scholarly journals La construcción de lo inefable

2015 ◽  
Author(s):  
Alfredo Baladron Carrizo
Keyword(s):  
Le Corbusier ◽  
Second World War ◽  
World War ◽  
The Arts ◽  
Palabras Clave ◽  
The Common ◽  
The One ◽  
Second World ◽  
Working Out ◽  
Common Target

Resumen: La caja B3-7 de la Fondation Le Corbusier recibe el nombre de “Ouvrage: L’Espace indicible”, y contiene los documentos relativos a un libro, nunca publicado, sobre el que Le Corbusier estuvo trabajando desde 1953 hasta 1961. Ante una nueva era que comenzaba tras la II Guerra Mundial, expresaba la voluntad de una nueva forma de apropiación del espacio por medio de la Síntesis de las Artes en búsqueda de la emoción estética. La búsqueda de lo inefable se convirtió en el objetivo común del proceso creativo de todas las disciplinas artísticas que practicó. Un concepto que va más allá del formulado en los «Cinco puntos para una nueva arquitectura», y que hace necesario el conocimiento del mismo para completar la comprensión de su obra. Pero, ¿cómo explicar aquello que no puede ser contado por medio de la palabra? Esto solo es posible a través de su forma de entender el Arte, la ‘manière de faire’, cuyo fin es provocar una emoción inexpresable. En este artículo se pretende mostrar la relevancia del concepto de espacio inefable en la obra de Le Corbusier mediante un análisis de los documentos de la caja FLC B3-7, así como de la obra arquitectónica y plástica en la época en la que trabajó sobre este concepto. Se establecerá un diálogo entre los procesos técnicos (tekné) y los procesos del pensamiento (logos) de este periodo para exponer los elementos que utilizó para construir lo inefable. Abstract: The box B3-7 at the Fondation Le Corbusier is named “Ouvrage: L’Espace indicible”. It contains several documents related to an unpublished book that Le Corbusier was working out since 1953 until 1961. After the Second World War, he shows a new way of taking possession of space throughout the Synthesis of the Arts, and looking for the aesthetical emotion. The search for the ineffable became the common target of the creative process of different art disciplines. A new concept of space beyond the one generated by the “Five points for a new architecture”, that it is necessary to know to understand his work. But, how to explain something that it is not possible to be describe by words? This is only possible by his understanding of the Art,‘ la manière de faire’, which its goal is to provoke an inexpressible emotion. This article try to show the relevance of the concept of ineffable space in the work of Le Corbusier by the analysis of the documents of the box FLC B3-7, as well as the architectural and plastic work that treats this concept. It will be established a dialogue between technical processes (tekné) and thinking processes (logos) during this period to expose the elements used by him to build the ineffable.  Palabras clave: Le Corbusier; inefable; emoción; arte; espacio; Síntesis. Keywords: Le Corbusier; ineffable; emotion; art; space; Synthesis. DOI: http://dx.doi.org/10.4995/LC2015.2015.674

scholarly journals The Image of The Second World War as a Factor in the Formation of Contemporary European Identity

2020 ◽  
pp. 217-226
Author(s):  
Yuri Denisov ◽  
Keyword(s):  
Second World War ◽  
Global Network ◽  
Steady Increase ◽  
European Identity ◽  
Past Century ◽  
World War ◽  
The Past ◽  
The Common ◽  
The One ◽  
Second World

The image of the Second world war is one of the most significant images of the past for the European identity. The purpose of this study is to analyze its potential for the formation of the modern European identity as a supranational construct. The results of the study showed the ambivalent nature of this potential. On the one hand, the image of the Second world war retains a sufficiently powerful unifying impulse. It is determined by the uniting role of the colossal tragedy, the common misfortune that befell Europe in the middle of the past century, its integrational significance for the beginning of joint efforts to build a single European community in order to prevent the recurrence of these events. Today, this momentum is realized through the preservation of European memory, the institutionalization of anniversaries, the broadcast of the memory of the war in the process of intergenerational communication in the functioning of the institutions of education and cultural environment as a whole, the articulation of traumatic memories in the political discourse. On the other hand, the image of World War Two has a serious deconsolidating charge for the common European identity. It is caused by contradictions in the European collective memory, which are more and more clearly manifested in the conditions of modern political conjuncture. The new technological revolution that has engulfed Europe, accompanied by a steady shift of communication practices into cyberspace and the emergence of the phenomenon of cyber-memory, changes the mechanisms of representation and reception of the image of the Second World War. In the presence of the Global Network, we observe a steady increase of not only the arsenal of means for the representation and visualization of the image of the past, making it more interactive, multimodal, multifaceted and simplified, but also of the number of actors of memory politics, taking part in the formation of the European identity, or rather — an unlimited set of identities.

La citoyenneté et la construction de l'Europe : discussions théoriques

Res Publica ◽  
1994 ◽  
Vol 36 (3-4) ◽  
pp. 361-380
Author(s):  
Paul Magnette
Keyword(s):  
Second World War ◽  
Point Of View ◽  
Nation State ◽  
The European Union ◽  
World War ◽  
Dual Nature ◽  
European Citizenship ◽  
History Of ◽  
The One ◽  
Second World

This paper examines the evolving ideological content of the concept of citizenship and particularly the challenges it faces as a consequence of the building of the European Union. From an epistemological point of view it is first argued that citizenship may be described as a dual concept: it is both a legal institution composed of the rights of the citizen as they are fixed at a certain moment of its history, and a normative ideal which embodies their political aspirations. As a result of this dual nature, citizenship is an essentially dynamicnotion, which is permanently evolving between a state of balance and change.  The history of this concept in contemporary political thought shows that, from the end of the second World War it had raised a synthesis of democratic, liberal and socialist values on the one hand, and that it was historically and logically bound to the Nation-State on the other hand. This double synthesis now seems to be contested, as the themes of the "crisis of the Nation State" and"crisis of the Welfare state" do indicate. The last part of this paper grapples with recent theoretical proposals of new forms of european citizenship, and argues that the concept of citizenship could be renovated and take its challenges into consideration by insisting on the duties and the procedures it contains.

Philosophical Ideas of Yanaihara Tadao:Nationalism, Pacifism and the Concept of the “Just War”

2021 ◽  
pp. 187-197
Author(s):  
Anna D. Bertova ◽  
Keyword(s):  
Just War ◽  
Second World War ◽  
Point Of View ◽  
The Other ◽  
Historical Period ◽  
World War ◽  
Postwar Japan ◽  
State Of Affairs ◽  
The One ◽  
Second World

Prominent Japanese economist, specialist in colonial politics, a professor of Im­perial Tokyo University, Yanaihara Tadao (1893‒1961) was one of a few people who dared to oppose the aggressive policy of Japanese government before and during the Second World War. He developed his own view of patriotism and na­tionalism, regarding as a true patriot a person who wished for the moral develop­ment of his or her country and fought the injustice. In the years leading up to the war he stated the necessity of pacifism, calling every war evil in the ultimate, divine sense, developing at the same time the concept of the «just war» (gisen­ron), which can be considered good seen from the point of view of this, imper­fect life. Yanaihara’s theory of pacifism is, on one hand, the continuation of the one proposed by his spiritual teacher, the founder of the Non-Church movement, Uchimura Kanzo (1861‒1930); one the other hand, being a person of different historical period, directly witnessing the boundless spread of Japanese militarism and enormous hardships brought by the war, Yanaihara introduced a number of corrections to the idealistic theory of his teacher and proposed quite a specific explanation of the international situation and the state of affairs in Japan. Yanai­hara’s philosophical concepts influenced greatly both his contemporaries and successors of the pacifist ideas in postwar Japan, and contributed to the dis­cussion about interrelations of pacifism and patriotism, and also patriotism and religion.

Brazilian historiography on the participation of the USSR in the Second World War

2021 ◽  
pp. 97
Author(s):  
Boris Martynov
Keyword(s):  
Soviet Union ◽  
Second World War ◽  
World War ◽  
Correct Treatment ◽  
The Soviet Union ◽  
The People ◽  
International Authority ◽  
The Common ◽  
The Baltic ◽  
Second World

The article deals with the evolution of views of the Brazilian authors on the role, played by the Soviet Union in the WWII and its contribution to the victory of the anti-Hitlerian coalition. It contains a historiographical review of the works, written by the Brazilian authors on the theme, beginning from 2004. One follows the process of their growing interest towards clarifying the real contribution of the Soviet part to the common victory, along with the rise of the international authority of Brazil and strengthening of the Russo – Brazilian ties. One reveals the modern attitude of Brazilian authors towards such dubious or scarcely known themes as the Molotov – Ribbentrop pact, the battles for Smolensk and Rhzev, town–bound fights in Stalingrad, liberation of the Baltic republics, the Soviet war with Japan, etc. The author comes to conclusion, that in spite of the Western efforts to infuse the people`s conscience with the elements of the “post – truth” in this respect, the correct treatment of those events acquires priority even in such a far off from Russia state, as Brazil.

scholarly journals Ética y nihilismo. A propósito de "On Contemporary Nihilism" de Aron Gurwitsch

1970 ◽  
Vol 7 ◽  
Author(s):  
Jesús M. Díaz Álvarez
Keyword(s):  
Second World War ◽  
Human Being ◽  
World War ◽  
The West ◽  
Common Base ◽  
Long Time ◽  
The Common ◽  
Aron Gurwitsch ◽  
Second World

RESUMENEl presente artículo es una exposición reflexiva del texto de Aron Gurwitsch "On Contemporary Nihilism". Escrito en plena conflagración mundial, su intención última es mostrar que el nihilismo, en tanto que fenómeno que define la situación de occidente desde el declive de las ideas racionalistas, es el sustrato común, la base de la que van a emerger, por un lado, el "nihilismo epistemológico", que afecta a los diferentes saberes (teóricos y prácticos), y, por el otro, el terrible hecho del totalitarismo. Frente a esta situación, Gurwitsch defenderá que la única manera de salir del nihilismo y recuperar la cordura y la dignidad del ser humano es volviendo a reactivar, en el sentido husserliano, el ideal racionalista, el famoso dar y recibir razones con el que un día nació la filosofía en Grecia.PALABRAS CLAVENIHILISMO-TOTALITARSMO-RACIONALIDAD-ABSOLUTOABTRACTThis article is an expostion and a reflection on Aron Gurwitsch´s "On Contemporary Nihilism". He worte this text during the Second World War and his ultimate intention was to show that nihilism, as the fact which defined the situation of the West since the decline of the rationalistic ideas, was the common base from which two phenomena arose. The first of them is the "epistemological nihilism", which affects our theoretical and practical disciplines. The second one is the terrible fact of totalitarianism. Taking this situation into account, Gurwitsch will maintain that the only way to overcome hilism and to recover the dignity of the human being is through the re-activation, in the husserlian sense, of the rationalist ideal, the famous "lógon diadónai" with which a long time ago philosophy was born in Greece.KEYWORDSNIHILISM-TOTALITARISM-RATIONALITY-ABSOLUTE

scholarly journals Clausewitz and la pensée 681*

2018 ◽  
Vol 1 (1) ◽  
pp. 49-59
Author(s):  
Éric Alliez ◽  
Maurizio Lazzarato
Keyword(s):  
Gilles Deleuze ◽  
Second World War ◽  
The Other ◽  
Constitutive Relationship ◽  
Felix Guattari ◽  
World War ◽  
Radical Critique ◽  
Revolutionary Movements ◽  
The One ◽  
Second World

Abstract In the aftermath of the Second World War, revolutionary movements remained dependent on Leninist theories and practices in their attempts to grasp the new relationship between war and capital. Yet these theories and practices failed to address the global “cold civil war” represented by the events of 1968. This article will show that in the 1970s this task was not undertaken by “professional revolutionaries” or in their Maoist discourse of “protracted war” and its “generalized Clauzewitzian strategy.” Rather, the problem was addressed by Michel Foucault, on the one hand, and Gilles Deleuze and Félix Guattari, on the other. Each produced a radical break in the conception of war and of its constitutive relationship with capitalism, taking up the confrontation with Clausewitz to reverse the famous formula such that war was not to be understood as the continuation of politics (which determines its ends). Politics was, on the contrary, to be understood as an element and strategic modality of the whole constituted by war. The ambition of la pensée 68, as represented by Foucault and Deleuze and Guattari, was not to make this reversal into a simple permutation of the formula's terms, but rather to develop a radical critique of the concepts of “war” and “politics” presupposed by Clausewitz's formula.

scholarly journals A Rest in the West. Translation of Modernity and Modernism in William Heinesen's „Grylen“ / Týðing av moderniteti og modernismu í „Grylen” eftir William Heinesen

2017 ◽  
Vol 59 ◽  
pp. 87
Author(s):  
Bergur Rønne Moberg
Keyword(s):  
Short Story ◽  
Oral Tradition ◽  
Second World War ◽  
Faroe Island ◽  
World War ◽  
Modern Fiction ◽  
The One ◽  
A Minor ◽  
Second World ◽  
Complex Question

<p><strong>Úrtak</strong></p><p>Greinin viðger ‘týðingar’spurdómar í stuttsøguni „Grylen“ (1957) eftir William Heinesen. Søgan tekur støði í einum elligomlum føstulávintssiði í Føroyum – at ganga grýla – sum doyði út beint fyri seinna heimsbardaga. Í søguni hjá Williami verður grýlan til ein dionýsiskan figur kallaður Grylen, sum er ólýsandi og ímyndar orðloysi. Greinin vísir, hvussu metatilvitaða frásøgufólkið letur seg hugkveikja av hesum fyribrigdi  við  áhaldandi at umringja tað við nýggjum myndum. Týdda grýlan verður greinað sum 1) eitt ontologiskt tulkingartilvitað frásøgufólk og sum 2) eitt eyðkenni við bókmentamentan í  útjaðaranum. Stuttsøgan fær skap sum ein navngevingargongd av einari undantaksveru, og tað er við støði í hesum botnloysi, at frásøgufólkið tulkar og týðir grýluna til eitt listaligt úttrykk. Grylen umboðar eina rest, sum dregur seg undan modernaðum mannagongdum. Við støði í hugsanum hjá Franco Moretti og Andreas Huyssen verður týðingin samstundis knýtt at landafrøðiliga útjaðaranum, sum skapar ein serligan tørv á týðing í royndini at minka um munin millum ‘miðdepil’ og ‘útjaðara’. Í hesum samteksti umboðar Grylen og oyggin Stapa eitt mentanarligt eftirsleip, sum verður gjørt til eina styrki. Hetta ’writing back’ brúkar føroyskan miðaldarsið og fornaldarligt evni sum Dionysos til at seta spurning við hegemoniska(n) modernitet og modernismu og við hvat er miðdepil og hvat er útjaðari.</p><p><strong> </strong></p><p><strong>A</strong><strong>bstract</strong></p><p>This analysis addresses the issue of translation in William Heinesen’s short story „Grylen“ (1957). It is a story of an old Dionysiac Faroese ritual, which died out around The Second World War. The narrator sets himself the task of transplanting this Dionysos into modern fiction.  Due  to  the  muteness  of  the  Gryla the literary connection to the myth can only be established by virtue of interpretation as demonstrated as an explicit mediation of the mythical silence. The muteness appear as a matter of interpretation while being encircled in  conflicting  images.  Focus  is  partly  given on the interpreted Gryla as a complex question of ontological interpretation and partly as an expression of cultural translation linked to aesthetic development in the geographical periphery. Due to the muteness of the Gryla, the whole story appears as a course of naming the nameless forces that work within Dunald, who is the one having the Gryla. Based on Franco Moretti’s og Andreas Huyssen’s notion of ‘centre and periphery’, the question of translation is connected to the Faroe Island as a non­metropolitan culture. Due to the cultural backlog in the periphery there is a special need for translations caused by the discrepancy between the trans­atlantic modernity and a minor culture as the Faroese still close to nature and the oral tradition. In response to the cultural backlog the dynamics of translation become a privileged perspective creating connections between   modern   and   premodern   aspects. The Faroese reaction represents an alternative modernity and an alternative (geo)modernism writing back to a rule­based hegemonic modernity an modernism in order to give an account of the encounter with another world, which evades direct contact and brings into question what is periphery and what is centre.</p><p> </p>

The Belgian national past: Between commemoration and silence

2011 ◽  
Vol 5 (1) ◽  
pp. 45-57 ◽  
Author(s):  
Valerie Rosoux ◽  
Laurence van Ypersele
Keyword(s):  
First World War ◽  
Second World War ◽  
The Other ◽  
World War ◽  
The Past ◽  
The First World War ◽  
The One ◽  
Memory Conflicts ◽  
Second World ◽  
First World

This article examines the gradual deconstruction of the Belgian national identity. Is it possible to speak of a de facto differentiation or even ‘federalization’ of the so-called ‘national past’ in Belgium? How do Belgians choose to remember and forget this past? To contribute to an understanding of these issues, the article considers two very different episodes of Belgian history, namely the First World War and the colonization of the Congo. On the one hand, the memory of the First World War appears to provide the template for memory conflicts in Belgium, and thus informs the memories of other tragedies such as the Second World War. On the other hand, the memory of the colonial past remains much more consensual – providing a more nuanced picture of competing views on the past. Beyond the differences between the ways in which these episodes are officially portrayed, the same fundamental trend may be observed: the gradual fragmentation of a supposedly smooth and reliable national version of history.

The Etappe Kanaren: A case study of the secret supply of the German Navy in Spain during the Second World War

2018 ◽  
Vol 30 (3) ◽  
pp. 472-487 ◽  
Author(s):  
Juan J. Díaz Benítez
Keyword(s):  
Active Role ◽  
Second World War ◽  
Primary Sources ◽  
World War ◽  
The One ◽  
Intense Activity ◽  
German Navy ◽  
Second World

The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.

A (Non)Existing Language – Serbo-Croatian after WWII

2021 ◽  
Vol 30 (1) ◽  
pp. 233-243
Author(s):  
Pavel Krejčí ◽  
Elena Krejčová ◽  
Nadezhda Stalyanova
Keyword(s):  
Mother Tongue ◽  
Second World War ◽  
Decisive Factor ◽  
Common Language ◽  
World War ◽  
The Common ◽  
Novi Sad ◽  
Second World

After the Second World War, Serbo-Croatian was formally declared on the basis of the so-called Novi Sad Agreement (1954). Its demise is connected to the demise of the Yu-goslav Federation (1992). The sociological, historical, political and ideological rea-sons of the rejection of this glossonym (and with it the rejection of the common lan-guage) were clearly the decisive factor, but they were not always the same. The Serbs, Croats, Bosniaks and Montenegrins had specific reasons for this. These reasons can be revealed, inter alia, by analyzing a number of declarative, proclaiming, explanatory, defending, shorter or longer texts on the language generated by all the above-mentioned national communities which used Serbo-Croatian as their first (mother) tongue after 1990. The most recent Declaration on the Common Language (2017) is unique in this sense.

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