scholarly journals Edificios singulares en mallas regulares. Iglesias en L’Eixample y en La Baixa

2016 ◽  
Vol 3 (2) ◽  
pp. 55
Author(s):  
Alba Arboix-Alió

<p class="EstiloVLC"><em>A building is considered unique when it outstands within the common fabric of the city due to its form, its nature, and its production and serialization process. If this architectural singularity is accompanied by an urban distinction, the result is much more effective because the compound becomes an urban enclave capable of arranging and hierarchically organising the city. The most illustrative example for historic cities with a Catholic tradition may probably be the church with the public space that materializes around it. For centuries, the sacred building and the atrium that precedes it have represented the city’s reference point and articulating centre of social, economic and cultural life. Nevertheless, if this is more or less evident in old towns consolidated over time; how is this solved in modern cities formed by a regular urban layout</em> <em>whose grid is put before the freedom of the buildings? With Barcelona and Lisbon as case studies, the paper focuses on the implementation and typology of the most paradigmatic churches in the neighbourhoods of L’Eixample Cerdà and La Baixa Pombalina.</em></p>

CONVERTER ◽  
2021 ◽  
pp. 80-87
Author(s):  
Fan Ding, Yunying Ren

Purpose: Based on the perspective of community governance, the paper explores the research path of public space renewal in historic city districts. Taking the historical public space of Lhasa City as an example, this paper analyzes the causes of the characteristics of public space, analyzes the logical relationship between public space and urban renewal and community governance, and finally optimizes the pattern of historical public space of Lhasa City by improving the spatial structure. Create intelligent living blocks and optimize the life mode of historical blocks; Significance: From the human-oriented perspective, the exploration of the public space renewal in the Historic Districts was in essence a process in which people develop continuously and their needs are continuously satisfied. It could meet the multi-level needs of residents at different stages. Secondly, from a social perspective, the innovative pattern of community governance could help achieve self-satisfaction within the district, radiate to the surrounding industries, and relieve the pressure of social employment. Thirdly, from the perspective of urban renewal implementation, the research on the public space renewal the Historic Districts would help promote the balance of social ecological environment, improve the regional governance and promote the high-quality development of the city.


Urban Studies ◽  
2017 ◽  
Vol 55 (12) ◽  
pp. 2780-2800 ◽  
Author(s):  
Urmi Sengupta

Public space is increasingly recognised to be central to spatial discourse of cities. A city’s urbanism is displayed in public spaces, representing a myriad of complex socio-cultural, economic and democratic practices of everyday life. In cities of the Global South, especially those with nascent democracies, different values attached to a space by various actors – both material and symbolic – frame the contestation, making the physical space a normative instrument for contestation. Tundikhel, once believed to be the largest open space in Asia, is an important part of Kathmandu’s urbanism, which has witnessed two civil wars popularly known as Jana Andolans, and the subsequent political upheavals, to emerge as the symbolic meeting point of the city, democracy, and its people. The paper argues that the confluence of the three modalities of power – institutionalisation, militarisation and informalisation – has underpinned its historical transformation, resulting in what I call ‘urban rupturing’: a process of (un)making of public space, through physical and symbolic fragmentation and spatial estrangement. The paper contends that unlike the common notion that public spaces such as Tundikhel are quintessentially public, hypocrisy is inherent to the ‘publicness’ agenda of the state and the institutional machinery in Kathmandu. It is an urban condition that not only maligns the public space agenda but also creeps into other spheres of urban development.


2019 ◽  
Vol 19 ◽  
pp. 71-83
Author(s):  
Marta Koszko

Cities are the main centres of social, cultural life and economic development. They have always attracted newcomers not only because of new opportunities but also because of the feeling of belonging and uniqueness which people need. The attractiveness of a particular urban centre mainly rests on its image, which is created in relation to its own unique identity. The language of the city, which is present in the public space in the form of the linguistic landscape and which reflects the socio-cultural composition of the city, creates the identity. Both socio-cultural composition of a city (hence the languages spoken in the public space) and the linguistic landscape can create an image of a city which is either open for an interaction or presents limited interactional potential.


NALARs ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 99
Author(s):  
Serafiani Turkaemly Eka Putri

ABSTRAK. Tujuan penelitian adalah untuk mengetahui bagaimana makna ataupun nilai dari Taman Budaya Yogyakarta bagi masyarakat mengingat keberadaannya sebagai pusat kesenian dan kebudayaan di Yogyakarta. Setiap ruang publik seharusnya tidak hanya hadir secara fisik akan tetapi dapat memberi rasa atau makna tersendiri bagi kota (“places” matter most), bagaimana suatu ruang publik dapat memenuhi kebutuhan masyarakat kota akan adanya sebuah wadah interaksi sosial antar masyarakat. Taman Budaya Yogyakarta merupakan salah satu ruang publik yang dijadikan masyarakat sebagai tempat berekreasi serta aktivitas seni dan kebudayaan. Taman Budaya Yogyakarta atau yang dulu disebut dengan Purna Budaya, pertama kali dibangun pada tanggal 11 Maret 1977 di daerah kawasan Universitas Gadjah Mada. Taman Budaya dibangun kembali pada tahun 2002 di Kawasan Gondomanan. Metode yang digunakan adalah dengan melakukan wawancara secara online melalui aplikasi WhatsApp serta metode studi pustaka. Hasilnya, diketahui bahwa Taman Budaya Yogyakarta memiliki makna kultural, makna sosial (interaksi individu dengan lingkungannya), makna pentingnya relasi antar manusia, dan memiliki makna harmonisasi kehidupan sosial dan budaya. Makna suatu ruang publik bisa terbentuk dari tatanan serta keadaaan fisik ruangnya. Kata kunci: Makna, Ruang Terbuka Publik, Taman Budaya Yogyakarta ABSTRACT. This study aims to find out how the meaning or value of the Taman Budaya Yogyakarta for the community, given its existence as a centre for arts and culture in Yogyakarta. Every public space should not only be physically present but can give a sense or meaning to the city ("place" matter most), how public space can meet the needs of the city community for a place of social interaction between communities. Taman Budaya Yogyakarta is one of the public spaces used by the community as a place of recreation and artistic and cultural activities. Taman Budaya Yogyakarta or formerly called Purna Budaya was first built on March 11, 1977, in the area of Gadjah Mada University. The Cultural Park was rebuilt in 2002 in the Gondomanan Region. The method used is to conduct online interviews through the WhatsApp application and literature study method. As a result, it is known that the Taman Budaya Yogyakarta has a cultural meaning, a social meaning (the interaction of individuals with their environment), the importance of relationships between people, and meaning of harmony in social and cultural life. The meaning of a public space can be formed from the physical structure and condition of the space.Keywords: Meaning, Public Space, Taman Budaya Yogyakarta


2021 ◽  
pp. 54-63
Author(s):  
Наталия Ивановна Хохлова ◽  
Людмила Васильевна Шибаева

Город является средством для образа жизни. Когда обеспеченные люди на досуге посещают культурные мероприятия, для малообеспеченных слоев населения именно улицы города являются единственной альтернативой телевидению как способу провести свое свободное время. К сожалению, современные города являются более выгодными для передвижения автомобилей, а не жизни людей. Мы должны сделать все, чтобы это было не так. Идеальный город - тот, в котором людям нравится быть на улице. Люди не используют общественное пространство города только для передвижения – они там общаются, отдыхают, целуются. Поэтому приоритетом городских властей должно быть развитие общественного пространства. Рассматривается проблема изучения жизнеспособности населения города как социально-психологического явления. Акцентируется внимание на ценностно-аффективном компоненте. Были определены характеристики благоприятного будущего города, которые связаны в первую очередь с внешним видом, комфортностью и перспективой развития города. Направленность активности горожан констатируется в сфере саморазвития (необходимость увеличения учебных заведений) и трудовой занятости (наличие мест для работы). В ответах преобладают индивидуальные потребности, своеобразная эгоцентричность по отношению к пространству проживания. The city is a means for a way of life. When well-off people attend cultural events at their leisure, for low-income segments of the population, it is the streets of the city that are the only alternative to television as a way to spend their free time. Unfortunately, modern cities are more profitable for the movement of cars, rather than people's lives. We must do everything to make sure that this is not the case. The ideal city is one in which people like to be on the street. People do not use the public space of the city only for movement – they communicate there, relax, kiss. Therefore, the priority of the city authorities should be the development of public space. The problem of studying the viability of the city's population as a socio-psychological phenomenon is considered. Attention is focused on the value-affective component. The characteristics of a favorable future of the city were determined, which are primarily related to the appearance, comfort and prospects for the development of the city. The orientation of the activity of citizens is stated in the field of self-development (the need to increase educational institutions) and employment (the availability of places to work). The answers are dominated by individual needs, a kind of egocentricity in relation to the living space


Author(s):  
Samuel Llano

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.


Author(s):  
Samuel Llano

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


2020 ◽  
Vol 25 (1) ◽  
pp. 135-149
Author(s):  
Jan Siegemund

AbstractLibel played an important and extraordinary role in early modern conflict culture. The article discusses their functions and the way they were assessed in court. The case study illustrates argumentative spaces and different levels of normative references in libel trials in 16th century electoral Saxony. In 1569, Andreas Langener – in consequence of a long stagnating private conflict – posted several libels against the nobleman Tham Pflugk in different public places in the city of Dresden. Consequently, he was arrested and charged with ‘libelling’. Depending on the reference to conflicting social and legal norms, he had therefore been either threatened with corporal punishment including his execution, or rewarded with laudations. In this case, the act of libelling could be seen as slander, but also as a service to the community, which Langener had informed about potentially harmful transgression of norms. While the common good was the highest maxim, different and sometimes conflicting legally protected interests had to be discussed. The situational decision depended on whether the articulated charges where true and relevant for the public, on the invective language, and especially on the quality and size of the public sphere reached by the libel.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


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