Polish Eastern Borderlands as well as “blank pages” in the historiography of Polish librarianship after the Second World War. There is a visible shortage of quantification of phenomena from the past of libraries, despite the fact that there are some possibilities in this respect. What is also needed is development in comparative studies, also in an international perspective, although this would require Polish historians to become more interested than before in the history of librarianship in other countries.


2021 ◽  
Vol 34 (1) ◽  
pp. 180-199
Author(s):  
Regina M. Frey

At present, there is no societally relevant political newspaper in Germany that is based on a Christian worldview. The Rheinischer Merkur, founded in 1946 shortly after the end of the Second World War and shut down by the German Bishops’ Conference in 2010, was a newspaper of this kind. It went beyond the Christian milieu in the fulfilment of its mission in the public arena. The closure of the Rheinischer Merkur obscures even today the decisive role it played in the elaboration of the Constitution of the Federal Republic of Germany and the substantial quality of the paper. This essay sketches the history of the Rheinischer Merkur and its self-understanding, as well as its decline, locating these in the context of the journalistic autonomies and media-ethical tensions to which every journalistic medium is subject.


Author(s):  
Sarah Birch

Throughout their history, political elections have been threatened by conflict, and the use of force has in the past several decades been an integral part of electoral processes in a significant number of contemporary states. However, the study of elections has yet to produce a comprehensive account of electoral violence. Drawing on cross-national data sets together with fourteen detailed case studies from around the world, this book offers a global comparative analysis of violent electoral practices since the Second World War. The book shows that the way power is structured in society largely explains why elections are at risk of violence in some contexts but not in others. Countries with high levels of corruption and weak democratic institutions are especially vulnerable to disruptions of electoral peace. The book examines how corrupt actors use violence to back up other forms of electoral manipulation, including vote buying and ballot stuffing. In addition to investigating why electoral violence takes place, the book considers what can be done to prevent it in the future, arguing that electoral authority and the quality of electoral governance are more important than the formal design of electoral institutions. Delving into a deeply influential aspect of political malpractice, the book explores the circumstances in which individuals choose to employ violence as an electoral strategy.


2019 ◽  
pp. 238-267
Author(s):  
Victor Fan

This book’s conclusion revisits what extraterritoriality means and the historical journey of different generations of filmmakers and spectators who tried to work through this problem by creating, theorising, defining, and defending Hong Kong cinema, television, and media. The end of the previous chapter suggests that humanism is perhaps the answer to our political impasse. However, the mode of humanism that was widely promulgated by politicians and artists during and immediately after the Second World War (1939–45) had already failed and it turned out to be the beginning of the problematics that have produced the precarious milieu in which we live. This conclusion therefore proposes that we revisit what it means by being human while living with other human beings, by not re-territorialising any place or anybody, but by giving extraterritoriality a presence, a body. It argues that in Hong Kong, Mainland filmmakers who were exiled from their homeland use their films to explore and negotiate the means by which one can reclaim humanity.


2020 ◽  
Vol 68 (2) ◽  
pp. 127-145
Author(s):  
Achim Stiegel

The Rijksmuseum recently acquired eight furniture designs, drawn by the cabinet-maker from Braunschweig, Carl Wilhelm Marckwort (1798-1875), while working as a journeyman in Berlin, in the years 1820-23. Apart from another group by Marckwort, no similar drawings made in Berlin during the first half of the nineteenth century survive, although they must once have been common. They were not regarded as works of art, and those that may have been retained in Berlin were lost during the Second World War. Marckwort took his drawings with him when he returned to Braunschweig in 1824, where they have until recently been kept by a succession of local cabinet-makers. Marckwort’s drawings present much information on current Berlin furniture types, and they document the high level of draughtsmanship attained by a talented craftsman working there. In Berlin, as in Vienna and indeed also in Braunschweig, much attention was given from the late eighteenth century onwards to providing drawing lessons for apprentices and journeymen. This was seen as an important step in an effort to improve the quality of manufactured goods. Marckwort’s manner of drawing, linear rather than free, exemplifies the workings of the new educational system. Sadly, no documentation concerning his training has been found.


2015 ◽  
Vol 44 (4) ◽  
pp. 145-175 ◽  
Author(s):  
Catherine S. Chan

In the 1980s, as the end of the millennium approached, the production of nostalgia exploded all around the world. For Hong Kong, nostalgia became a reminder of the golden age that had transformed the city into one of the “Four Asian Tigers” in the decades following the end of the Second World War. While yearning for the better days of the past, Hong Kong coincidentally experienced destabilisation. As the rest of the world, especially the “baby boomers,” mourned the end of a productive era, Hong Kong locals were disturbed by the affirmation of the handover to China in 1997. In the context of these events, a creative rush to nostalgia in cultural manufacturing swept across the city. In the hope of highlighting the uniqueness of nostalgic production in Hong Kong, this study analyses two sets of TV commercials produced by local beverage company Vitasoy. Through the deconstruction of selected historical events, Vitasoy successfully reinvented its brand and, in contrast to general criticism of the concept, generated a positive connotation for nostalgia on the path towards Hong Kong's search for an identity.


Scott Lithgow ◽  
2005 ◽  
pp. 1-28
Author(s):  
Lewis Johnman ◽  
Hugh Murphy

This initial chapter outlines the founding of the Scotts Shipyard of Greenock in 1711, and follows the history of the company through to the end of the Second World War. It documents the company’s major accomplishments, business developments, finances, ownerships, and technical developments throughout the period before the postwar expansion. Events considered include the 1794 construction of the timber vessel, Caledonia, the largest Scottish vessel of the period; an association with the Admiralty; links with Liverpool shipyards; trade links with China and Hong Kong; the quick transition to steam technology; naval contracts; the twentieth century increase in naval demand; and secretive membership in the ‘Warship Group’ of private shipbuilders - a ring that aimed to protect prices from competition. The chapter concludes in 1945, noting that though the forward-thinking Scotts took advantage of wartime inflation and a boom in ship prices for financial stability, no one could predict the size of the postwar maritime expansion that would follow.


Author(s):  
Catherine S. Chan

As the Second World War unfolded in Hong Kong, it created various crises that intensified pre-existing racial tensions in the colony. In exchange for the liberties and safety of being ‘neutral’ or third nationals, Anglicized Macanese rushed to revoke their British status in favor of Portuguese certificates. Some sought refuge in Macau, where they would live, perhaps for the first time ever, side-by-side with Macanese subjects who were different in terms of cultural and political orientation. Despite acquiring Portuguese status, three Anglophile Macanese—Eddie Gosano, Leo d’Almada e Castro and Clotilde Barretto—continued to work for the British government, risking their lives for the BAAG. The Epilogue ends with the aftermath of the war and a reappraisal of the resilience of identity.


2017 ◽  
Vol 12 (2) ◽  
pp. 275-296
Author(s):  
Annabel Williams

This article argues that unexamined connections between Ezra Pound and Cyril Connolly illuminate a remodelling of form in late modernist travel writing, in a period when the genre was threatened by wartime restrictions on movement. In Cyril Connolly's The Unquiet Grave (1944) and Ezra Pound's The Pisan Cantos (1948), the ‘intellectual voyage’ becomes a compensatory response to the authors’ enforced stasis during the Second World War, and to their separation from those places in Europe whose influence was integral to their aesthetic sensibilities. Both writers adapt some of the formal strategies of high modernism to respond to this. The resulting late modernist form might be thought of as a ‘periplus’: like the navigational chart, it is shaped by a subjective ‘pilot's perspective’, and in communicating the writers’ journeys it relies on the affective quality of movement. In both works, structural and figurative motifs of the waveform in states of flux and recession reflect the writers’ compromising positions between nostalgia or escapism, and innovation.


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