scholarly journals “From the vaults of my dungeon”: dos lugares da memória em Brideshead Revisited de Evelyn Waugh

10.5334/as.50 ◽  
2021 ◽  
Vol 19 (1) ◽  
Author(s):  
Cláudia Coimbra
Keyword(s):  
Evelyn Waugh

Katherine Mansfield and Literary Influence

2015 ◽  
Keyword(s):  
Cultural Differences ◽  
Virginia Woolf ◽  
Katherine Mansfield ◽  
Anton Chekhov ◽  
Evelyn Waugh ◽  
Literary Influence ◽  
Artistic Production ◽  
Key Issues ◽  
John Middleton Murry

Katherine Mansfield and Literary Influence seeks to understand influence, a powerful yet mysterious and undertheorised impetus for artistic production, by exploring Katherine Mansfield’s wide net of literary associations. Mansfield’s case proves that influence is careless of chronologies, spatial limits, artistic movements and cultural differences. Expanding upon theories of influence that focus on anxiety and coteries, this book demonstrates that it is as often unconscious as it is conscious, and can register as satire, yearning, copying, homage and resentment. This book maps the ecologies of Mansfield’s influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries. Katherine Mansfield and Literary Influence identifies Mansfield’s involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.

scholarly journals Análisis comparativo de las estructuras articulatorias de los mundos posibles en las transducciones de "Brideshead Revisited" de Evelyn Waugh

2020 ◽  
pp. 35-63
Author(s):  
Victoria Hernández Ruiz
Keyword(s):  
Evelyn Waugh

Las obras de ficción poseen en su constitución artística estructuras que articulan el mundo posible que en ellas se desarrolla y las interacciones de los personajes entre sí y con el mundo en el que habitan. Estas estructuras articulatorias de los mundos posibles, mediante procesos miméticos, emulan patrones existentes en la realidad efectiva, haciendo que los mundos ficcionales sean verosímiles, reconocibles y significativos para el receptor. En este artículo nos detenemos a examinar las estructuras que responden a categorías éticas, estéticas y religiosas y analizamos la presencia o ausencia de estas en las transducciones intersemióticas televisiva y cinematográfica de la obra literaria Brideshead Revisited, de Evelyn Waugh y comprobamos de qué modo la estructura de orden general del protomundo se ve afectada en el proceso de transmodalización al respetar o prescindir de estas estructuras articulatorias.

Evelyn Waugh, Helena and the True Cross

2000 ◽  
Vol 7 ◽  
pp. 25
Author(s):  
Jan Willem Drijvers
Keyword(s):  
Evelyn Waugh

The Private Language of Evelyn Waugh

1976 ◽  
Vol 2 (3) ◽  
pp. 329-338
Author(s):  
Jeffrey M. Heath
Keyword(s):  
Private Language ◽  
Evelyn Waugh

Waugh Revisited: Douglas Lane Patey's Life of Evelyn Waugh

2004 ◽  
Vol 122 (426) ◽  
pp. 64-74
Author(s):  
John Beaumont
Keyword(s):  
Evelyn Waugh
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