Alternative Histories of the Self : A Cultural History of Sexuality and Secrets, 1762–1917

2017 ◽  
2006 ◽  
Vol 49 (4) ◽  
pp. 1211-1227 ◽  
Author(s):  
H. G. COCKS

Recent work in the modern history of sexuality, now an established field of inquiry, is characterized by particular approaches to the interpretation of modernity and selfhood. In general, and in contrast to previous approaches, the books under review treat modernity as a localized process with specific effects. Sexual identity is understood in a similar way, as a phenomenon bounded by locality, class, age, nationality, gender, patterns of sociability, and other contextual factors. As such, speaking of sexual identity as a unitary entity, or as something that has historically been structured by an opposition of homosexual/heterosexual, no longer makes sense. In fact, the homo/hetero binary is of much more recent vintage than has been hitherto thought. These histories of sexuality challenge historians of all kinds to rethink the nature of categories like selfhood, identity, and modernity.


2019 ◽  
Vol 3 ◽  
pp. 158
Author(s):  
Ketlin Kroetz ◽  
José Luis Schifino Ferraro

RESUMOEste ensaio objetiva discutir o modo como Michel Foucault abordou a constituição do sujeito a partir de a História da Sexualidade em seus volumes (I) A vontade de saber, (II) O uso dos prazeres e (III) O cuidado de si. O trabalho utiliza aportes teóricos de autores que trabalham “com” o filósofo francês em torno dos processos de subjetivação. Sem querer fechar conclusões e/ou propor uma leitura unívoca sobre o tema, o texto que segue conduz o debate em torno da invenção do sujeito e dos distintos modos de constituir-se/devir-a-ser sujeito da experiência no interior dos estudos foucaultianos e seu entrecruzamento com a Educação.Palavras-chave: Constituição do sujeito. História da sexualidade. Michel Foucault.ABSTRACTThis essay aims to discuss how Michel Foucault approached the theme of the subject constitution from the History of Sexuality in its volumes (I) An Introduction, (II) the use of pleasure and (III) The care of the self. The work use a series of theoretical contributions from authors who works “with” the French philosopher around the subjectivation processes. Without any pretention of closing conclusions and/or propose a single reading about the theme, the following text lead us to the debate around the invention of the subject and the different ways to constitutes/becomes the subject of the experience in the field of the Foucauldian studies and its intersection with Education.Keywords: Subject constitution. History of sexuality. Michel Foucault.


Author(s):  
Paloma Chaterji ◽  

My paper will explore the constantly changing dynamics of women-nature relationship through social and cultural history of Assam. I will gradually explore the eco-consciousness and the changing principles of my subjects as I shift my focus from the Shakti cult, to the Vaishnavite, to the modern urbanised subjects of the texts. The women characters in these texts will be the primary focus of this study as I begin to explore how they struggle to recognize their individual identity and how their association with nature comes as a response to accommodate what has been rendered passive by patriarchy. I will reflect on how the ever ideal and nurturing image of nature is problematic. The place-specific behavior of the characters in my study will offer a better vision of how women combat the ever presence patriarchal horrors through interaction with nature. Such an interaction reveals how nature actually makes women conscious of their individuality. This study will convey how free spirited nature helps these women overcome their limited space laced with patriarchal beliefs of selfless nurturing where the self is denied. Building on postcolonial critics like Chandra Mohanty, I would like to explore the discursive limits set by the processes of homogenization to which Assamese women have been subjected by a range of texts. This paper will explore the changing configurations of these limits and their implications, especially with regard to their interpellation in patriarchy. Through gendered readings of representative texts like Indira Goswami’s The Man from Chinnamasta and The Moth Eaten Howdah of the Tuskar and Mitra Phukan’s The Collector’s Wife, I will try to dismantle the essentialist binaries of nature/culture, men/women. Finally, this paper aims to dilute the ‘feminine’ and the ‘masculine’ principles and looks beyond the gynocentric essentialism of both nature and women.


Sign in / Sign up

Export Citation Format

Share Document