scholarly journals Komitas – An Icon in Armenian Music

2020 ◽  
Vol 35 (1) ◽  
pp. 82-92
Author(s):  
Agota Bodurian ◽  
Keyword(s):  
Twentieth Century ◽  
Folk Music ◽  
Geographical Distance ◽  
150Th Anniversary ◽  
Armenian Music ◽  
Long Time

Although the 150th anniversary of the birth of the great Armenian composer, Komitas – celebrated with great respect in Armenian communities everywhere – took place last year, we believe that the importance of the work of this icon in Armenian music deserves and must be mentioned in any period. The author of this study has been concerned with the issue of Armenian music for a long time. During the in-depth studies in the field, the conviction of the need to talk about Armenian music – very little known in Europe – and about its famous representatives, of which the most important was and still is Komitas, was strengthened. At the same time, studying the life and work of this outstanding composer, the similarity of his life and career with that of Bartók Béla, sometimes even surprising, arose several times, despite the great geographical distance that separated them. In this article we will try to briefly present the biography and creation of the great Komitas, as well as some parallel elements in terms of life, research and works of the two composers, musicologists and ethnographers. Belonging to the same generation of musicians, they dedicated their lives to collecting, researching and processing authentic folk music, being concerned not only with the folklore of their own nation, but also with the music of neighbouring peoples. The activity and research of the two present remarkable similarities, and through their compositional activity they both succeeded in opening new perspectives, decisive for their descendants, the generations of composers of the twentieth century.

Marie Ulčová and her Contribution to the West Bohemian Museums

2018 ◽  
Vol 56 (1) ◽  
pp. 13-23
Author(s):  
Nela Štorková
Keyword(s):  
Twentieth Century ◽  
Second World War ◽  
World War ◽  
The West ◽  
West Bohemia ◽  
Long Time ◽  
Second World

While today the Ethnographic Museum of the Pilsen Region represents just one of the departments of the Museum of West Bohemia in Pilsen, at the beginning of the twentieth century, in 1915, it emerged as an independent institution devoted to a study of life in the Pilsen region. Ladislav Lábek, the founder and long-time director, bears the greatest credit for this museum. This study presents PhDr. Marie Ulčová, who joined the museum shortly after the Second World War and in 1963 replaced Mr. Lábek on his imaginary throne. The main objective of this article is to introduce the personality of Marie Ulčová and to evaluate the activity of this Pilsen ethnographer and the museum employee with an emphasis on her work in the Ethnographic Museum of the Pilsen Region. The basic aspects of the ethnographic activities, not only of Marie Ulčová but also of the Ethnographic Museum of the Pilsen Region in the years 1963–1988, are described through her professional and popularising articles, archival sources and contemporary periodicals.

MUSEUM OF ARCHEOLOGY AND ETHNOGRAPHY OF THE IEI UFRC RAS: CREATION AND DEVELOPMENT

2021 ◽  
Vol 0 (3) ◽  
pp. 103-112
Author(s):  
R.M. MUKHAMETZYANOVA-DUGGAL ◽  
◽  
D.A. KAMALETDINOV ◽  
Keyword(s):  
Twentieth Century ◽  
Significant Contribution ◽  
Southern Urals ◽  
Project Work ◽  
Ethnographic Research ◽  
Historical Science ◽  
The Southern Urals ◽  
Research Activities ◽  
Long Time ◽  
The Subject

The subject of the research is the experience of creating and functioning of the Museum of Archeology and Ethnography of the R.G. Kuzeev Institute of Ethnological Research of the UFRC RAS (MAE IEI UFRC RAS), which is an integral part of the academic museum network formed in the second half of the twentieth century. For a long time, the museum has been exhibiting objects that demonstrate the results of archaeological and ethnographic research in the field of studying the history and culture of the peoples of the Southern Urals. The purpose of this article is to provide a brief overview of the creation of the museum, to consider its development to date; to analyze the main directions of work and the results of museum activities, as well as to determine the specifics and prospects for the development of museum activities of the IEI of the UFRC RAS. In the course of the research, the names of scientists and specialists who participated in the formation of collections are named, information about the acquisition of museum funds and state accounting of objects is provided, the features of exposition activity are highlighted, the most interesting exhibitions and current work in this direction are noted, the implementation of excursion activities is shown, the results of project work are highlighted and the most significant projects are described. Attention is also paid to the results of research activities based on archaeological and ethnographic funds, since this work makes a significant contribution to the development of historical science.

Regarding Electronic Music

Tempo ◽  
1966 ◽  
pp. 2-11 ◽  
Author(s):  
Aurelio de la Vega
Keyword(s):  
Twentieth Century ◽  
Electronic Music ◽  
Aesthetic Experience ◽  
The Other ◽  
Musical Composition ◽  
Electronic Medium ◽  
The Public ◽  
The World ◽  
Twentieth Century Music ◽  
Long Time

For a long time now—long when we consider the quick, changing time-scale of our days—electronic music has been with us. The public at large usually remains cold, confused or merely dazed when faced with any new aesthetic experience. Critics, musicologists and the like still seem, as usual, to be unable to predict what will happen to this peculiar, mysterious and often anathematized way of handling musical composition, while many traditionally-minded composers consider it a degrading destruction of the art of music. On the other hand, the electronic medium seems to attract a long, motley caravan of young, inexperienced and often unprepared ‘beatnik type’ self-titled composers, who believe that the world began yesterday and that you only have to push buttons and prepare IBM cards to obtain magical results. Probably not since Schoenberg proclaimed the equal value of the twelve semitones of our sacred but by now obsolete tempered scale has twentieth-century music been faced with such a bewilderment.

scholarly journals Algemene aannemers in de Belgische bouwsector (1870-1970)

1970 ◽  
Vol 71 ◽  
pp. 69-84
Author(s):  
Jelena Dobbels
Keyword(s):  
Twentieth Century ◽  
Job Responsibilities ◽  
Gradual Shift ◽  
General Contractors ◽  
Long Time ◽  
The 1960S

The turn of the twentieth century was a tuming point for the Belgian construction sector.The emergence of general contractors enacted a re-examination of job responsibilitiesamong general contractors, architects and engineers. This paper analyses how Belgiangeneral contractors claimed their new position as organisers and executors ofconstruction, and how they interacted with other construction actors. The analysis showsit took a long time to capture the gradual shift of tasks legally, started in the 1890s yetonly finalized by the 1960s. This slow legislative adaptation gave rise to many conflictson job responsibilities, yet also collaborative actions were undertaken. This allows us toconclude that general contractors, architects and engineers mainly engaged in conversationwith each other in order to identify and outline their changing functions andresponsibilities.

‘National Dignity’ and ‘Spiritual Reintegration’: The Discovery and Presentation of Jewish Folk Music in Germany

Jewishness ◽  
2008 ◽  
pp. 105-130
Author(s):  
Jascha Nemtsov
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Folk Music ◽  
Folk Song ◽  
Martin Buber ◽  
Cultural Divide ◽  
Jewish Thought ◽  
East And West ◽  
West European ◽  
Modern Jewish Thought

This chapter details how Jewish folk music was presented as high art to concert audiences in early twentieth-century Germany and how that strategy was criticized. In January of 1901, the first issue of the journal Ost und West (East and West) appeared in Berlin. It served as the most important organ of cultural Zionism for the next two decades, and, as its title suggests, it attempted to bridge the cultural divide between east and west European Jews with the aim of creating an ethnic nationalist goal. The first issue contained, among other things, an article by the renowned Jewish philosopher Martin Buber entitled ‘Jewish Renaissance’ — a term that was to characterize this movement. Critical to this renaissance was the establishment of a common spirit binding a modern nation. Although based in Germany, the leaders of the movement envisioned that this spirit would be found in the ‘authentic folk’ of eastern Europe and the ethno-poetry of the folk song. The chapter then uncovers the often overlooked story of these leaders, particularly Leo Winz and Fritz Mordechai Kaufmann, and the significance of their renaissance movement for modern Jewish thought and culture.

Piecing Together a Past

2015 ◽  
Author(s):  
Richard Bradley
Keyword(s):  
Twentieth Century ◽  
Present Account ◽  
The Past ◽  
Single Period ◽  
Previous Decade ◽  
Long Time ◽  
Single Method ◽  
Century Thought ◽  
With Memory ◽  
As If

Piecing Together the Past was one of the last books by Gordon Childe. It was published in 1955 and drew on a series of lectures he had given over the previous decade. Every chapter asked a question. The most difficult was: ‘What happened in prehistory?’ There might be disagreements over particular answers, but they would be based on a single method of analysis, for it seemed as if there was only one past to study. The authors of the present volume take a different view, for, no matter which monuments they consider, they find evidence of many separate pasts. Some of those histories were invoked at different times, and others were advocated simultaneously but by different groups of people. There was far more diversity than Childe allowed. It may have happened because his account was concerned exclusively with prehistory and with its significance for twentieth-century thought. What took place in between was overlooked, for in 1955 few scholars envisaged a past within the past. Those who did so were more concerned with the development of archaeology as a discipline. Childe’s procedure was like that of field projects which disregard later structures to focus on a single period. Childe was concerned with artefacts as well as monuments, but the present account considers the evidence of buildings and related structures. It is a vital distinction. Small objects might have been discovered by chance or could have circulated for a long time as heirlooms. Monuments, however, were impossible to overlook. They might be ignored as unacceptable beliefs were rejected, they might even be destroyed, but in every case their presence demanded some response. It is conventional to associate monuments with memory, as that invokes the Latin verb monere, to remind. This equation is problematical. It is implausible that a single version of the past would remain unaltered for long and more likely that it was revised as circumstances changed. At the same time, forgetting is an important cultural process (Forty and Küchler 1999) and ideas could lose their force surprisingly quickly.

Conspiracy Theory

2018 ◽  
pp. 62-81 ◽  
Author(s):  
Andrew McKenzie-McHarg
Keyword(s):  
Twentieth Century ◽  
Conspiracy Theory ◽  
Karl Popper ◽  
Open Society ◽  
Conspiracy Theories ◽  
Exact Answer ◽  
Long Time ◽  
The Moment

Conspiracy theories have been around for a long time, though how long is a matter of debate. As for the concept of conspiracy theory, it might seem reasonable to expect a more exact answer about the moment of its emergence. When do we first find people talking and writing about conspiracy theories? While much of the literature points to the twentieth-century philosopher Karl Popper and his famous work The Open Society and Its Enemies (1st edition: 1945), newspaper databases allow us to locate earlier occurrences of “conspiracy theory.” They reveal that the term proliferates in newspapers from the 1870s onward, particularly after the assassination of President Garfield in July 1881. What can this discovery then tell us about the modern-day phenomenon of conspiracy theories?

scholarly journals La métrica de Andrés Bello

2015 ◽  
pp. 211
Author(s):  
Esteban Torre
Keyword(s):  
Twentieth Century ◽  
Comparative Analysis ◽  
150Th Anniversary ◽  
Andres Bello ◽  
Point Of Departure

El 15 de octubre de 2015 se cumplen 150 años de la muerte de Andrés Bello. En este trabajo –homenaje a la obra del ilustre filólogo venezolano– se estudia su original doctrina sobre la cantidad silábica, así como su concepción del verso como unidad rítmica, delimitada por la pausa final. Se lleva a cabo un detenido análisis comparativo con las ideas métricas de diversos autores de los siglos XIX y XX, partiendo de los precedentes de los siglos XV-XVIII.October 15th, 2015, marks the 150th anniversary of the death of Andrés Bello. In this tribute study of the work of the prestigious Venezuelan philologist, his individualistic doctrine on syllabic quantity is analyzed, together with his conception of the verse-line as a rhythmic unit marked off by an end-pause. A close comparative analysis is undertaken with the ideas on meter of a range of nineteenth and twentieth-century authors, while using as a point of departure those who belong to the period spanning the fifteenth to the eighteenth centuries.

Idiocy and Forlorn Features in Samuel Beckett’s Play “Waiting for Godot”

2019 ◽  
Vol 11 (1) ◽  
pp. 151
Author(s):  
Mohammad Owais Khan ◽  
Saudi Arabia
Keyword(s):  
Twentieth Century ◽  
The World ◽  
Waiting For Godot ◽  
Long Time ◽  
To Come ◽  
Special Language

The aim of this paper is to express the idiocy and forlorn elements in Samuel Beckett’s play ‘Waiting for Godot’. To achieve the goals of the research, it is necessary to investigate deeply a blend of comic and pathos involved in the play. These elements are: first, the idiocy which basically depends on the special language of the play, the pitiful and deplorable elements and the use of irony and satire. The play was written in 1949, translated into many languages and it is still performed in many countries all around the world. Waiting for Godot is hailed as one of the masterpieces of the theatre of absurd. With the manifestation of this play on the horizon there came a revolution in the theatre of the twentieth century that was to continue for a long time to come and influence many writers thereafter. Beckett shades light on the sociological and moralistic perspective with the tinge of humour and pathos. His excellent imagination and literary skill create an unforgettable imprint in the minds of his readers. 

scholarly journals Immigration and Child Mortality: Lessons from the United States at the Turn of the Twentieth Century

2020 ◽  
Vol 44 (1) ◽  
pp. 57-89 ◽  
Author(s):  
Martin Dribe ◽  
J. David Hacker ◽  
Francesco Scalone
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Child Mortality ◽  
Census Data ◽  
The United States ◽  
Substantial Part ◽  
White Population ◽  
Socioeconomic Integration ◽  
Integration Of Immigrants ◽  
Long Time

ABSTRACTThe societal integration of immigrants is a great concern in many of today’s Western societies, and has been so for a long time. Whether we look at Europe in 2015 or the United States at the turn of the twentieth century, large flows of immigrants pose challenges to receiving societies. While much research has focused on the socioeconomic integration of immigrants there has been less interest in their demographic integration, even though this can tell us as much about the way immigrants fare in their new home country. In this article we study the disparities in infant and child mortality across nativity groups and generations, using new, high-density census data. In addition to describing differentials and trends in child mortality among 14 immigrant groups relative to the native-born white population of native parentage, we focus special attention on the association between child mortality, immigrant assimilation, and the community-level context of where immigrants lived. Our findings indicate substantial nativity differences in child mortality, but also that factors related to the societal integration of immigrants explains a substantial part of these differentials. Our results also point to the importance of spatial patterns and contextual variables in understanding nativity differentials in child mortality.

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