scholarly journals Los escritores ricardianos y la consolidación de la literatura en inglés medio

De Medio Aevo ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 169-179
Author(s):  
María Cristina Balestrini
Keyword(s):  
Geoffrey Chaucer ◽  
John Gower

Este artículo tiene por finalidad destacar las condiciones bajo las que desde las últimas décadas del siglo XIV tuvo lugar el reconocimiento de la poesía en inglés medio como práctica prestigiosa en un contexto todavía dominado por la literatura y la cultura francesa. Para ello, tomo en cuenta una serie de conceptos planteados por eruditos y hombes de letras que, desde principios del siglo XV en adelante, establecieron la noción de un canon literario temprano a partir de los nombres de poetas que estuvieron activos durante el periodo ricardiano, en especial a partir de John Gower y Geoffrey Chaucer, desde entonces identificados como fundadores de la literatura inglesa. A continuación señalo algunos de los rasgos comunes a la obra de estos escritores, y enfatizo la significación que le asignan a la literatura como vehículo de un sentido de pertenencia a una comunidad cultural, seguramente una de las razones que facilitaron su aceptación por parte de sus receptores presentes y futuros.

Introduction

2007 ◽  
Author(s):  
Paul Strohm
Keyword(s):  
Middle English ◽  
Geoffrey Chaucer ◽  
English Literature ◽  
William Langland ◽  
Literary Genre ◽  
John Gower ◽  
John Lydgate ◽  
Middle English Literature ◽  
Intellectual Labor ◽  
Narrative Forms

This book examines Middle English literature and includes works by Geoffrey Chaucer, John Gower, William Langland, and John Lydgate. Essays deal with topics ranging from romances to drama, chronicles, and other narrative forms, as well as gossip, orality and aurality, translation, and multilingualism. The book also looks at vernacular texts that harbor refined ideas about beauty, aesthetics, and literary genre; authorship, an unstable category lurking in the undiscovered space between manual and intellectual labor; and the presence of “literature” in apparently “nonliterary” environments.

Conflict

2007 ◽  
Author(s):  
Marion Turner
Keyword(s):  
Fourteenth Century ◽  
Geoffrey Chaucer ◽  
English Literature ◽  
William Langland ◽  
The Political ◽  
John Gower ◽  
Textual Production ◽  
Political Upheaval ◽  
Thomas Usk

Richard II’s reign as king of England was characterized by an explosion in the production of literary and political vernacular texts and by dramatic political upheaval. In the last quarter of the fourteenth century, crises such as the Great Revolt, the development of Lollardy, mayoral disputes, and usurpation coincided with the emergence of writers such as Geoffrey Chaucer, John Gower, and William Langland, along with many other literary practitioners such as John Clanvowe and Thomas Usk. Broadsides, pamphlets, and other publically-circulated documents employed literary modes for political ends. This article examines the highly politicized and difficult environment in which late fourteenth-century English literature was born. It considers the political nature of textual production and how increased access to textuality encouraged people to employ texts as political ammunition.

ON LITERATURE AND GRAMMAR: A Selection of Annotated Medieval and Renaissance English Texts for (Spanish) University Students

2020 ◽  
Author(s):  
Gema Chocano Díaz ◽  
Noelia Hernando Real
Keyword(s):  
William Shakespeare ◽  
University Students ◽  
Geoffrey Chaucer ◽  
English Language ◽  
English Literature ◽  
Christopher Marlowe ◽  
Sir Philip Sidney ◽  
William Langland ◽  
Sir Thomas Wyatt ◽  
Selection Of

On Literature and Grammar gives students and instructors a carefully thought experience to combine their learning of Middle and Early Modern English and Medieval and Renaissance English Literature. The selection of texts, which include the most commonly taught works in university curricula, allows readers to understand and enjoy the evolution of the English language and the main writers and works of these periods, from William Langland to Geoffrey Chaucer, from Sir Philip Sidney to Sir Thomas Wyatt and Henry Howard, Earl of Surrey, and from Christopher Marlowe to William Shakespeare. Fully annotated and written to answer the real needs of current Spanish university students, these teachable texts include word-by-word translations into Present Day English and precise introductions to their linguistic and literary contexts.

Geoffrey Chaucer, The Merchant’s Tale and the Dialectic of Elevation

2019 ◽  
Author(s):  
Jonathan Fruoco
Keyword(s):  
Geoffrey Chaucer ◽  
Canterbury Tales ◽  
Moyen Âge ◽  
The Canterbury Tales ◽  
Moyen Age

Geoffrey Chaucer pose dans The Canterbury Tales un regard unique sur l’évolution de la poésie anglaise durant le Moyen Âge. L’alternance de genres et de styles poétiques différents lui permet de refléter tout le potentiel de la littérature par le biais d’un réagencement des images, symboles et conventions qui la définissent. Néanmoins, ce qui fait la force de Chaucer dans The Canterbury Tales, est sa capacité à développer un dialogue entre les différents récits constituant l’œuvre, ainsi que sa facilité à renverser nos attentes en extrayant son public d’un roman de chevalerie pour le propulser dans l’univers carnavalesque du fabliau, comme c’est le cas dans The Merchant’s Tale. En jouant avec l’imaginaire de l’arbre et du fruit, Chaucer nous prive dans ce conte de toute élévation et fait de son poirier un arbre inversé.

Reading English Verse in Manuscript c.1350-c.1500

2020 ◽  
Author(s):  
Daniel Sawyer
Keyword(s):  
Middle English ◽  
Geoffrey Chaucer ◽  
English Poetry ◽  
John Lydgate ◽  
Thomas Hoccleve ◽  
New Methods ◽  
English Verse ◽  
Middle English Poetry ◽  
History Of ◽  
Bodies Of Evidence

This volume offers the first book-length history of reading for Middle English poetry. Drawing on evidence from more than 450 manuscripts, it examines readers’ choices of material, their movements into and through books, their physical handling of poetry, and their attitudes to rhyme. It provides new knowledge about the poems of known writers such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve by examining their transmission and reception together with a much larger mass of anonymous English poetry, including the most successful English poem before print, The Prick of Conscience. The evidence considered ranges from the weights and shapes of manuscripts to the intricate details of different stanza forms, and the chapters develop new methods which bring such seemingly disparate bodies of evidence into productive conversation with each other. Ultimately, this book shows how the reading of English verse in this period was bound up with a set of habitual but pervasive formalist concerns, which were negotiated through the layered agencies of poets, book producers, and other readers.

John Gower and the De Genealogia Deorum

1942 ◽  
Vol 57 (1) ◽  
pp. 23
Author(s):  
Dorothy A. Dilts
Keyword(s):  
John Gower
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