Inleiding tot het themanummer ‘Mondiale beeldcultuur’: lancering, hype en receptie van de blockbuster The Lord of the Rings

2006 ◽  
Vol 34 (1) ◽  
Author(s):  
Daniel Biltereyst ◽  
Giselinde Kuipers
Keyword(s):  
Lord Of The Rings

The Lord of the Rings

2011 ◽  
pp. 135-136
Author(s):  
Peter Jackson
Keyword(s):  
Lord Of The Rings

Touschek. The Lord of the Rings

2020 ◽  
pp. 187-194
Author(s):  
Giuseppe Mussardo
Keyword(s):  
Lord Of The Rings

scholarly journals The Ethics of Remembering and the Consequences of Forgetting

2015 ◽  
Vol 19 (1) ◽  
pp. 83-85
Author(s):  
Gavin Stansfield
Keyword(s):  
Lord Of The Rings ◽  
The World

There is a powerful metaphor for the world of unmetabolised ancestral trauma in a scene from The Two Towers (Tolkien, 1965), the middle volume of Tolkien’s Lord of the Rings trilogy which is hauntingly depicted in Peter Jackson’s film of the same name (Jackson, Osborne, Walsh, & Ordesky, 2001-2003).

scholarly journals In Search of Authenticity: the ‘Global Popular’ and ‘Quality’ Culture—the Case of The Lord of the Rings Trilogy and Pavement

2005 ◽  
Vol 2 (2) ◽  
Author(s):  
Hilary Radner
Keyword(s):  
New Zealand ◽  
Lord Of The Rings ◽  
Quality Culture ◽  
The Way

Through an examination of three special issues devoted to The Lord of the Rings trilogy in Pavement, a New Zealand magazine, I propose to discuss the way in which the representation of these films suggests the complexities of the intersection between the global and the local within New Zealand culture and its consequences in particular in terms of the marginalisation of an indigenous discourse. I draw upon the work of scholars such as T. Bennett and J. Woolacott to define and examine the “reading formations” mobilized by the LOTR phenomenon within such publications as Pavement, directed towards a local NZ ‘hip’ readership.

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