scholarly journals Breaking borders: Launching a regional literary journal in times of arts funding uncertainty

TEXT ◽  
2021 ◽  
Author(s):  
Raelke Grimmer ◽  
Adelle Sefton-Rowston ◽  
Glenn Morrison
2019 ◽  
pp. 75-83
Author(s):  
S. S. Sekretov

The article presents a survey of readers’ demand for books and periodicals conducted in Moscow libraries in 2018, which analyzes readers’ tastes and preferences. The most in-demand serious fiction writers include E. Vodolazkin, A. Ivanov, Z. Prilepin, A. Rubanov, D. Rubina and G. Yakhina. The author enumerates the reasons for a particular writer, book or journal to keep their top position in the readers’ ratings over a long period of time. Also described are writers’ advertising strategies, as well as the influence of television and screen adaptations on readers’ demand for new books. Noviy Mirhas long established itself as the main thick literary journal. The article also raises the issue of dwindling circulation of literary journals, and offers advice to writers, editors, publishers and librarians about promoting their products. As a separate topic, the article examines a growing demand for translated literature (published, among others, in Inostrannaya Literatura), as well as for children’s books.


Author(s):  
Daisy Fancourt

In recent decades, there has been an increasing number of national policy and strategy papers discussing arts in health in countries around the world. Some of this activity has been driven by national arts bodies, championing the value of the arts in health and wellbeing and advocating for their inclusion within core arts funding and practice. Other activity has been led by health bodies, including health departments within governments and health services themselves. This chapter explores some of the most influential documents and considers their implication for research and practice. It draws on case studies of activity within Ireland, the UK, the USA, Australia, and Nordic countries.


2017 ◽  
Vol 12 (2) ◽  
pp. 359-375
Author(s):  
Adam T. Sellen

Abstract The literary journal “El Museo Mexicano” (1843-1845) marked a watershed in Mexican nationalism, and sought to shape aspirations of an elite segment of nineteenth-century Mexican society eager to claim a post-colonial identity by exploring the cultural and historical strands that were combined in the young Republic. The editors solicited contributions from Mexican authors on a wide range of subjects, from descriptions of contemporary provincial life to accounts of recent discoveries of pre-Hispanic monuments and artifacts. The aim was to provide a more complete and up-to-date image of Mexico, rich in anecdotal detail and lavishly illustrated. In this paper I will explore how this new literary platform argued for the validity of archaeological investigation in the American context, and ultimately shaped how Mexicans perceived their past. Though my focus is primarily on the articles in “El Museo Mexicano” I will also analyze some of the visual tropes and traditions, from the picturesque to the grotesque that inspired illustration in other Mexican journals of the same genre.


Author(s):  
Chris Mourant

Katherine Mansfield’s contemporaries knew her primarily as a contributor to magazines and periodicals. In 1922, for instance, Wyndham Lewis described her as ‘the famous New Zealand Mag.-story writer’. This book provides the first in-depth study of Mansfield’s engagement in periodical culture, examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Reading these writings against the editorial strategies and professional cultures of each periodical, Chris Mourant situates Mansfield’s work within networks of production and uncovers the many ways in which she engaged with the writings of others and responded to the political, aesthetic and social contexts of early twentieth-century periodical culture. By examining Mansfield’s ambivalent position as a colonial woman writer working both within and against the London literary establishment, in particular, this book provides a new perspective on Mansfield as a ‘colonial-metropolitan modernist’ and proto-postcolonial writer.


2018 ◽  
Vol 18 (1) ◽  
pp. 193-213 ◽  
Author(s):  
Tal Feder

AbstractThis article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Badiou, I develop a novel conceptual framework to delineate three types of normative justifications for the public funding of arts organizations: romantic, didactic and classical. Using data from the public funding of 92 orchestras, theaters and dance troupes in Israel between 1999 and 2011, I estimate a cross-lagged panel data model to study how arts funding both affects and is affected by the levels of consumption of the organizations’ productions. The results of the study show a complex pattern of different relationships between funding and consumption that accord with the three types of normative justifications for public arts funding.


2021 ◽  
Author(s):  
Clinton J. Walker
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document