scholarly journals Contemporaneity in the History of Art: A Clark Workshop 2009, Summaries of Papers and Notes on Discussions

2011 ◽  
Vol 1 ◽  
pp. 3-34 ◽  
Author(s):  
Terry Smith

Sponsored by the Clark Institute, Williamstown, and the Getty Research Institute, Los Angeles, the workshop was convened by Terry Smith, and held at the Sterling and Francine Clark Institute, Williamstown, Mass., October 8 and 9, 2009. These notes do not record the exact statements of all participants, neither in the summaries of papers nor notes on discussions; rather, they represent the author’s own impressions of the workshop as it unfolded. See also, in this issue of Contemporaneity, Wu Hung’s contribution to the workshop.

2011 ◽  
Vol 36 (3) ◽  
pp. 34-39
Author(s):  
Elisabeth Kofod-Hansen ◽  
Anne Lise Rabben ◽  
Irmeli Isomäki ◽  
Elín Guðjónsdóttir ◽  
Maud Roberts

From the 1970s onwards Danish contributions were sent to the international art bibliography published by the Getty Research Institute in Los Angeles. Broader Nordic co-operation began when the Bibliography of the history of art (later the International bibliography of art) was established in 1990. Throughout the next two decades, art libraries in each of the five countries selected key material whose records were then submitted for publication. This collaboration came to an end in 2009 when the Getty announced that it could no longer continue to support the IBA on its own, although it would introduce free access via its website to the data for the years 1975 to 2007.


2011 ◽  
Vol 36 (3) ◽  
pp. 10-14 ◽  
Author(s):  
Kathleen Salomon

The Future of Art Bibliography (FAB) initiative developed out of various conversations among colleagues in the United States and Europe. Events in the art historical community, including limited funding resources for art libraries and projects internationally, and the cessation of the Getty’s support for the production of the Bibliography of the history of art (BHA) provided the catalyst for the Kress Foundation grant to the Getty Research Institute. A series of international meetings of art librarians, art historians, publishers and information specialists ensued. The goal was to review current practices, take stock of changes, and seriously consider developing more sustainable and collaborative ways of supporting the bibliography of art history in the future.


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