scholarly journals International Real Estate Review

2018 ◽  
Vol 21 (3) ◽  
pp. 317-341
Author(s):  
Wen-Chieh Wu ◽  
◽  
Yu-Chun Ma ◽  
Steven Bourassa ◽  
◽  
...  

In this paper, we examine whether Chinese folk customs and taboos have impacts on the home improvement decisions of Taiwanese homeowners. Based on traditional Chinese culture, we choose the Year of the Dragon and Widow Year as indicators of auspicious (fortune) and inauspicious (taboo) periods, respectively. With the use of a Heckman two-stage estimation approach, our empirical results provide evidence that traditional Chinese folk customs and taboos indeed have important roles in decisions on home improvement. We find that the likelihood that a homeowner will make home improvements is significantly reduced in the so-called taboo period. Moreover, we find that expenditures on home improvements increase in the so-called auspicious period, particularly in areas outside the capital city region. In addition to considering the impacts of folk customs on home improvement decisions, this paper contributes to the literature by establishing a theoretical model that reflects the fact that homeowners have dual roles as both consumers and suppliers of housing.

1998 ◽  
Vol 1 (1) ◽  
pp. 81-100
Author(s):  
Chin-Oh Chang ◽  
◽  
Shu-Mei Chen ◽  
Shiawee X. Yang ◽  
◽  
...  

This paper examines the impact of aggregated needs of household members on the choice of housing location in Taipei, Taiwan, using a sample of 11,191 households and information collected from the 1990 Census of Population and Housing. Our results indicate that the choice of housing location is significantly affected impacted by the age, family origin, past housing location, education and occupation status, and the location of the workplaces of both spouses. We also find that this decision is more significantly influenced by the attributes of the male spouse than the female. However, among the households with a female household head, the female spouse characteristics are more likely to be significant. Our results also offer a snapshot of today’s Taiwanese culture and shows that it is dramatically different from the commonly believed male-dominated traditional Chinese culture.


Urban Science ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 3
Author(s):  
Janette Hartz-Karp ◽  
Dora Marinova

This article expands the evidence about integrative thinking by analyzing two case studies that applied the collaborative decision-making method of deliberative democracy which encourages representative, deliberative and influential public participation. The four-year case studies took place in Western Australia, (1) in the capital city Perth and surrounds, and (2) in the city-region of Greater Geraldton. Both aimed at resolving complex and wicked urban sustainability challenges as they arose. The analysis suggests that a new way of thinking, namely integrative thinking, emerged during the deliberations to produce operative outcomes for decision-makers. Building on theory and research demonstrating that deliberative designs lead to improved reasoning about complex issues, the two case studies show that through discourse based on deliberative norms, participants developed different mindsets, remaining open-minded, intuitive and representative of ordinary people’s basic common sense. This spontaneous appearance of integrative thinking enabled sound decision-making about complex and wicked sustainability-related urban issues. In both case studies, the participants exhibited all characteristics of integrative thinking to produce outcomes for decision-makers: salience—grasping the problems’ multiple aspects; causality—identifying multiple sources of impacts; sequencing—keeping the whole in view while focusing on specific aspects; and resolution—discovering novel ways that avoided bad choice trade-offs.


2020 ◽  
Vol 1 (3) ◽  
pp. 161-167
Author(s):  
Wang Kaidi ◽  

The article is devoted to the Opera "The Dawns Here Are Quiet" by the Chinese composer Tang Jianping based on the same-named novel by Boris Vasilyev. The theme of the Great Patriotic War, which for the first time became the plot of the Chinese Opera, was in tune with the theme of the Chinese Resistance to the Japanese Invasion. The composition synthesizes the characteristics of the European opera type in its Russified version, which was reflected in the heroic and epic dramaturgy and multi-part musical text. Russian folklore allusions, quasi- quotes from Russian operas, military-patriotic and Soviet mass songs reflect the author's method. The integrity of musical dramaturgy was given by the leitmotif, which became the main marker of Russian identity in the Opera. The Opera lacks a naturalistic embodiment of the War, and depicts the enemy in a conventional, symbolic way, in the form of unnamed but recognizable figures. The creators of the play sought to reveal the barbaric essence of the War, its anti-human character, to present the psychological state of the heroes and the manifestation of their human nature. The theme of the death of young girls gave a special perspective to the Opera, which is particularly acute in China due to gender disparity. The concept of the composer, director and screenwriter reflects the ideological constants of traditional Chinese culture, which gave the Opera an internal subtext.


Sign in / Sign up

Export Citation Format

Share Document