scholarly journals Aeneas and Callisto

2019 ◽  
Vol 67 (3) ◽  
pp. 196-215
Author(s):  
Josephina De Fouw ◽  
Ige Verslype
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
The Other ◽  
The Way

The Rijksmuseum has in its collection an oil sketch by Jacob de Wit (1695-1754) of a design for a ceiling painting. This ceiling painting – The Apotheosis of Aeneas – was commissioned by Pieter Pels (1668-1739) for his house at number 479 Herengracht, Amsterdam. The present article identifies the room for which the work was made. The ceiling painting proves to have been part of a larger painted ensemble by Jacob de Wit and the landscape painter Isaac de Moucheron (1667-1744). On the basis of De Wit’s sketches, records in the archives and research on site, a picture of the way this painted room looked in Pels’s day is built up. The later fortunes of the room are also explored. At the end of the nineteenth century the ceiling painting was replaced by another one, also by De Wit. As a result of this very curious switch, the present ceiling painting is no longer an original whole, but a composite hybrid. All the other interior paintings vanished from the room long ago. Three of them, a chimney-piece and two overdoors by De Wit, have been traced to Russia. Three previously unknown paintings have now been added to the artist’s oeuvre.

scholarly journals Wellington e Napoleão: Representações Britânicas e Portuguesas no Romance e no Ecrã

2017 ◽  
pp. 17-60
Author(s):  
David Evans ◽  
Gabriela Gândara Terenas ◽  
Maria do Rosário Lupi Bello
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
The Other ◽  
Military Leaders ◽  
Other Hand ◽  
Peninsular War ◽  
The Many ◽  
The Way

The primary aim of the present article is to analyse how the two opposing military leaders – Wellington and Napoleon – were portrayed in British and Portuguese novels and films. The article looks closely at the way British and Portuguese authors perceived the two major figures of the Peninsular War, whilst examining, on the other hand, the way they were depicted in the cinema, contributing in this way, it is hoped, towards the reconstitution of a period of particular importance in Anglo-Portuguese relations. The first part of the study presents an overview of the way the War has been portrayed in Literature and the Cinema and the second looks closely at the many ways such narratives have depicted these great adversaries, two of the most remarkable figures of the nineteenth century.

Anna Karenina: The Dialectic of Prophecy

PMLA ◽  
1964 ◽  
Vol 79 (3) ◽  
pp. 266-282
Author(s):  
David H. Stewart
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Moby Dick ◽  
Anna Karenina ◽  
Symbolic Value ◽  
Almost All ◽  
The Way

One of the most impressive features of Anna Karenina is the way in which Tolstoy draws the reader's imagination beyond the literal level of the narrative into generalizations that seem mythical in a manner difficult to articulate. With Dostoevsky or Melville, one sees immediately a propensity for exploiting the symbolic value of things. With Tolstoy, things try, as it were, to resist conversion: they strive to maintain their “thingness” as empirical entities. A character in Dostoevsky is usually only half man; the other half is Christ or Satan. Moby Dick is obviously only half whale; the other half is Evil or some principle of Nature. But Anna Karenina is emphatically Anna Karenina. Like almost all of Tolstoy's characters, she has a proficiency in the husbandry of identity; she jealously hoards her own unique reality, so that it becomes difficult to say of her that she is a “type” of nineteenth-century Russian lady or a “symbol” of modern woman or an “archetypical” Eve or Lilith.

scholarly journals The “A-theist” Christ

Kairos ◽  
2021 ◽  
Vol 15 (2) ◽  
pp. 195-205
Author(s):  
Teofil Stanciu
Keyword(s):  
Human Nature ◽  
Present Article ◽  
The Other ◽  
Secular World ◽  
The Cross ◽  
The Way

For Metropolitan Anthony Bloom, the kenosis of Christ climaxes with his God-forsakenness on the cross. It is this aspect of kenosis that the present article tries to explore and build upon. One key element will be the meaning of the concept of “a-theist” Christ – coined by Bloom – and how this status of the incarnated Son can function as a basis for our identification and solidarity with today’s atheists. By the way of kenosis, the incarnation brings together in one hypostasis the divine and human nature. This reality endowed both our nature and created order with significant dignity. This paper explores the possibilities from this dignity and how it can serve as a bridge for dialogue with humanists and materialists. As Bloom suggests, this can open the discussion towards the secular world and Christians could take some responsibility for the process of secularization. The objective of this article is to demonstrate that Anthony Bloom’s controversial idea of “a-theist” Christ can become a connection point with the other and a mirror in which western Christians might look at some of their anthropological shortcomings that hamper their solidarity and dialogue with those who do not share the faith in God.

"Constantly in Motion

Transfers ◽  
2012 ◽  
Vol 2 (3) ◽  
pp. 81-96
Author(s):  
Frederike Felcht
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Foreign Markets ◽  
Material World ◽  
Geographical Mobility ◽  
Other Hand ◽  
Significant Change ◽  
The One ◽  
The Way

In the nineteenth century, a significant change in the modern infrastructures of travel and communications took place. Hans Christian Andersen's (1805-1875) literary career reflected these developments. Social and geographical mobility influenced Andersen's aesthetic strategies and autobiographical concepts of identity. This article traces Andersen's movements toward success and investigates how concepts of identity are related to changes in the material world. The movements of the author and his texts set in motion processes of appropriation: on the one hand, Andersen's texts are evidence of the appropriation of ideas and the way they change by transgressing social spheres. On the other hand, his autobiographies and travelogues reflect how Andersen developed foreign markets by traveling and selling the story of a mobile life. Capturing foreign markets brought about translation and different appropriations of his texts, which the last part of this essay investigates.

scholarly journals “The Sixth Sense”: Towards a History of Muscular Sensation

Gesnerus ◽  
2011 ◽  
Vol 68 (2) ◽  
pp. 218-271
Author(s):  
Roger Smith
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
History Of Knowledge ◽  
Herbert Spencer ◽  
The Arts ◽  
Active Subject ◽  
History Of ◽  
The Senses ◽  
And Function ◽  
The Way

This paper outlines the history of knowledge about the muscular sense and provides a bibliographic resource for further research. A range of different topics, questions and approaches have interrelated throughout this history, and the discussion clarifies this rather than presenting detailed research in any one area. P art I relates the origin of belief in a muscular sense to empiricist accounts of the contribution of the senses to knowledge from Locke, via the idéologues and other authors, to the second half of the nineteenth century. Analysis paid much attention to touch, first in the context of the theory of vision and then in its own right, which led to naming a distinct muscular sense. From 1800 to the present, there was much debate, the main lines of which this paper introduces, about the nature and function of what turned out to be a complex sense. A number of influential psycho-physiologists, notably Alexander Bain and Herbert Spencer, thought this sense the most primitive and primary of all, the origin of knowledge of world, causation and self as an active subject. Part II relates accounts of the muscular sense to the development of nervous physiology and of psychology. In the decades before 1900, t he developing separation of philosophy, psychology and physiology as specialised disciplines divided up questions which earlier writers had discussed under the umbrella heading of muscular sensation. The term ‘kinaesthesia’ came in 1880 and ‘proprio-ception’ in 1906. There was, all the same, a lasting interest in the argument that touch and muscular sensation are intrinsic to the existence of embodied being in the way the other senses are not. In the wider culture – the arts, sport, the psychophysiology of labour and so on – there were many ways in which people expressed appreciation of the importance of what the anatomist Charles Bell had called ‘the sixth sense’.

Feudal Revenue in Japan at the Time of the Meiji Restoration

1960 ◽  
Vol 19 (3) ◽  
pp. 255-272 ◽  
Author(s):  
W. G. Beasley
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Quantitative Data ◽  
Japanese Society ◽  
The Other ◽  
Precise Information ◽  
Meiji Restoration ◽  
Other Hand

Despite the existence of an enormous literature dealing with the Meiji Restoration and its origins, it is still surprisingly difficult to acquire precise information about some aspects of Japanese society in the middle of the nineteenth century. One such difficulty is that of obtaining general quantitative data about the great feudal domains (han) which constituted the major political and economic units of the country. This is not to say that details concerning the domains are impossible to find. Many records are readily available, even in print, and some have been used by scholars to support or illustrate general statements. It is commonly accepted, for example, that agrarian productivity increased greatly in Japan between the seventeenth and nineteenth centuries and that land dues were extremely high, especially at the end of the period. It is possible to cite domains as examples for each of these generalisations. On the other hand, it is never very clear whether the examples themselves are typical or merely random, how far they approximate to or differ from the norm. Nor has there been much attempt to discover whether the wide differences which existed between one domain and another in these matters followed any identifiable pattern. It is with these problems that the present article will deal.

Basaveswara and Thoreau: A Comparative Study of Their Religious Thought

IJOHMN ◽  
2017 ◽  
Vol 3 (4) ◽  
Author(s):  
Basavaraj Naikar
Keyword(s):  
Nineteenth Century ◽  
Comparative Study ◽  
Twelfth Century ◽  
The Other ◽  
Subjective Improvement ◽  
Social Reformer ◽  
Religious Thought ◽  
Social Betterment ◽  
Time Gap ◽  
The Way

That great men think alike is borne out by a comparative study of the religious thought and philosophy of Basaveswara, a twelfth century mystic and social reformer of Karnataka, India and Thoreau, a nineteenth century American Transcendentalist. Although there is a time gap of seven centuries and a spatial gap of about three thousand miles between them countries and background the ideas propounded by them are so similar that one feels that either of them must have copied from the other. But they did not know each other by any chance whatever. But they were placed in similar circumstances though not the same ones. Some of the similarities in their views may be studied at some length in the following paragraphs. Inner Purity The concept of inner purity is common to both Basaveswara and Thoreau. They insist upon the subjective improvement which automatically paves the way for objective or social betterment. Both of them attach an extraordinary importance to inner purity as they associate it with the principle of divinity in man. Inner purity should be simultaneous with the external purity. As Basaveswara says in one of his vacanas or mystic utterances: You shall not steal,

Mkwawa and the Hehe Wars

1968 ◽  
Vol 9 (3) ◽  
pp. 409-436 ◽  
Author(s):  
Alison Redmayne
Keyword(s):  
Nineteenth Century ◽  
Attempted Suicide ◽  
Lake Tanganyika ◽  
Early History ◽  
The Other ◽  
Central Plateau ◽  
Political Unity ◽  
The People ◽  
German Authority ◽  
The Way

The Hehe now live mainly in the Iringa and Mufundi districts of Tanzania. Little is known of their early history before the mid-nineteenth century, when chief Munyigumba of Ng'uluhe extended his rule over the other chiefdoms of the Usungwa highlands and central plateau of Uhehe. By his death in ca. 1878 he had also won important victories against the chiefs of Utemikwila, Usangu and Ungoni.After Munyigumba/s death the Hehe suffered a temporary set-back when Mwambambe, who had been a subordinate ruler under Munyigumba, tried to usurp the chiefship, killed Munyigumba's younger brother and caused one of his sons, Mkwawa, to flee to Ugogo. However, eventually Mwambambe was killed in battle against Mkwawa, and his surviving followers, whom he had recruited from Kiwele, fled. By 1883, when Giraud visited Uhehe, Mkwawa was the unchallenged ruler of his father/s lands, and under him the Hehe, who had only recently acquired political unity, had extraordinary military success. Their most important raids were on the caravan route which ran from Bagamoyo on the coast to Lake Tanganyika. By 1890 these raids were a threat to German authority and a major obstacle in the way of colonization and the development of trade. In spite of the Germans' effort to make peace with them, the Hehe persisted in attacking caravans and the people who had submitted to the Germans so, in 1891, a German expedition was sent to Uhehe. This was ambushed and defeated by the Hehe, who then continued their raids, causing the Germans to return in 1894 with a larger expedition and destroy the Hehe fort. Chief Mkwawa may have attempted suicide in the fort, but he was persuaded to flee and then maintained his resistance to the Germans until 1898 when he shot himself to avoid capture. The Hehe then submitted to the Germans. Mkwawa's own determination not to surrender was a very important factor in the long struggle. During this war the Germans acquired a respect for the Hehe which has affected the way that the Hehe have been regarded and treated ever since.

“The Wonders of Derbyshire: A Spectacular Eighteenth-Century Travelogue”

1961 ◽  
Vol 2 ◽  
pp. 54-66 ◽  
Author(s):  
Ralph G. Allen
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Other ◽  
Considerable Importance ◽  
History Of ◽  
The Way

The career of Philip James de Loutherbourg, the Alsatian scene designer, assumes considerable importance in a history of the English theatre. More than anyone else, De Loutherbourg was responsible for freeing stage spectacle from the rigidities of the conventional wing and border system, thus preparing the way for Capon, Planché, Stanfield and the other great romantic designers of the nineteenth century.

THE TEXT OF THE ARISTOTELIAN MECHANICS

2013 ◽  
Vol 63 (1) ◽  
pp. 183-198 ◽  
Author(s):  
Joyce Van Leeuwen
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Present Article ◽  
Critical Edition ◽  
The Other ◽  
Textual Transmission

The present article examines the textual transmission of the Aristotelian Mechanics, a treatise on mechanical questions now generally ascribed to the Peripatetic School. The treatise was edited three times in the nineteenth century, namely by Johannes van Cappelle (1812), Immanuel Bekker (1831) and Otto Apelt (1888); most recently, an edition was produced in the twentieth century by Maria Elisabetta Bottecchia (1982). Bottecchia's edition is a clear improvement over the previous editions in the extent of its research. Whereas the other editors of the Mechanics altogether consulted a total of nine manuscripts, Bottecchia considered nearly the complete manuscript material for her critical edition of the text. When I started my project I did not expect to find significant new results which would make a completely new critical edition of the text necessary.

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