scholarly journals ‘Immanent’ Visibility and ‘Transcendental’ Vision in Japanese Calligraphy

Eikon / Imago ◽  
2021 ◽  
Vol 10 ◽  
pp. 311-322
Author(s):  
Rodica Frențiu ◽  
Florina Ilis
Keyword(s):  
Theoretical Analysis ◽  
Linguistic Expression ◽  
Abstract Form ◽  
Work Of Art ◽  
Verbal Art ◽  
Aesthetic Quality ◽  
Ideal Object ◽  
The Aesthetic ◽  
Original Approach ◽  
Form Of Expression

The premise of the approach in the present paper is the interpretation of Japanese calligraphy as an artistic act and the reception of the calligraphic work of art as the object of the aesthetic relation. By combining the theoretical analysis of the main artistic functions of calligraphy –as both a representative and an expressive art – with the practice of calligraphic art, the present endeavour aims to identify the factual and artistic poetics of this visual (pictorial) and verbal art. As such, our study focuses on the particularities of the calligraphic work of art, given by its means of existence: its object of immanence is concurrently a physical and an ideal object (through its linguistic scriptural contents). In our analysis, the Japanese calligraphic art becomes the object of a reading that exploits the Western and Eastern aesthetic poetic theories, in an attempt to explore this art’s means of existence, functioning, and reception, by revealing its calligraphicity, or its artistic-aesthetic quality. As a reflection on the relation between the image and the word, and on the coherence of the vision triggered by it, based on the characteristics of the visible, our study is an original approach that analyses and interprets the vocabulary and the formal style of a unique artistic field that begins with a linguistic expression, as a means of representation, and culminates with an abstract form of expression, as a means of presentation.

II.—A Plea for the Study of Literature from the æsthetic Standpoint

PMLA ◽  
1891 ◽  
Vol 6 (1) ◽  
pp. 29-40
Author(s):  
John P. Fruit
Keyword(s):  
Divine Attributes ◽  
External Quality ◽  
Work Of Art ◽  
Divine Justice ◽  
The Aesthetic

That teacher of literature who has not comprehended the significance of a work of Art, has never been endued with the spirit and power of his high calling. He stands unwittingly in the place of an apostle of “that external quality of bodies which may be shown to be in some sort typical of the Divine attributes.”“Those qualities, or types,” according to Ruskin, “on whose combination is dependent the power of mere material loveliness” are:“Infinity, or the type of Divine Incomprehensibility; Unity, or the type of the Divine Comprehensibility; Repose, or the type of the Divine Permanence; Symmetry, or the type of the Divine Justice; Purity, or the type of the Divine Energy; Moderation, or the type of Government by Law.”

THE ROLE OF URBAN AESTHETICS ON ENHANCING VITALITY OF URBAN SPACES

2021 ◽  
pp. xx-xx
Keyword(s):  
Urban Design ◽  
Direct Consequence ◽  
Point Of View ◽  
Urban Spaces ◽  
Urban Setting ◽  
Aesthetic Quality ◽  
Aesthetic Design ◽  
Active Involvement ◽  
The Aesthetic

Several scholars have focused on the different approaches in designing convivial urban spaces, but literary evidence shows that the essence of aesthetic design in public urban spaces, by referring to the main dimensions involved in the shaping of urban vitality, has not been adequately researched. In this regard, this study, by hypothesizing that the quality of urban design leads to a vital urban environment, focuses on urban vitality from the aesthetic point of view. Thus, in using qualitative grounded theory as a main methodological tool and using a systematic review of the related literature as the main induction approach for collecting qualitative data, five main dimensions of urban vitality, which are necessary to attain a correlation with the aesthetic quality of urban design, were conceptualized. The study concludes that the aesthetic design of an urban setting has a direct effect on the active involvement of its users and that this, therefore, has a direct consequence on the level of public urban vitality, manifested. Integrating the complexity theory with the five main dimensions used for assessing urban vitality was suggested as a viable area for further research.

scholarly journals The erotic/aesthetic quality seen from the perspective of Levinas’s ethical an-archaeology

2020 ◽  
Vol 31 (1) ◽  
pp. 98-107
Author(s):  
Srdjan Maras
Keyword(s):  
Sharp Contrast ◽  
The Other ◽  
Aesthetic Quality ◽  
Other Hand ◽  
The Aesthetic ◽  
The Erotic

This paper emphasizes the place and the role of the aesthetic quality and the role of the erotic in Levinas?s project that deals with ethical an-archaeology. Despite Levinas?s categorical statements that there are irreconcilable differences between ethics and aesthetics, i.e. between ethics and the erotic, above all, it is emphasized here that these differences do not represent a stark or sharp contrast, but quite contrary, they often constitute a subversive ontological element. On the other hand, somewhat unexpectedly, with its ethical anti-aestheticism Levinas?s ?noncontemporary? thought appears to be, at the same time, both significant and critical, elementary, emancipatory and contemporary in relation to present-day reactionary reactualization and revitalization of the aesthetic quality which mechanically proceeds to develop on the margins of Levinas?s emancipatory past.

scholarly journals SEMANTICS OF POEM IN «DIV TICS OF POEM IN «DIVANI LUGATI-T-TURK»

2021 ◽  
pp. 36-45
Author(s):  
Qosimjon SODIQOV ◽  
Govhar RAHMATOVA
Keyword(s):  
World Literature ◽  
Fine Art ◽  
Oral Poetry ◽  
Verbal Art ◽  
Specific Expression ◽  
Artistic Value ◽  
Aesthetic Taste ◽  
History Of ◽  
Extensive Information ◽  
The Aesthetic

Lyric songs depict how rich is the aesthetic taste of the Turkic peoples and their special love for verbal art for a long period, and the fact that they possessed artistic resources capable of competing with the most agile peoples of their time. Moreover, these songs illustrate the artistic views of the Turks. Pure lyrical experiences, with their novelty, the richness of images, and unique pathos, have always engaged the reader. The poetry of the Turkic peoples is studied as a separate phenomenon in the history of world literature. Mahmud Kashgari’s Divani lugat at-Turk provides extensive information about the foundations of Turkish poetry and its scope. We can see the first paradigms of lyric poetry in the oral poetry of the Turkic peoples in the Divani lugat at-Turk. As a great linguist of his time and an advanced thinker – Kashgari proves each word with its specific expression or a piece of poetry. Each poem in his work is unique regarding its artistic value and semantics. We can see this, especially in these lyrical poems. Even simple episodes in lyrical songs demonstrate the ability of our ancestors to express thoughts beautifully. The lyrical passages in the Divani lugat at-Turk consist of the description of the mistress, the sad moments of the separation of beloved ones, and the poems addressed to his beloved one. The issue of fine art and its location is noteworthy in them. The devices used in them play an essential role as the initial version in the context of the literature of the Turkic peoples. The author cites some examples of such poetic art: tashbih, oxymoron, metaphor, tajnis, repetition, hyperbole (mubalaga), irsali masal, etc. These devices were actively reflected in all types of poetry of the later period. This article discusses the semantics of lyrical poems in the Divani lugat at-Turk and reveals their fine art.

scholarly journals KAJIAN POTENSI KOLEKSI POHON LOKAL KEBUN RAYA CIBODAS UNTUK FUNGSI ESTETIKA DALAM LANSKAP

2019 ◽  
Author(s):  
Muhammad Amin Shodiq ◽  
Tati Budiarti ◽  
Nizar Nasrullah
Keyword(s):  
Tree Species ◽  
Botanical Garden ◽  
Species Selection ◽  
Survey Method ◽  
Literature Study ◽  
Species List ◽  
Aesthetic Quality ◽  
Native Tree ◽  
Native Tree Species ◽  
The Aesthetic

Trees in the landscape have many important roles; one of them is aesthetics function. Therefore, tree species selection must be considered well. Indonesia has big number of tree biodiversity that can use for tree selection purposes. The selection can be considered based on physical characteristics and ecological characteristics of the tree species. Therefore, purposes of this study are 1) to identify ecological distribution of native tree species in Java island, 2) to identify native tree species which have high aesthetic value, and 3) to arrange native tree species list that have potential to be developed for aesthetic use in the landscape. This study conducted in Cibodas Botanical Garden. The method used for this research is literature study from Botanical Garden Catalogue, direct survey method, aesthetic analyze using Key Performance Index for aesthetic quality assessment. The results of this research is there are 223 Java Island native tree species collection in Cibodas Botanical Garden. The habitat of these collections of tree species is evenly distributed throughout the island of Java. Most can grow well in tropical zones (0-1000 masl) and tropical-mountain zones (0-2400 masl). Based on the aesthetic criteria assessment there are 50 species belonging to the good category, 101 species are included in the moderate category, and only one species is categorized as bad.

Perception Based Method for Measuring the Aesthetic Quality of the Urban Environment

2017 ◽  
Vol 42 (2) ◽  
pp. 11-19
Author(s):  
Hourakhsh Ahmad Nia ◽  
Resmiye Alpar Atun ◽  
Rokhsaneh Rahbarianyazd
Keyword(s):  
Urban Environment ◽  
Spatial Configuration ◽  
Human Perception ◽  
Urban Morphology ◽  
Urban Environments ◽  
Human Cognition ◽  
Aesthetic Perception ◽  
Aesthetic Quality ◽  
The Aesthetic ◽  
Aesthetic Values

This study assesses changing aesthetic values and their characteristics in urban environments based on human perception. With this in mind, a model for assessing the aesthetic values of the urban environment based on the three steps of human cognition has been developed to elaborate the user's perception in different urban environments. The results of the survey confirm that by changing urban morphology the aesthetic perception of the environment also changes. The finding of this research opens up a new window for urban planners to assess the aesthetic effects of the elements of urban spatial configuration for future urban development.

“Beauty” Based on the Functionality of Smart Skin in Buildings

2017 ◽  
Vol 42 (4) ◽  
pp. 60-69
Author(s):  
Salar Salah Muhy Al-Dın ◽  
Hourakhsh Ahmad Nia
Keyword(s):  
Theoretical Analysis ◽  
Human Perception ◽  
Comprehensive Understanding ◽  
Aesthetic Value ◽  
Aesthetic Evaluation ◽  
The Future ◽  
The Difference ◽  
The Aesthetic ◽  
Smart Skin

The aim of this study is to extend the rationale and comprehensive understanding in respect of the notion of functionality and beauty in the smart skin buildings. Smart skin in buildings plays a key role in improving building functionality, and the future lies in the use of innovative smart skin strategies. The methodology focused on the objectivity and subjectivity of human perception to assess the aesthetic value of a building's smart skin. A theoretical analysis has been conducted based on the results of the investigation model and fortified by comparing the results with the findings obtained through the opinions of experts based in AHP methodology. The study demonstrates that there is a relation between both the aesthetic value and the functionality of the smart skin of a building. The findings revealed the difference in the aesthetic evaluation between the subjective functionality and the objective functionality of the building skin. The findings contribute useful evidence for the promotion of our understanding regarding the aesthetic value of the smart skin of a building, based on its functionality.

Research on the Dynamics of Changes in the Sight-aesthetic Quality of Rural Lake District Landscapes in the Aspect of Implementing the European Landscape Convention

2017 ◽  
Author(s):  
Adam Senetra
Keyword(s):  
Local Governments ◽  
Land Use Management ◽  
Lake District ◽  
Aesthetic Value ◽  
Aesthetic Quality ◽  
European Landscape Convention ◽  
General Rules ◽  
The Aesthetic ◽  
Landscape Transformations

The article presents selected methodological assumptions of developing and evaluating landscape attribute maps that could be used in the process of the implementation of the European Landscape Convention (ELC). The Convention led to the passing of the Act of 24th April 2015 on the modification of some acts due to the enhancement of landscape protection tools. Article 7 implements changes in the Act of 23rd March 2003 on spatial planning and land use management. Determining general rules for landscape auditing and defining the priority landscape are elements of the changes. On 11th September 2015, the regulations that partially carry out the recommendation of the Convention entered into force. The regulations oblige local governments to conduct landscape auditing (not less often than every 20 years). The article presents a new method for evaluating the aesthetic-scenic value of landscape (EEVL), developed by the author on the basis of conceptual works done between 2004 and 2008. Tests of this method started in 2008. Then an assessment of the aesthetic value of the municipality of Pozezdrze in the Masurian Lake District was made. The three measurements, collected in 2008, 2012 and 2016, were then used in comparing the dynamics of landscape transformations considering the aesthetic value over 8 years. The research enabled the assessment of the usefulness of the method in landscape auditing.

The Medieval Image, I

2019 ◽  
pp. 196-223
Author(s):  
Thomas Nail
Keyword(s):  
Middle Ages ◽  
Work Of Art ◽  
Works Of Art ◽  
Aesthetic Field ◽  
The Aesthetic ◽  
The Church ◽  
The Middle Ages

Chapter 10 presents a realist aesthetics (versus constructivist) and a kinetic materialism (versus formal idealism) that focuses on the material kinetic structure of the work of art itself, inclusive of milieu and viewer. What the author calls “kinesthetics” is a return to the works of art themselves as fields of images, affects, and sensations. The chapter more specifically offers a focused study of the material kinetic conditions of the dominant aesthetic field of relation during the Middle Ages. The argument here and in the next chapter is that during the Middle Ages, the aesthetic field is defined by a tensional and relational regime of motion. This idea is supported by looking closely at three major arts of the Middle Ages: glassworks, the church, and distillation. The next chapter likewise considers perspective, the keyboard, and epistolography.

Philosophical Aspects of Literary Objectiveness

1998 ◽  
pp. 77-84
Author(s):  
Endre Kiss
Keyword(s):  
Literary Work ◽  
Philosophy Of Art ◽  
Crucial Importance ◽  
Work Of Art ◽  
Artistic Experience ◽  
Scientific Analysis ◽  
The Status ◽  
The Aesthetic ◽  
Definition Of ◽  
General Fact

Gadamer’s hermeneutic philosophy avoids the problem of literary objectiveness altogether. His approach witnesses the general fact that an indifference towards literary objectiveness in particular, leads to a peculiar neglect of par excellence literariness as such. It seems obvious, however, that the constitutive aspects of the crisis of literary objectiveness cannot be shown to contain the underlying intention of bringing about this situation. At this point, one can identify what could probably be the most important element in a definition of literary objectiveness. In contrast to ‘natural’ objectiveness and objectiveness based on various societal conventions, the legitimacy of a literary work is solely guaranteed by its elements being organized in accordance with the rules of literary objectiveness. Thus when the crisis of literary objectiveness intensifies, literariness will also find itself in a crisis. This crisis detaches new, quasi-literary formations from various definitions of literariness. When literary objectiveness ceases, however, to be understood as a system constituted by various objective formations aiming to correspond in one way or another to the ‘world’, scientific analysis of literary objectiveness will be rendered impossible. The crisis of literary objectiveness thus brings about the crisis of the theory of literature and the philosophy of art. Gadamer explicitly argues that the scientific approach proves to be inadequate in the analysis of artistic experience. This attitude results in the categorical rejection of a scientific orientation (and so in a complete indifference towards literary objectiveness), but he seems to overemphasize an otherwise correct thesis on the non-reflexive character of artistic experience. It is the anti-mimetic and Platonic character of Gadamer’s aesthetic hermeneutics that determines the status of literary (artistic) objectiveness in his system of thought. What is of crucial importance, however, is to point out that this aesthetics entails a fundamental reduction of the significance of literary objectiveness. As soon as the essence of aesthetic object-constitution is taken to be re-cognition (plus the emanating aesthetic possibilities), the absolutely natural interest in the original object represented by a work of art.Undoubtedly, Gadamer’s conception answers a number of questions that tend to be ignored by other theories. It is just as obvious, however, that Gadamer completes here the aesthetic devaluation of the objective domain. It is not the characteristics of the ‘original’ that constitute the image, but in effect the image turns the original into an original. Paraphrasing this claim one arrives at a near paradox: not objectiveness makes a work of art possible, but a work of art lends objects their objectiveness.

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