scholarly journals The Presence of Touch in Musset’s André del Sarto and Proust’s Le Mystérieux Correspondant

2020 ◽  
Vol 35 (2) ◽  
pp. 239-249
Author(s):  
Françoise Paulet Paulet
Keyword(s):  
Nineteenth Century ◽  
Semantic Networks ◽  
Literary Works ◽  
Lexical Semantic ◽  
Sense Of Touch ◽  
Narrative Role

Touch, as a sense of proximity, is very important in emotional and intellectual communication. Is it possible to insert it in literature? By analysing lexical-semantic networks of terms related to the sense of touch in two nineteenth-century literary works—a play by Musset and a tale by Proust—this paper aims to explain the preeminent narrative role that these two young authors accord the sense of touch.  

Meïr Goldschmidt and the main currents in 19th-century Judaism

2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Public Image ◽  
Complete Understanding ◽  
Literary Works ◽  
European Languages ◽  
Jewish Heritage ◽  
The Arts ◽  
Phenomenal Knowledge

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.

Realism and the Cinematic Gaze

2019 ◽  
pp. 591-603
Author(s):  
Nicolas S. Witschi
Keyword(s):  
Nineteenth Century ◽  
Early Cinema ◽  
Literary Works

The technology for and, consequently, the artistic potential of cinema emerged at the end of the nineteenth century during a period roughly contemporaneous with the careers of many prominent realist authors. Despite this concurrence, early cinema was, by and large, of relatively little interest to the creators of realist literature. However, their literary works have proven immensely popular with filmmakers. After surveying the limited but ultimately telling responses to the new medium by a number of writers from the realist period, this chapter suggests, through a concluding analysis of three distinctive works of cinema that were based on realist fiction, that the two forms ultimately share an abiding and even structuring affinity for the power of realistic representations to define and direct the reader’s or viewer’s perspective.

scholarly journals Discipleship in Oriental Orthodox and Evangelical Communities

Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 320
Author(s):  
Ralph Lee
Keyword(s):  
Nineteenth Century ◽  
Spiritual Disciplines ◽  
Way Of Life ◽  
Literary Works ◽  
Orthodox Christian ◽  
The Bible ◽  
Revival Movements ◽  
Key Aspects ◽  
Evangelical Protestant

In many countries with a strong Orthodox Christian presence there are tensions between Evangelicals and Orthodox Christians. These tensions are rooted in many theological, ecclesiological, and epistemological differences. In practice, one of the crucial causes of tension comes down to different practical understandings of what a Christian disciple looks like. This paper examines key aspects of discipleship as expressed in revival movements in Orthodox Churches Egypt, India and Ethiopia which are connected to the challenges presented by the huge expansion of Evangelical Protestant mission from the nineteenth century. Key aspects will be evaluated in comparison with aspects that are understood to characterize disciples in Evangelical expressions, including: differing understandings of the sacraments and their place in the life of a disciple; ways in which different traditions engage with the Bible and related literary works; contrasting outlooks on discipleship as an individual and a community way of life; and differing understanding of spiritual disciplines.

scholarly journals Educación ante la muerte en personas mayores a través del análisis de la novela romántica "Sab" = Education in the death in major persons through the analysis of the romantic novel "Sab"

2018 ◽  
pp. 149
Author(s):  
Alena Kárpava ◽  
Nazaret Martínez Heredia
Keyword(s):  
Nineteenth Century ◽  
Literary Works ◽  
Social Pedagogy ◽  
The Social ◽  
Romantic Novel

Resumen: En la Educación Social, en el programa del Aula Permanente de Formación Abierta de la Universidad de Granada, no suele impartirse el análisis de obras literarias, desde la perspectiva de la Ciencia de la Filología. El análisis de novelas clásicas literarias puede ayudar a educar en la muerte, partiendo por el interés de la lectura y la reflexión crítica de la visión hacia lo leído y su aplicación práctica en la construcción de una nueva actitud y un nuevo modo de afrontar el tema de la muerte. En este artículo planteamos desde una visión interdisciplinar desde la Pedagogía Social y la Filología Hispánica un acercamiento hacia la muerte a través del análisis de la novela romántica Sab a través de la reflexión y la crítica a la libertad, al género y la muerte romántica en la sociedad decimonónica.Abstract: In the programme of the Opened Training at University of Granada, where the education would be given in the Death, there is not the habit of being given the analysis of literary works, from the perspective of the Philology Science. The analysis of classic literary novels can help to educate in the death, dividing for the interest of the reading and the critical strance of the vision towards the well-read thing in the construction of a new attitude and a new way of confronting the topic of the death. In this article we propose a contribution to interdiscipline, constructed to departing the Social Pedagogy and Hispanic Philology an approximation to the Education in the Death through the analysis of text of the romantic novel Sab, as tool of reflection the freedom, the genre and the romantic death, in the nineteenth-century society. 

Autoexoticism with Promotional Purposes? Samuel-Henri Berthoud and Provincial Literary Ruse in Nineteenth-Century France

PMLA ◽  
2017 ◽  
Vol 132 (2) ◽  
pp. 397-404 ◽  
Author(s):  
Valentina Gosetti
Keyword(s):  
Nineteenth Century ◽  
Literary Field ◽  
Dominant Culture ◽  
Cultural Center ◽  
Literary Works ◽  
The North ◽  
Nineteenth Century France ◽  
Foreign Land ◽  
Incomplete Picture ◽  
Shed Light

“There speaks the provincial!”—Goncharov, The Same Old StoryIn nineteenth-century france, the so-called province, denoting everything outside Paris, was considered a foreign land by Parisian writers, who often constructed it as an exotic space. When we deal with this kind of provincial exoticism, however, considering this perspective alone risks painting an incomplete picture of the French literary field. Through the example of Samuel-Henri Berthoud, an author from the north of France, my intention here is to shed light on autoexoticist practices by indigenous provincial writers and to explore how they actively reclaimed, fostered, and enhanced exotic constructions about their provinces. Indeed, a wealth of evidence supports my argument that their acceptance of hegemonic constructions from the dominant culture was not passive but rather an active and creative reappropriation. This essay also challenges the idea of a stable hegemonic cultural center around which the marginal authors and literary works gravitate. Before tackling these issues, let us take a step back and briefly survey the particular value of provincial France at the beginning of the nineteenth century.

Spreading activation of lexical–semantic networks in Parkinson's disease

2008 ◽  
Vol 46 (7) ◽  
pp. 1908-1914 ◽  
Author(s):  
Paul S. Foster ◽  
Valeria Drago ◽  
David B. FitzGerald ◽  
Barry M. Skoblar ◽  
Gregory P. Crucian ◽  
...  
Keyword(s):  
Parkinson’S Disease ◽  
Parkinson's Disease ◽  
Semantic Networks ◽  
Spreading Activation ◽  
Lexical Semantic

‘The master-key that opens every door’: Hieroglyphs, Translations and Palimpsests

2020 ◽  
pp. 97-146
Author(s):  
Eleanor Dobson
Keyword(s):  
Nineteenth Century ◽  
Ancient Egypt ◽  
Literary Works ◽  
Ancient Egyptian ◽  
Modern Media ◽  
Cultural Forms ◽  
Love Letters ◽  
The Individual ◽  
Supernatural Fiction

This chapter considers the translation of ancient Egyptian hieroglyphs along with advancements in printing technologies across the nineteenth century, which led to an increased hieroglyphic presence in modern media. It focuses, in particular, in the use of hieroglyphs by authors of fiction, including H. Rider Haggard and E. Nesbit. In some cases, Egyptologists lent their expertise; alternatively, authors and designers consulted these experts’ grammars and dictionaries to construct their own (sometimes erroneous) meanings. Analysing the use of hieroglyphs in a variety of fiction and other cultural forms not only reveals networks of consultation between those with a professional and an amateur interest in ancient Egypt, but the wealth of connotations that the hieroglyphs suggested: from a magical language (often in children’s or supernatural fiction) to a romantic script suitable for love letters and secret correspondence (suited to romance, mystery, and detective genres). Meanwhile, increased tourism in Egypt resulted in the proliferation of palimpsestic chiselling of names onto temples and pyramids, while ankhs obelisks were incorporated into European and American grave designs. Ultimately, these uses of hieroglyphs reveal a bid for immortality, whether that of the individual or even the literary works that contemporary authors were inscribing with ancient Egyptian script.

The Romance of Transportation in Wordsworth, Emerson, De Quincey, and Dickinson

Romanticism ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 45-57
Author(s):  
Li-Hsin Hsu
Keyword(s):  
Nineteenth Century ◽  
Atlantic Ocean ◽  
Walter Benjamin ◽  
Literary Representations ◽  
Time And Space ◽  
Literary Works ◽  
Aesthetic Experiences ◽  
The Future ◽  
Anglo American ◽  
Technological Sublime

This essay investigates diverging transatlantic attitudes towards mechanisation in the mid-nineteenth century by looking at the portrayals of steam engines in Anglo-American Romantic literary works by Wordsworth, Emerson, De Quincey and Dickinson. Wolfgang Schivelbusch notes how time and space are ‘annihilated’ with the speed of industrialization. Walter Benjamin, alternatively, indicates how the metaphoric dressing up of steam engines as living creatures was a retreat from industrialization and modernization. Those conflicting perceptions of what David Nye calls the ‘technological sublime’ became sources of joy as well as sorrow for these authors. The essay examines how the literary representations of transportation show various literary attempts to make sense of and rewrite the technological promise of the future into distinct aesthetic experiences of modernity. Their imaginative engagement with the railway showcases a genealogy of metaphorical as well as mechanic transportation that indicates an evolving process of Romantic thought across the Atlantic Ocean.

Ordinary Masochisms

2020 ◽  
Author(s):  
Jennifer Mitchell
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Victorian Literature ◽  
Charlotte Bronte ◽  
Late Nineteenth Century ◽  
Literary Works ◽  
Theoretical Examination ◽  
Nineteenth And Twentieth Centuries ◽  
Late Nineteenth

Ordinary Masochisms argues for literary alternatives to pervasive dictatorial norms about masochism that first surface in Victorian literature, reach their pioneering pinnacle in the modernist moment, and are expressly mourned in post-modern texts. In particular, the literary works discussed all challenge the more popular term “sadomasochism” as a conglomerate form of perversion that was named and studied in the late nineteenth century. Underscoring close textual analyses with modern theories of masochism as empowering, this book argues that Charlotte Brontë Villette (1853), George Moore’s A Drama in Muslin (1886), D.H. Lawrence’s The Rainbow (1915), and Jean Rhys’s Quartet (1928) all experiment with masochistic relationships that extend far beyond reductive early readings of inherently feminine or sexually aberrant masochism. Ordinary Masochisms begins with a historical and theoretical examination of masochism’s treatment during the nineteenth, twentieth, and twenty-first centuries before moving to an examination of the Biblical tale of Samson and Delilah in conjunction with Leopold von Sacher-Masoch’s Venus in Furs (1870), from which masochism garners its name. An intermediary chapter treats Octave Mirbeau’s The Torture Garden (1903) as a case study transitioning between sexological and psychoanalytical discourses of the nineteenth and twentieth centuries, while the conclusion about Ian McEwan’s The Comfort of Strangers (1981) addresses masochism’s seeming inability to recuperate itself from categories of deviance, despite the success of contemporary popular culture representations. The book closes with a brief consideration of masochistic reading, a subtle undercurrent of the project as a whole.

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