scholarly journals The Ideological Discourse of Charlotte Brontë in 'Shirley'

2020 ◽  
Vol 28 ◽  
pp. 53-62
Author(s):  
Vicente Segura Martínez
Keyword(s):  
Victorian Literature ◽  
Charlotte Bronte ◽  
Industrial Revolution ◽  
The Novel ◽  
Anglican Church ◽  
Class Difference ◽  
Social Conventions ◽  
Positive Effects ◽  
The Social ◽  
Narrative Framework

This paper analyses the linguistic changes arising from the formation of workers’ culture during the Industrial Revolution, as well as the effects of the pastoral work of the Anglican church, and its reflection on the Victorian literature produced by Charlotte Brontë. Specifically, this analysis is based on the parallelism established by this novelist between the values ​​that lie behind the concepts of unionism and solidarity and her fight against the social conventions concerning marriage, as reflected in the novel Shirley. In fact, the human values ​​that derive from these concepts were an inspiration that Brontë uses to provide cohesion and coherence to the plot of the novel within a narrative framework in which she minimizes the class difference between two young women: Caroline and Shirley. Brontë thereby shows that this class difference is not an obstacle for both women to share and feel the positive effects of these values within a social context dominated by social conventions regarding marriage. Key Words: democracy, culture, Luddites, unionism and solidarity.

scholarly journals They Order�this Matter Better in France�. Yorick the Philosopher and Sentimental Traveller

2021 ◽  
Vol 1 (21) ◽  
Author(s):  
Elena V. Maksiutenko ◽  
Keyword(s):  
Small World ◽  
Literary Texts ◽  
The Novel ◽  
Tristram Shandy ◽  
Social Conventions ◽  
The Social ◽  
Wide Range ◽  
Body And Soul ◽  
Individual Consciousness ◽  
The Individual

The article highlights the existing tradition of understanding Laurence Sterne�s literary texts as philosophical. Author uses such research approaches as historical and literary, sociocultural and biographical. The reception of Tristram Shandy and A Sentimental Journey produced by the �English Rabelais� through the philosophical dominant in the poetics is a controversial theme that has its supporters and opponents. Occasionally some researchers totally negate philosophical direction of Sterne�s works, others � though do not deny his interest in the studies of contemporary philosophers, with many of whom Sterne had friendly relations (Hume, d�Holbach, D�Alembert, Diderot), nevertheless accuse the writer for inability to create a consistent system of philosophical ideas and become an original thinker (James Work). In course of time a number of literary critics convinced in inherency of philosophical themes for Sterne�s novels is widening (A. Hadfield, J. Hawley, Sh. Regan, P. Davies, Ch. Lupton). Experts declare that the attempts to distance Sterne�s texts from the intellectual climate of the century lead to the marginalization of his achievement and Sterne has become celebrated by �a coterie of enthusiasts� as �our most influential unread author� (Andrew Hadfield). On the contrary, Martin Battestin in his famous essays written in 1994 � �A Sentimental Journey�: Sterne�s �Work of Redemption� and �Sterne �mong the Philosophes: Body and Soul in �A Sentimental Journey� � insists on the inseparability of Sterne�s novels from the leading philosophical tendencies of the epoch. The first of his papers, �A Sentimental Journey�: Sterne�s �Work of Redemption�, is the subject of the analytical commentary in the present article. Battestin argues that Sterne can be considered the first philosophical novelist in English who discerns Locke�s radically subjectivist implications and demonstrates in the form of his narrative the principles of association of ideas and �durational time�. In A Sentimental Journey Sterne debates the mechanistic doctrines of La Mettrie and his followers, d�Holbach, Diderot and discovers in the passion and sympathy a way of rejecting Hume�s skepticism. Yorick�s figure in A Sentimental Journey, his ability to enjoy the moments of happiness, the restraint to the manifestation of the extremeness of passion transform the canon of travel writing and unnoticeably give it the form of personal journal and self-observation where the plunge into the description of everyday trifles predominates. Sterne�s A Sentimental Journey turns into the model of �the literature of sensibility� ensuring the author with the popularity within the wide range of reading public. The researchers view A Sentimental Journey as a variation of familiar features of Sterne�s style that correlates with the turn to the lyrical psychological form, the attention to the individual consciousness, the world of inner feelings and emotions. The text of the novel becomes refined, the author�s tone is frivolous and full of erotic hints. The narrator intrigues the reader with the insinuating intonation where the ironical, ambiguous and melancholic colors are mixed. In A Sentimental Journey Yorick�s travel notes look like an �imaginary journey� where the factual topography becomes the cause for extensive emotional reflection of the hero who is not constraint with the social conventions and the outer world turns to be the �mirror of the soul� and is reflected in the endless stream of changeable opinions. According to Battestin, Sterne�s emphasis on the liberating function of human sexuality is important. Claiming a spiritual value for eroticism Sterne turns to be the precursor of D. H. Lawrence and the famous final chapters in A Sentimental Journey, �The Grace� and �The Case of Delicacy�, can be viewed as the paradigm of the novel�s leading theme � the human yearning for relationship, the quest for union and sociability. Battestin comes to a conclusion that in A Sentimental Journey Sterne found a way to diminish the disturbing solipsistic implications of the new philosophy that had defined �the small world of Shandy Hall in terms of hobby-horsical self-enclosure�. He proposed to find in human senses, imagination and physiology the means of transcending materialist doctrines and of affirming the possibility of communion.

Education of Children in the Tenant of Wildfell Hall by Anne Bronte

2020 ◽  
Vol 26 (2) ◽  
pp. 314-318
Author(s):  
Gabriela Mihailă-Lică
Keyword(s):  
Charlotte Bronte ◽  
Social Classes ◽  
The Novel ◽  
Anne Bronte ◽  
Victorian Era ◽  
Educational Differences ◽  
The Social ◽  
In The Beginning ◽  
The 19Th Century ◽  
Made In

AbstractThe paper analyses the manner in which the education of children was done in the beginning of the 19th century and how this is revealed in the pages of “The Tenant of Wildfell Hall”, the second and also the final novel written by the English writer Anne Bronte, the youngest of the famous Bronte sisters. Despite enjoying enormous success after its publication in 1848, after its author’s death, Charlotte Bronte - Ann’s eldest sister - refused to republish it. She considered it to be too shocking as it dealt with themes like alcoholism, the ability of women to have paying jobs that enabled them to support not only themselves, but also their families, themes that were considered taboo or the “inhibited, polite, orderly, tender-minded, prudish and hypocritical” Victorian society [1]. We focus on the observations as well as on the subtle mentionings and allusions made in the novel with regard to some of the most important aspects of the Victorian Era education: the schooling of children, the differences between the education of boys and that of girls, the educational differences between the social classes.

The England of Marx and Mill as Reflected in Fiction

1948 ◽  
Vol 8 (S1) ◽  
pp. 42-58 ◽  
Author(s):  
William O. Aydelotte
Keyword(s):  
Social Problems ◽  
Industrial Revolution ◽  
Karl Marx ◽  
English Literature ◽  
Emotional Reaction ◽  
The Novel ◽  
The Social ◽  
Major Scale ◽  
Social Observation ◽  
Imaginative Literature

The economic distress and the new concern with social problems in England in the 1840's, which underlay the reformulations of political economy in that decade, had also an extensive and significant reflection in imaginative literature. While the novel with a thesis, even a social thesis, was nothing new, it was only in the forties that English literature began to deal on a major scale with the social problems raised by the industrial revolution. One can sense in the novels of this decade an increased urgency and pressure, a more daring and direct attack. This emphasis is so marked that one critic has attempted a correlation between literature and socialism, and has sought to find in the novels of Dickens the same type of social observation and emotional reaction that prompted the analyses of Karl Marx. While such a thesis goes too far and is almost certainly invalid, one can nevertheless find in these novels a historical meaning of a different sort, more complex, but also more interesting and suggestive to the historian.

scholarly journals Dirt of Art in Madame Bovary

2018 ◽  
Vol 10 (2) ◽  
pp. 1025-1028
Author(s):  
Nellufar Yeasmin
Keyword(s):  
Life Experience ◽  
The Self ◽  
The Novel ◽  
Human Beings ◽  
Social Conventions ◽  
Madame Bovary ◽  
The Social ◽  
Shame And Guilt ◽  
French Novel ◽  
Poetic Justice

Flaubert’s Madame Bovary is a unique literary piece that incorporates aestheticism and witty disposure to Emma’s complex reality. The pronounced acceptance and reputation of the novel despite of a prolonged period of criticism proves that the universal appeal of this French novel lies in the artistic and tactful disclosure (in precisely calculative and measured style) of the dark secrets of a feminine mind. The fact that the English translation of this ingenious creation is so influential attests the superiority of its quality in French. The splendor of the narration overreaches the boundaries of life, experience and death and abounds in the exaltation of becoming a masterpiece. This article illustrates the features that make the manuscript so overwhelmingly “dirty” yet inviting. In course of appreciating the novel, the prospects of readers’ fascination and the author’s intentions are also evaluated from the archive of appreciations of the book. The richness of the story is imparted by the pragmatic effect of the objective correlatives in Falubert’s style and the details of the emotional intensities. This study urges to dismantle the complicated value of literature in realizing life. It also reinforces the poetic justice to prevail where art must exist for its sole sake. Emma, the centre of interest in Madame Bovary, is the ambassador of human beings who fail to achieve the mused state of their existence. Flaubert with his strokes of wisdom and dexterous artistic maneuver reveals the ultimate paradox of anarchy in the social conventions designed to annihilate the self in order to discover it. This study unfolds how the story of shame and guilt turns into an allegory of life by the writer’s magic wand.

Analytical Study of Violence Theme in Victoria Schwab’s This Savage Song

2019 ◽  
Keyword(s):  
Analytical Study ◽  
Research Paper ◽  
The Novel ◽  
Vicious Cycle ◽  
Aggressive Approach ◽  
Research Article ◽  
The People ◽  
The Social ◽  
Different Dimensions ◽  
The Right

This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.

Aravind Adiga’s The White Tiger: A Socio –Political Study of Poverty and Injustice

IJOHMN ◽  
2016 ◽  
Vol 2 (6) ◽  
pp. 11-19
Author(s):  
RASHMI Ahlawat
Keyword(s):  
Indian Society ◽  
Poor People ◽  
The Novel ◽  
The Social ◽  
White Tiger

Aravind Adiga’s Man Booker Prize winning debut novel The White Tiger is sharp, fascinating, attacks poverty and injustice. The White Tiger is a ground breaking Indian novel. Aravind Adiga speaks of suppression and exploitation of various sections of Indian society. Mainly a story of Balram, a young boy’s journey from  rags to riches, Darkness to Light transforming from a village teashop boy into a Bangalore entrepreneur. This paper deals with poverty and injustice. The paper analyses Balram’s capability to overcome the adversities and cruel realities. The pathetic condition of poor people try to make both ends meet. The novel mirrors the lives of  poor in a realistic mode. The White Tiger is a story about a man’s journey for freedom. The protagonist   Balram in this novel is a victim of injustice, inequality and poverty. He worked hard inspite   of his low caste and overcame the social hindrance and become a successful entrepreneur. Through this novel Adiga portrays realistic and painful image of modern India. The novel exposes the anxieties of the oppressed.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Coronavirus: Towards controlling of the pandemic - Indian scenario

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 462-468
Author(s):  
Latika kothari ◽  
Sanskruti Wadatkar ◽  
Roshni Taori ◽  
Pavan Bajaj ◽  
Diksha Agrawal
Keyword(s):  
Control Measures ◽  
The Novel ◽  
Medical Treatments ◽  
Health Crisis ◽  
The Public ◽  
Infection Control Measures ◽  
The Social ◽  
Asking Questions ◽  
The Government ◽  
Novel Coronavirus

Coronavirus disease 2019 (COVID-19) is a communicable infection caused by the novel coronavirus resulting in severe acute respiratory syndrome coronavirus 2 (SARS-CoV). It was recognized to be a health crisis for the general population of international concern on 30th January 2020 and conceded as a pandemic on 11th March 2020. India is taking various measures to fight this invisible enemy by adopting different strategies and policies. To stop the COVID-19 from spreading, the Home Affairs Ministry and the health ministry, of India, has issued the nCoV 19 guidelines on travel. Screening for COVID-19 by asking questions about any symptoms, recent travel history, and exposure. India has been trying to get testing kits available. The government of India has enforced various laws like the social distancing, Janata curfew, strict lockdowns, screening door to door to control the spread of novel coronavirus. In this pandemic, innovative medical treatments are being explored, and a proper vaccine is being hunted to deal with the situation. Infection control measures are necessary to prevent the virus from further spreading and to help control the current situation. Thus, this review illustrates and explains the criteria provided by the government of India to the awareness of the public to prevent the spread of COVID-19.

Who’s holding up the sky? On Rymba, a novel by A. Bushkovsky

2020 ◽  
Vol 1 (1) ◽  
pp. 150-158
Author(s):  
A. V. Zhuchkova
Keyword(s):  
Gender Politics ◽  
The State ◽  
Christian Faith ◽  
The Novel ◽  
Central Question ◽  
Men And Women ◽  
Flood Zone ◽  
The Social ◽  
Russian North ◽  
And Gender

The article deals with A. Bushkovsky’s novel Rymba that goes beyond the topics typical of Russian North prose. Rather than limiting himself to admiring nature and Russian character, the author portrays the northern Russian village of Rymba in the larger context of the country’s mentality, history, mythology, and gender politics. In the novel, myth clashes with reality, history with the present day, and an individual with the state. The critic draws a comparison between the novel and the traditions of village prose and Russian North prose. In particular, Bushkovsky’s Rymba is discussed alongside V. Rasputin’s Farewell to Matyora [ Proshchanie s Matyoroy ] and R. Senchin’s The Flood Zone [ Zona zatopleniya ]. The novel’s central question is: what keeps the Russian world afloat? Depicting the Christian faith as such a bulwark, Bushkovsky links atheism with the social and spiritual roles played by contemporary men and women. The critic argues, however, that the reliance on Christianity in the novel verges on an affectation. The book’s main symbol is a drowning hawk: it perishes despite people’s efforts to save it.

G.K. Chesterton’s Works in Literary-Critical Review by K.I. Chukovsky

2020 ◽  
pp. 37-47
Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin
Keyword(s):  
Critical Review ◽  
Social Life ◽  
Social Situation ◽  
The Novel ◽  
Social Disorder ◽  
Literary Works ◽  
Critical Attitude ◽  
The Social

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.

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