Paisagem e deriva no cinema de Clint Eastwood: décadas de 70, 80 e 90

2021 ◽  
Author(s):  
D. MARINS
Keyword(s):  
Clint Eastwood

American Director: The Mythopoesis of Clint Eastwood

PsycCRITIQUES ◽  
2015 ◽  
Vol 60 (21) ◽  
Author(s):  
David Manier
Keyword(s):  
Clint Eastwood

scholarly journals El concepto de estilema de autor en el cine: los casos de Steven Speilberg, John McTiernan y Clint Eastwood

2013 ◽  
Vol 19 (0) ◽  
Author(s):  
David Caldevilla Domínguez ◽  
José Rodríguez Terceño ◽  
Juan Enrique Gonzálvez Vallés
Keyword(s):  
Clint Eastwood

The Bridges of Madison County dir. Clint Eastwood

2021 ◽  
Vol 7 (2) ◽  
pp. 125-127
Author(s):  
Neepa Sarkar
Keyword(s):  
Madison County ◽  
Clint Eastwood

scholarly journals Green Persuasion: Advertising, Voluntarism, and America’s Public Lands

2021 ◽  
Author(s):  
Jeffrey K. Stine
Keyword(s):  
Public Service ◽  
Reagan Administration ◽  
Public Lands ◽  
The United States ◽  
Public Service Announcements ◽  
Fire Prevention ◽  
Clint Eastwood ◽  
Political Choices ◽  
Environmental Causes ◽  
The U.S

Green Persuasion traces the history and evolution of volunteer-based public lands stewardship in the United States as well as the Advertising Council’s work promoting environmental causes, such as the Smokey Bear fire prevention and the Keep America Beautiful campaigns. The Take Pride in America program, developed during the Reagan administration, was revised, neglected, and readopted by subsequent presidencies. Working with the U.S. Department of the Interior, the Ad Council enlivened the Take Pride initiative with public service announcements featuring celebrity spokespersons Clint Eastwood, Charles Bronson, and Louis Gossett Jr. Green Persuasion offers valuable insights into how and why Americans have expressed care of the nation’s landed inheritance in their collective political choices.

Last Supper

Frenzy ◽  
2018 ◽  
pp. 87-88
Author(s):  
Ian Cooper
Keyword(s):  
Sexual Violence ◽  
Northern California ◽  
Clint Eastwood ◽  
Last Supper

This chapter looks at Alfred Hitchcock's last finished film, Family Plot (1976). Family Plot is an amusing light-hearted mystery which saw the Master return to sunnier climes (Northern California). But the notion that Hitchcock was mellowing is a false one. The last film he worked on, abandoned due to his failing health, was to be The Short Night. Based on the story of the escaped spy George Blake, starring Sean Connery, Clint Eastwood, or Walter Matthau playing opposite Liv Ullmann or Catherine Deneuve and set in London and Finland, the script was to be written by Ernest Lehman, the screenwriter of North by Northwest (1959). However, Lehman left the project over Hitchcock's desire to include a graphic rape scene. This is history repeating itself, as a similar row about sexual violence had led The Birds (1963) screenwriter Evan Hunter to walk out on Marnie (1964).

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