scholarly journals In a Foot of COVID-19 Clay Are the Feats of Library Writing Communities

2021 ◽  
Vol 5 (2) ◽  
pp. 251
Author(s):  
Samry
Keyword(s):  
Author(s):  
Peter Boot

To date, there has been very little research into online writing communities, largely as a result of the perceived low quality of writing produced in these communities. This article examines literary evaluation within online writing communities. Specifically, the Dutch site Verhalensite, which publishes both poems and stories, is analyzed in an attempt to determine why one work may be rated more highly than another, and whether a work’s ratings create an enduring reputation for its author.


Author(s):  
Cheryl L. Dozier ◽  
S. Joy Stephens

This chapter shares the planning, design, and implementation of a unique, intensive practicum based faculty-led study abroad program for preservice candidates in village and town schools in Belize, Central America. This study abroad experience included cultural explorations, school-based writing practicum experiences, and daily seminar sessions. In communities of writers, preservice candidates focused on learning from and with Belize learners and families as they developed as responsive teachers. The authors designed engagements to mentor preservice candidates in strengths based teaching, creating side-by-side writing communities, developing purposeful and intentional instructional language, and learning from students' families. Reflecting on two consecutive trips during the university's winter semester, the authors share insights on re-imagining educational and travel narratives. They also discuss ways they continue to learn from participants as they design future trips.


Author(s):  
Rebekah Shultz Colby

The immense enrollment capacity of massive open online courses (MOOCs) radically decenters student and teacher authority in the writing classroom. However, online writing communities teach each other how to write effectively within that community, a type of writing instruction which could be leveraged in a MOOC. The author qualitatively coded the types of writing questions and feedback posted on a technical writing forum, Technical Writing World and discovered that writing questions focused on technical writing genres, style guides, documentation practices, lower order concerns, and revision or outsourcing of work. Responses often directed the original poster to research the rhetorical situation within a specific company. The author then outlined three pedagogical approaches for writing MOOCs: students could ask writing questions from professionals on similar writing websites, conduct qualitative studies of similar online writing communities to learn their underlying writing values, and participate in MOOCs that were organized to be communities of practice.


2021 ◽  
Vol 1 (1) ◽  
pp. 42-48
Author(s):  
Sergei A. Golubkov

In this article, we are talking about how the time of radical changes transforms the literary situation, changes the very content of modernity. This content includes a change in the types of artistic thinking, the interaction of style trends, the emergence of relevant topics, the change in the very forms of existence of a literary work, the change in the writer's status in society, the birth of new reader requests. Literary modernity is considered as a polyvector process, which includes various creative groups and writing communities. They offer their own innovations. The essence of the novelty of the next epoch can be expressed in an active dispute with the previous literary models. Contemporaries can put different content into the concept of a new one. So, in a highly political 1920-ies features of the new could suddenly acquire focus not on the ideological dominance of creativity and talent on the aesthetic quality of its products, to update the art forms (Serapion's brothers, Pass). Under the new one, we understood the variants of a fruitful synthesis of fiction and everyday life, realism and symbolism, realism and expressionism, point specifics and broad abstraction. The fate of individual genres (for example, the novel) was considered. The new could manifest itself in the very understanding of the timeliness (relevance) of a literary work. With the gradual introduction of strict regulation in the literary process, the understanding of such relevance changed (the theory of social order). The non-obviousness of the new (hidden timeliness) allows us to reevaluate the literature of the 1920s, to look at it from a century-old distance. The true innovations of this time are revealed.


E-Structural ◽  
2021 ◽  
Vol 3 (02) ◽  
pp. 131-144
Author(s):  
Eva Fatimah ◽  
Imas Istiani

Abstract. Cyber literature has been academically recognized in literary studies through multiple research studies. Cyber literature is manifested in various cyberspace, both maintained individually and professionally. Writing platforms on the internet, such as Wattpad, have been widely used. They provide space for writers and engage readers to create online writing communities. One of the most popular genres found in cyber literature is romance chick-lit, in which most main characters are working women. Although most protagonists are working women who are financially independent, they still search for men who have higher positions, social levels, and financial stability. They wish that such men will find and save them, referred to by Colette Dowling as Cinderella complex. The study investigates the Cinderella complex's indications on female protagonists in two Wattpad chick lit works: 1) Furious Boss & Naughty Secretary, and 2) Ex-lovers but Married. The indications of Cinderella Complex were shown through 1) the wish to be saved, 2) the girl-child lives on, 3) the achievement gap, 4) the intimations of helplessness, and 5) the blind devotion.Keywords: Cinderella complex; cyber literature, WattpadAbstrak. Sastra cyber sudah diperhitungkan sebagai bagian dari studi sastra secara akademik melalui berbagai penelitian yang sudah dilakukan. Sastra cyber terwujud di dalam berbagai ruang cyber, baik itu dijalankan secara individual maupun profesional. Platform menulis pada internet seperti Wattpad sudah marak digunakan sebagai tempat berkarya bagi penulis serta menarik perhatian pembaca untuk menciptkana suatu komunitas menulis secara online. Salah satu genre populer pada sastra cyber adalah chicklit romantis yang mana karakter utamanya adalah wanita pekerja.  Meskipun protagonis wanita merupakan wanita pekerja yang independen secara finansial, mereka masih mengharapkan pasangan yang berada di posisi, tingkat sosial dan kestabilan finansial yang lebih besar dari mereka. Studi ini bertujuan untuk mencari indikasi adanya Cinderella complex pada karakter protagonis perempuan melalui dua karya chicklit di Wattpad, yaitu: 1) Furious Boss & Naughty Secretary, dan 2) Mantan Tapi Menikah. Indikasi Cinderella complex yang ditemukan adalah 1) keinginan untuk diselamatkan, 2) gadis-kecil yang hidup di dalam diri, 3) kesenjangan prestasi, 4) tanda ketidakmampuan, dan 5) kepatuhan yang buta.Kata kunci: Cinderella complex; sastra cyber, Wattpad


2018 ◽  
Vol 9 (1) ◽  
pp. 93-108 ◽  
Author(s):  
Suman

Migrations are gendered journeys. During contemporary times when migrations happen due to personal reasons like pursuit of better job opportunities, the spouses, mostly women, face several challenges in finding jobs and sustaining a career. Many of these qualified women often turn to alternate means of finding identity and fulfilment. Writing is one activity that provides them with this sense of purpose and achievement. The personal act of writing a literary text becomes as much a social activity when few of them form writing communities. This socio-literary study begins with an analysis of the social and material conditions that foster gendered migrations, and goes on to analyse writing as an alternate career, the role these gendered writing communities play in the process of writing, publishing and marketing as well as the choice of certain topics, like romance, thus functioning as mini-publishing houses. Through detailed interviews of five women writers of South Asian origin, this paper posits that these popular narratives, the products of these writing communities, are very temporal in nature and a product of interesting intersections between migrations as a condition and the gendered communities.


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