scholarly journals “Deutsches Requiem”, de Borges. El ascetismo del sujeto fascista

2020 ◽  
Vol 8 (14) ◽  
pp. 27-59
Author(s):  
Luis Bautista

The critics that have analyzed Jorge Luis Borges’ “Deutsches Requiem” (1946) have usually focused on the moral inconsistencies committed by its protagonist and narrator, a Nazi officer: Otto Dietrich zur Linde. Otto explicitly states that the goal of Nazism was the destruction of Judeo-Christian values, but he is apparently unable to think outside them. All his autobiography is told through the ascetic ideal, which would make his last message incongruous. The asceticism of Otto, of the "fascist subject", is not to my view a deliberate incongruity of Borges's text. I show in this article that Otto’s deeply ascetic nature is the ultimate result of the model of subjectivity developed by western philosophy.

2018 ◽  
Vol 20 (1) ◽  
pp. 131-166
Author(s):  
Lucas Martín Adur Nobile

Este artículo aborda dos obras de escritores latinoamericanos que tienen como tema común el nazismo: “Deutsches Requiem” de Jorge Luis Borges y Morirás lejos de José Emilio Pacheco. Partiendo del problema de la representación del mal, estudiamos las diversas estrategias que estos autores proponen para abordarlo. En primer lugar, los modos de construir a los nazis Otto Dietrich y eme, es decir, de representar “seres absolutamente perversos”. Analizamos luego el empleo de las notas al pie, que contribuyen a multiplicar la instancia narrativa e introducir la autorreflexividad en obras que parecen requerir alguna forma de distanciamiento. Por último, abordamos la intertextualidad bíblica, indagando las funciones específicas que tiene en cada texto. Buscamos abrir perspectivas sobre un problema central para la literatura contemporánea —la escritura del mal— y estimular los estudios sobre las obras literarias latinoamericanas que abordan las Shoah, y que, consideramos, no han recibido suficiente atención de la crítica.


Author(s):  
Susan Brophy

Agamben’s complicated engagement with Immanuel Kant celebrates the brilliance of the German idealist’s thought by disclosing its condemnatory weight in Western philosophy. Kant was writing in the midst of burgeoning industrial capitalism, when each new scientific discovery seemed to push back the fog of religion in favour of science and reason; meanwhile Agamben’s work develops in concert with the crises of advanced capitalism and borrows significantly from those philosophers who endured the most demoralising upheavals of the first half of the twentieth century. Whatever lanugo Kant was eager for us to shed in the name of individual freedom,1 Agamben sees in this crusade for civic maturity a surprising prescience: ‘[I]t is truly astounding how Kant, almost two centuries ago and under the heading of a sublime “moral feeling,” was able to describe the very condition that was to become familiar to the mass societies and great totalitarian states of our time’ (HS 52). To a remarkable extent, Agamben finds that Kant’s transcendental idealist frame of thought lays the philosophical foundation for the state of exception.


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2019 ◽  
Vol 42 (1) ◽  
pp. 76-90
Author(s):  
Damiano Benvegnù

From Hegel to Heidegger and Agamben, modern Western philosophy has been haunted by how to think the connections between death, humanness and animality. This article explores how these connections have been represented by Italian writers Tommaso Landolfi (1908–79) and Stefano D'Arrigo (1919–92). Specifically, it investigates how the death of a nonhuman animal is portrayed in two works: ‘Mani’, a short story by Landolfi collected in his first book Il dialogo dei massimi sistemi (Dialogue on the Greater Harmonies) (1937), and D'Arrigo's massive novel Horcynus Orca (Horcynus Orca) (1975). Both ‘Mani’ and Horcynus Orca display how the fictional representation of the death of a nonhuman animal challenges any philosophical positions of human superiority and establishes instead animality as the unheimlich mirror of the human condition. In fact, in both stories, the animal — a mouse and a killer whale, respectively — do die and their deaths represent a mise en abyme that both arrests the human narrative and sparks a moment of acute ontological recognition.


2020 ◽  
Vol 5 (1) ◽  
pp. 35-52
Author(s):  
Diana Ana Sari

Abstract: The presence of epistemology in western philosophy is very influential in life, especially in regulating the strategy of power or power to achieve goals. The style of western thought brought a big change in the knowledge of thinking, perspectives, and behavior that became the motors of civilization. Two main influential schools in the study of western philosophy such as rationalism and empiricism are conflicting. Both favor reason and five senses, but also inseparable from the weaknesses of each that will be revealed by researchers. Likewise the negative impact behind the superiority of western epistemology on the nature and development and existence of humans.


2018 ◽  
Vol 5 (2) ◽  
pp. 5-10
Author(s):  
Eduardo Herrera
Keyword(s):  

2019 ◽  
Vol 1 (1) ◽  
pp. 5-14
Author(s):  
Carlos Alvaréz Teijeiro

Emmanuel Lévinas, the philosopher of ethics par excellence in the twentieth century, and by own merit one of the most important ethical philosophers in the history of western philosophy, is also the philosopher of the Other. Thereby, it can be said that no thought has deepened like his in the ups and downs of the ethical relationship between subject and otherness. The general objective of this work is to expose in a simple and understandable way some ideas that tend to be quite dark in the philosophical work of the author, since his profuse religious production will not be analyzed here. It is expected to show that his ideas about the being and the Other are relevant to better understand interpersonal relationships in times of 4.0 (re)evolution. As specific objectives, this work aims to expose in chronological order the main works of the thinker, with special emphasis on his ethical implications: Of the evasion (1935), The time and the Other (1947), From the existence to the existent (1947), Totality and infinity: An essay on exteriority (1961) and, last, Otherwise than being, or beyond essence (1974). In the judgment of Lévinas, history of western philosophy starting with Greece, has shown an unusual concern for the Being, this is, it has basically been an ontology and, accordingly, it has relegated ethics to a second or third plane. On the other hand and in a clear going against the tide movement, our author supports that ethics should be considered the first philosophy and more, even previous to the proper philosophize. This novel approach implies, as it is supposed, that the essential question of the philosophy slows down its origin around the Being in order to inquire about the Other: it is a philosophy in first person. Such a radical change of perspective generates an underlying change in how we conceive interpersonal relationships, the complex framework of meanings around the relationship Me and You, which also philosopher Martin Buber had already spoken of. As Lévinas postulates that ethics is the first philosophy, this involves that the Other claims all our attention, intellectual and emotional, to the point of considering that the relationship with the Other is one of the measures of our identity. Thus, “natural” attitude –husserlian word not used by Lévinas- would be to be in permanent disposition regarding to the meeting with the Other, to be in permanent opening state to let ourselves be questioned by him. Ontology, as the author says, being worried about the Being, has been likewise concerned about the Existence, when the matter is to concern about the particular Existent that every otherness supposes for us. In conclusion it can be affirmed that levinasian ethics of the meeting with the Other, particular Face, irreducible to the assumption, can contribute with an innovative looking to (re)evolving the interpersonal relationships in a 4.0 context.


revistapuce ◽  
2016 ◽  
Author(s):  
Inés Del Pino Martínez

El ensayo trata sobre dos textos que trabajan la historia urbana de Bue­nos Aires: La grilla y el parque escrito por Adrián Gorelik y El Buenos Aires de Borges de Carlos Alberto Zito. El primero analiza la ciudad desde la historia urbana y la cultura y el segundo reflexiona desde su propia experiencia el Buenos Aires que reinventó Borges, la ciudad en la cual na­ció y vivió y a la que siempre se refirió con afecto. El examen de los textos sugiere que el investigador académico, sensible al mensaje del lenguaje literario, puede traducirlo en la clave de la disciplina que trata sobre la historia y el espacio urbano y elaborar un concepto apropiado para la identidad de barrio en el Buenos Aires del primer tercio del siglo XX.


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