scholarly journals A arte transmídia de instalação nas décadas de 1960/1970 e na contemporaneidade (André Parente e Kátia Maciel)

Visualidades ◽  
2016 ◽  
Vol 14 (1) ◽  
Author(s):  
Natasha Marzliak ◽  
José Eduardo Ribeiro de Paiva ◽  
Marcelo Antonio Milaré Veronese
Keyword(s):  
Jack Smith

A arte no contexto da transmídia, ao se contaminar por recursos de diversos meios, tais como o cinema, o vídeo e as novas tecnologias audiovisuais, ultrapassa fronteiras, abre passagens e desloca espaços e temporalidades sugerindo a participação do público. A partir de uma proposição comparativa e temporal, este estudo pretende traçar possibilidades dialógicas dos conceitos e práticas da arte de instalação transmidiática de vanguarda que tiveram início na década de 1960 e se prolongaram por toda a década de 1970 – sobretudo os do grupo Fluxus, de Jack Smith, do Cinema expandido, das manifestações ambientais de alguns artistas brasileiros (a exemplo de Hélio Oiticica) e da atualidade, com enfoque em dois artistas brasileiros: André Parente e Kátia Maciel.Palavras-chave: arte transmídia, instalação, audiovisual

General Motors (a): Jack Smith

2009 ◽  
Author(s):  
Mark E. Haskins ◽  
Jeffrey Elmer
Keyword(s):  
General Motors ◽  
Jack Smith

scholarly journals Blending In and Standing Out - Camouflage and Masking as Queer Tactics of Negotiating Visibility

2014 ◽  
Author(s):  
Magda Szcześniak
Keyword(s):  
Andy Warhol ◽  
Jack Smith ◽  
Social Invisibility

The article considers camouflage and masking as tactics of queering the dominant regime of visibility. Departing from queer critiques of visibility voiced by such theoreticians as Peggy Phelan, Lee Edelman, Rosemary Hennessy, and Hito Steyerl, the author poses the question of what would it mean to queer visibility in a way which wouldn't force queer subjects to return to previously occupied sites of social invisibility. The answer is offered through the analysis of works by Jack Smith, Andy Warhol, Pauline Boudry & Renate Lorenz, Zach Blas, and Karol Radziszewski.

A Conversation with Annette Michelson

October ◽  
2019 ◽  
Vol 169 ◽  
pp. 17-37
Author(s):  
Edward Dimendberg
Keyword(s):  
North American ◽  
Marguerite Duras ◽  
Marcel Duchamp ◽  
Avant Garde ◽  
Jack Smith ◽  
Richard Serra ◽  
Film Archives ◽  
Stan Brakhage ◽  
First Time ◽  
Research Institute

Film scholar Edward Dimendberg spoke to Annette Michelson in July 2014 for a series of interviews sponsored by the Getty Research Institute. In their conversation, which is published for the first time here, Michelson discusses her first encounters with North American avant-garde film, the early days of Anthology Film Archives, and such figures as Jonas Mekas, P. Adams Sitney, Peter Kubelka, Yvonne Rainer, Hollis Frampton, Michael Snow, Stan Brakhage, Hans Richter, Harry Smith, Jack Smith, Marcel Duchamp, Joyce Wieland, Agnès Varda, Richard Serra, and Marguerite Duras, among others.

The Lower and Middle Palaeolithic Industries of the English East Midlands

1963 ◽  
Vol 29 ◽  
pp. 357-394 ◽  
Author(s):  
Merrick Posnansky
Keyword(s):  
Middle Palaeolithic ◽  
Railway Ballast ◽  
The West ◽  
East Anglia ◽  
North West ◽  
East Midlands ◽  
Jack Smith ◽  
West Midlands ◽  
Imaginary Line ◽  
Line Passing

The first palaeoliths to be described from this country were found in the south of England, particularly from the Thames Valley and East Anglia. In 1880 Boyd Dawkins wrote that tools of Drift Man were ‘conspicuous by their absence from the gravels north-west of a line passing through the Midland counties from Bristol to the Wash’. In 1897 John Evans (Evans 1897, 580), in the light of the Saltley find from the Birmingham district, questioned the view then current that their absence was due to glacial conditions prevailing north of the Severn—Wash ‘imaginary’ line, and held out hope for future finds in that northern area.Though hand axes had earlier been described from Chester (Stone 1908, 25) and Bridlington (Evans 1897, 572) it was not until the 1920's that Sir John Evans's hopes began to be realized. Randall Davies brought attention to a hand axe found in railway ballast gravel from Skellingthorpe in Lincolnshire in 1920.In the West Midlands numerous isolated finds were described from 1920 onwards by Burkitt (1920), Jack, Smith, Shotton and Clifford, the last two authors having in recent years (Shotton 1934 and 1953, Clifford 1954) provided a fairly comprehensive account and bibliography of the Lower and Middle palaeolithic finds from the West Midlands. In the East Midlands the story of discovery has been slower and very little of the material found has been published. In 1922 R. A. Smith published two flake implements from Leicestershire, though these cannot now be accepted (Posnansky 1955, 31).

‘Moldy Art’: The exotic world of Jack Smith

2010 ◽  
Vol 4 (2) ◽  
pp. 173-186
Author(s):  
Constantine Verevis
Keyword(s):  
Jack Smith

In honor Jack Smith

1995 ◽  
Vol 16 (5) ◽  
pp. 378-378
Keyword(s):  
Jack Smith
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