scholarly journals EKSPRESI PHILIP RICARDO BIJI TERHADAP MASYARAKAT DI SABAH MELALUI ARCA ‘TANPA TAJUK’

2021 ◽  
Author(s):  
Rohasmezan Hashim ◽  
Baharudin Hj. Mohd Arus ◽  
Zaimie bin Sahibil
Keyword(s):  
Ethnic Group ◽  
Observational Data ◽  
Sigmund Freud ◽  
Erwin Panofsky ◽  
Natural Forms ◽  
Three Stages ◽  
Ceramic Sculpture

Kajian ini menjalankan analisis terhadap karya arca Philip Ricardo Biji berjudul ‘Tanpa Tajuk’ untuk menyingkap ekspresi pengarca terhadap masyarakat di Sabah. Data-data pemerhatian terhadap bentuk dan makna arca dianalisis melalui gabungan teori Ikonografi oleh Erwin Panofsky dan teori kritikan psikoanalisis oleh Sigmund Freud. Teori ikonografi terbahagi kepada tiga tahap. Kajian ini mendapati bahawa arca Philip Ricardo Biji mempunyai ekspresi yang menyerap ke dalam perasaan masyarakat di Sabah. Representasi bentuk semula jadi yang dipaparkan adalah imej manusia, sungai dan tahi lalat. Imej-imej tersebut menggambarkan motif pada anyaman dan tatu etnik Murut di Sabah. Motif-motif yang dipaparkan merujuk makna tentang budaya masyarakat Murut yang sedang bermesyuarat, acara minum tapai, aktiviti di sungai dan kepercayaan tentang keselamatan dari serangan buaya. Dari segi kritikan psikoanalisis pula, penghasilan arca seramik lebih menekankan kepada makna tersirat yang menggambarkan pengalamannya sebagai pelukis, pendidik dan ahli kraf serta aktiviti sosialnya bersama masyarakat etnik Murut. Arca ‘Tanpa Tajuk’ oleh Philip Ricardo Biji memaparkan ekspresi dari segi pemikiran, perlakuan dan perasaannya terhadap masyarakat Murut di Sabah.    The purpose of this study is to analyze Philip Ricardo Biji’s sculpture entitled ‘Tanpa Tajuk’ in order to ascertain the sculptor’s perception toward the Sabah culture. Observational data on the form and context of sculptures were examined using a combination of Erwin Panofsky’s Iconographic theory and Sigmund Freud’s psychoanalytic criticism theory. Three stages of iconographic theory occur. This research found that Philip Ricardo Biji’s sculpture carries an expression that resonates with the community’s emotions in Sabah. People, rivers and moles are all depicted as natural forms. The illustrations depict motifs found on Murut ethnic weavings and tattoos in Sabah. The motifs depicted are symbolic of the Murut society’s culture, including gatherings, tapai drinking events, river activities and beliefs about crocodile safety. In psychoanalytic critique the development of ceramic sculpture exemplifies the implicit meaning of his experience with the Murut ethnic group as a painter, educator and craftsperson. The sculpture titled ‘Tanpa Tajuk’ by Philip Ricardo Biji expresses his thoughts, behaviour and feelings toward the Murut group in Sabah.

scholarly journals Suite Française. Georges Didi-Huberman, uma experiência na História da Arte

MODOS ◽  
2020 ◽  
Vol 4 (3) ◽  
Author(s):  
Stéphane Huchet
Keyword(s):  
Sigmund Freud ◽  
Walter Benjamin ◽  
Georges Bataille ◽  
Giorgio Agamben ◽  
Pier Paolo Pasolini ◽  
Marcel Duchamp ◽  
Giorgio Vasari ◽  
Erwin Panofsky ◽  
Carl Einstein ◽  
Aby Warburg

Os livros de Georges Didi-Huberman articulam um denso saber para produzir o que ele propôs chamar de “antropologia do visual”. É uma posição de caráter neo-warburguiano, embora, no início de sua trajetória, Didi-Huberman não se apoiasse em Aby Warburg, que ele ainda não tinha integrado ao seu panthéeon. Antropologia que não representa mais um risco, mas uma chance para a História da arte. As imagens artísticas, observadas e analisadas com grande atenção crítica, revelam processos que seu conhecimento aprofundado da filosofia o legitimam a qualificar como “dialéticos”. Suas primeiras ideias e argumentações, disseminadas em vários livros que se sucederam em um ritmo anual, encontraram em Aby Warburg, por volta do ano 2000, um modelo de confirmação e consolidação. A historiografia e a filosofia da arte de Didi-Huberman foram construídas por meio de livros que privilegiam artistas, pensadores, críticos (Fra Angelico, Giorgio Vasari, Sigmund Freud, Erwin Panofsky, Georges Bataille, Carl Einstein, Aby Warburg, Alberto Giacometti, Marcel Duchamp, Walter Benjamin, Bertold Brecht, os minimalistas, Pier-Paolo Pasolini, Giorgio Agamben), que instigam uma História da arte que é uma filosofia prática da imagem e do tempo.

scholarly journals MONGOLS "IMAGINARY HERALDIC" IN FRENCH MEDIEVAL MINIATURES

2021 ◽  
pp. 119-129
Author(s):  
E. A. Shishka
Keyword(s):  
American Art ◽  
Value System ◽  
Literary Works ◽  
Geometric Shapes ◽  
The Social ◽  
Erwin Panofsky ◽  
Three Stages ◽  
German Researcher ◽  
Pointed Star

The study of images is the path leading to an understanding of the value system of medieval man. If in the study of Christian ideas about the Mongols, historical and literary works were given some attention, then iconographic documents were often used only as illustrations to the text and were considered as something secondary. One of the poorly studied topics is the study of «imaginary heraldry», which was given to the Mongols by French miniaturists of the XIV-XV centuries. The research is based on the approach of the American art critic, M. A. Camillus, which involves the study not of what was «really», but of what was brought into the situation described by medieval scribes. The model of our analysis of the content of miniatures is based on the methodology of the German researcher Erwin Panofsky, according to which the analysis of miniatures takes place in three stages: 1) pre-iconographic description; 2) iconographic analysis; 3) iconological interpretation. Our research is based on French manuscripts containing images of the Mongols with various heraldic symbols, written evidence, numismatic and cartographic sources. During the work, it was noted that the Mongolian heraldry is presented in the format of shields and banners. Each element has its own color – red, orange, blue, yellow. The following heraldic signs were identified: a dragon, a six-pointed star, a crescent, a two-pronged tamga, a «king's head», lilies, a «star of David», various geometric shapes of figures, etc. It was also determined that the image of heraldic symbols on the miniatures carries a certain symbolism – social and ethnic. With the help of «imaginary heraldry», Christian miniaturists defined the place of the Mongols in the social stratigraphy or emphasized ethnicity.

scholarly journals THE ANALYSIS OF KURT SCHWITTERS' "THE HITLER GANG" BASED ON ICONOGRAPHIC AND ICONOLOGICAL CRITICISM METHOD OF ERWIN PANOFSKY

2021 ◽  
Vol 10 (77) ◽  
Keyword(s):  
20Th Century ◽  
Subject Matter ◽  
Art Criticism ◽  
Matter Content ◽  
Expressive Meaning ◽  
Secondary Meaning ◽  
Erwin Panofsky ◽  
Three Stages ◽  
Subject Matter Content ◽  
Second World

In this study, the collage "The Hitler Gang" dated 1944 by Kurt Schwitters who is one of the Dadaism artists has been analyzed based on "iconographic and iconological criticism method" which was developed by an art historian, Erwin Panofsky, in 20th century. The said work has been examined under three stages which are natural subject matter (factual and expressive meaning), conventional subject matter (secondary meaning) and intrinsic subject matter (content) according to this method of Panofsky; it has been aimed to make the work more understandable by the viewer with this method. The positions and expressions of the visuals within the composition have been examined to find the natural subject matter; the relationships of the visuals with one another have been examined by addressing the points at which the work points to find the conventional subject matter and various resources have been employed to reveal this relationship; the life of the artist and the conditions of the period have been examined to find the intrinsic subject matter. Panofsky states that intrinsic subject matter provides the real meaning of the work. It can also be stated that the technique of the work is effective for expressing the period in which it was made. The collage technique employed by Schwitters corresponds to the destruction of the war. The collage "The Hitler Gang" emphasizes the dictator Adolf Hitler and his gang as can be understood from its name. In this regard, the study focuses on how policies applied by Hitler during First and Second World Wars changed the art and artistic perception through the work of Schwitters. Keywords: Erwin Panofsky, Art Criticism, Iconography, Iconology, Kurt Schwitters, The Hitler Gang

scholarly journals IMEJ BUDAYA DAN KERJASAMA DALAM KARYA SENI CETAKAN MAPHILINDO

2020 ◽  
Author(s):  
Mohd Azdy Shahrin Nizzam Amarisner ◽  
Humin Jusilin
Keyword(s):  
Social Life ◽  
Visual Art ◽  
Social Issues ◽  
The Philippines ◽  
Local Communities ◽  
Special Study ◽  
Erwin Panofsky ◽  
Three Stages ◽  
Art Elements

Artikel ini menyingkap karya seni yang dihasilkan oleh kumpulan Pangrok Sulap bertajuk Maphilindo. Pangrok Sulap merupakan sebuah kumpulan yang terdiri daripada beberapa orang pengkarya yang amat prolifik menghasilkan karya cetakan teknik woodcut. Kajian khusus tentang karya seni cetakan yang bertajuk Maphilindo dipilih kerana memaparkan isu budaya dan sosial. Karya ini menggambarkan harapan tentang kesatuan budaya yang terkandung dalam gagasan kesatuan Maphilindo, iaitu Malaysia, Filipina dan Indonesia. Ketiga-tiga buah negara yang terlibat dalam penubuhan gagasan Maphilindo memberi kesan kepada budaya dan kehidupan sosial masyarakat tempatan. Pengkarya menggunakan seni cetakan untuk memberi gambaran dan pendedahan tentang kesedaran orang awam tentang isu ini. Penulis menggunakan Teori Ikonografi oleh Erwin Panofsky (1972) dalam menghurai setiap elemen seni visual yang diketengahkan oleh pengkarya dalam karya cetakan. Data-data yang terdiri daripada elemen formal dianalisis melalui tiga tahap analisis iaitu primer, praikonografi dan makna ikonografi. Kajian ini mendapati bahawa karya ini memaparkan elemen kesatuan yang selaras dengan budaya dan sosial antara negara Malaysia, Filipina dan Indonesia.   This article reveals the artwork produced by the Pangrok Sulap group titled Maphilindo. Pangrok Sulap is a group consisting of several very prolific works producing woodcut prints. This special study of printed artwork titled Maphilindo was chosen because it presents cultural and social issues. This work also illustrates the hope of cultural unity contained in the idea of Maphilindo unity, namely the countries of Malaysia, the Philippines and Indonesia. The three countries involved in the establishment of Maphilindo ideas have an impact on the culture and social life of local communities. The artist uses printed art to give an idea and exposure to the public’s awareness of the issue. The author used Erwin Panofsky’s Theory of Iconography (1972) to decipher visual art elements centered by the works in print. Data consisting of formal elements is analyzed through three stages of analysis e.g. primary, preiconography and iconography meaning. The study found that this work presents elements of unity that align with culture and social between Malaysia, the Philippines and Indonesia.

Current status of special planetary and lunar theories and ephemerides

1966 ◽  
Vol 25 ◽  
pp. 266-267
Author(s):  
R. L. Duncombe
Keyword(s):  
Observational Data ◽  
Current Status ◽  
Numerical Errors

An examination of some specialized lunar and planetary ephemerides has revealed inconsistencies in the adopted planetary masses, the presence of non-gravitational terms, and some outright numerical errors. They should be considered of temporary usefulness only, subject to subsequent amendment as required for the interpretation of observational data.

July 11, 1991 Eclipse Corona Photometry by the Results of Electropolarimetric and CCD-Matrix Observations

1994 ◽  
Vol 144 ◽  
pp. 567-569
Author(s):  
V. Kulidzanishvili ◽  
D. Georgobiani
Keyword(s):  
Solar Corona ◽  
Observational Data ◽  
Solar Limb ◽  
Ccd Matrix

AbstractThe observational data of July 11, 1991 eclipse solar corona obtained by both electropolarimeter (EP) and CCD-matrix were processed. Using these data, the solar corona photometry was carried out. The results of EP data are compared with the ones of CCD data. It must be noted here that the CCD data give us only characteristics of the inner corona, while the EP data show the features of both the inner and middle corona up to 4R⊙. Standard flattening indexϵis evaluated from both data. The dependence of the flattening index on the distance from the solar limb is investigated. The isophotes in Na and Ca lines are plotted. Based on these data some ideas and conclusions on the type of the solar corona are presented.

On The Radii of Ap Stars

1976 ◽  
Vol 32 ◽  
pp. 49-55 ◽  
Author(s):  
F.A. Catalano ◽  
G. Strazzulla
Keyword(s):  
Observational Data ◽  
Line Width ◽  
Main Sequence ◽  
Main Sequence Stars ◽  
Ap Stars

SummaryFrom the analysis of the observational data of about 100 Ap stars, the radii have been computed under the assumption that Ap are main sequence stars. Radii range from 1.4 to 4.9 solar units. These values are all compatible with the Deutsch's period versus line-width relation.

Design of objective lens for 200-kV high-resolution electron microscopes

1983 ◽  
Vol 41 ◽  
pp. 314-315
Author(s):  
K. Tsuno ◽  
T. Honda ◽  
Y. Harada ◽  
M. Naruse
Keyword(s):  
Optical Properties ◽  
Computer Technology ◽  
Axial Magnetic Field ◽  
Chromatic Aberration ◽  
Objective Lens ◽  
Resolution Electron ◽  
Correction Of Astigmatism ◽  
Three Stages ◽  
Electron Microscopes ◽  
Stage 1

Developement of computer technology provides much improvements on electron microscopy, such as simulation of images, reconstruction of images and automatic controll of microscopes (auto-focussing and auto-correction of astigmatism) and design of electron microscope lenses by using a finite element method (FEM). In this investigation, procedures for simulating the optical properties of objective lenses of HREM and the characteristics of the new lens for HREM at 200 kV are described.The process for designing the objective lens is divided into three stages. Stage 1 is the process for estimating the optical properties of the lens. Firstly, calculation by FEM is made for simulating the axial magnetic field distributions Bzc of the lens. Secondly, electron ray trajectory is numerically calculated by using Bzc. And lastly, using Bzc and ray trajectory, spherical and chromatic aberration coefficients Cs and Cc are numerically calculated. Above calculations are repeated by changing the shape of lens until! to find an optimum aberration coefficients.

Formation of Dislocation Channels in Neutron Irradiated Molybdenum

1972 ◽  
Vol 30 ◽  
pp. 672-673
Author(s):  
S. Mahajan
Keyword(s):  
Electron Microscopy ◽  
Transmission Electron Microscopy ◽  
Ambient Temperature ◽  
Room Temperature ◽  
Channel Formation ◽  
Early Stages ◽  
Transmission Electron ◽  
Three Stages ◽  
Two Stages ◽  
Polycrystalline Molybdenum

The evolution of dislocation channels in irradiated metals during deformation can be envisaged to occur in three stages: (i) formation of embryonic cluster free regions, (ii) growth of these regions into microscopically observable channels and (iii) termination of their growth due to the accumulation of dislocation damage. The first two stages are particularly intriguing, and we have attempted to follow the early stages of channel formation in polycrystalline molybdenum, irradiated to 5×1019 n. cm−2 (E > 1 Mev) at the reactor ambient temperature (∼ 60°C), using transmission electron microscopy. The irradiated samples were strained, at room temperature, up to the macroscopic yield point.Figure 1 illustrates the early stages of channel formation. The observations suggest that the cluster free regions, such as A, B and C, form in isolated packets, which could subsequently link-up to evolve a channel.

Can a Theory of Suicide Predict All “Suicides” in the Elderly?

Crisis ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 7-16 ◽  
Author(s):  
Antoon A. Leenaars
Keyword(s):  
Sigmund Freud ◽  
Terminally Ill ◽  
Later Life ◽  
Psychological Theory ◽  
The Elderly ◽  
Theory Building ◽  
Personality Factors ◽  
Comprehensive Model ◽  
Suicide Notes ◽  
Psychiatric Study

Summary: Older adults consistently have the highest rates of suicide in most societies. Despite the paucity of studies until recently, research has shown that suicides in later life are best understood as a multidimensional event. An especially neglected area of research is the psychological/psychiatric study of personality factors in the event. This paper outlines one comprehensive model of suicide and then raises the question: Is such a psychiatric/psychological theory applicable to all suicides in the elderly? To address the question, I discuss the case of Sigmund Freud; raise the topic of suicide and/or dignified death in the terminally ill; and examine suicide notes of the both terminally ill and nonterminally ill elderly. I conclude that, indeed, greater study and theory building are needed into the “suicides” of the elderly, including those who are terminally ill.

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