scholarly journals The Anti-city. Gurgaon and its villages

2019 ◽  
Author(s):  
Soumya S Warrier ◽  
◽  

Today is a time of unprecedented growth — of shaping newer and ever changing environments around. Issues and shortcomings of rapid urbanisation offer opportunity grounds for architecture and planning, in this changing maze of activities. The paradigm shifts in the way how people see spaces, and how professionals see the same, are exposing and challenging the architect and urban designer to current harsh realities. India has been home to the earliest of civilisations and growth. Its intense engagement with the other continents have shaped and reshaped its culture and political ideas. With ginormous populations, extraordinary cultural mixes and rising economies, some of its regions are sites of intense action. This stage of intense fluctuation and turbulence demands reflection on how they have shaped (or are shaping) our relationships, societies and human exchanges. One is also forced to ask questions as to whether the existing knowledge capacities are enough to help manage and intervene these situations. It’s time we decoded our development trajectory and identified the fault lines so as to aim for a favourable projected future.

2011 ◽  
Vol 52 (1-4) ◽  
pp. 123-142
Author(s):  
Richard Taruskin

When Musorgsky revised his opera Boris Godunov in 1871–1872 as a condition for its eventual performance in 1874, he made many changes that went far beyond what the Imperial Theaters demanded of him. Among these changes was the composition of a crowd scene outside Moscow, in which the rebellious populace hails the Pretender, to replace a crowd scene at Red Square in which a submissive, hungry crowd beg Boris for bread. The original scene came, like the rest of the libretto, directly from Pushkin’s eponymous play. The new scene reflected a new view of the historical events, and Musorgsky wrote his own text for it. The two scenes are ideologically at odds, particularly as regards their view of the Russian nation in relation to the Russian people. Moreover, the two scenes share the episode of the Holy Fool and the thieving boys, which Musorgsky transferred from the one score to the other. Obviously, Musorgsky regarded them as incompatible within a single production and thought he had made conflating them impossible. And yet, at the Bolshoy Theater in 1939, the two scenes were indeed played that way, inconsistencies and redundancies be damned. The Bolshoy production (which became widely known through recordings and film) might be written off, the way we tend to write off the art of the Stalinist era, as a politically motivated anomaly. But other productions, including one in San Francisco in 1992, and one that was mounted in 2010 at the Teatro Regio in Torino, have included both scenes without any such evident motivation, possibly because the Bolshoy production is now regarded by some as canonical. Is the historiographical contradiction involving our theme of Opera and Nation to be regarded as a blemish? If not, what considerations can be seen to outweigh it? Can Musorgsky’s political ideas be deduced from the work in which we assume they are embodied? And if they can be, should they be regarded as an aspect of the work that performers need respect?


2011 ◽  
Vol 28 (2) ◽  
pp. 143-165 ◽  
Author(s):  
Richard Taruskin

When Musorgsky revised his opera Boris Godunov in 1871–72 as a condition for its eventual performance in 1874, he made many changes that went far beyond what the Imperial Theaters demanded of him. Among these changes was the composition of a crowd scene outside Moscow, in which the rebellious populace hails the Pretender, to replace a crowd scene at Red Square in which a submissive, hungry crowd begs Boris for bread. The original scene came, like the rest of the libretto, directly from Pushkin's eponymous play. The new scene reflected a new view of the historical events, and Musorgsky wrote his own text for it. The two scenes are ideologically at odds, particularly as regards their view of the Russian nation in relation to the Russian people. Moreover, the two scenes share the episode of the Holy Fool and the thieving boys, which Musorgsky transferred from the one score to the other. Obviously, Musorgsky regarded them as incompatible within a single production and thought he had made conflating them impossible. And yet, at the Bolshoy Theater, beginning in 1927, the two scenes have indeed been played that way, inconsistencies and redundancies be damned. The Bolshoy production of 1939 (which became widely known and influential through recordings and film) might be written off, the way we tend to write off the art of the Stalinist era, as a politically motivated anomaly. But many other productions and most recordings since 1948 have included both scenes without any such evident motivation, indicating that the Bolshoy production is now regarded as canonical. Is the historiographical contradiction involving the theme of the conference at which this article was first presented (“Opera and Nation,” Budapest 2010) to be regarded as a blemish? If not, what considerations can be seen to outweigh it? Can Musorgsky's political ideas be deduced from the work in which we assume they are embodied? And if they can be, should they be regarded as an aspect of the work that performers need respect?


2018 ◽  
Vol 1 (2) ◽  
pp. 60-72
Author(s):  
Mansour Safran

This aims to review and analyze the Jordanian experiment in the developmental regional planning field within the decentralized managerial methods, which is considered one of the primary basic provisions for applying and success of this kind of planning. The study shoed that Jordan has passed important steps in the way for implanting the decentralized administration, but these steps are still not enough to established the effective and active regional planning. The study reveled that there are many problems facing the decentralized regional planning in Jordan, despite of the clear goals that this planning is trying to achieve. These problems have resulted from the existing relationship between the decentralized administration process’ dimensions from one side, and between its levels which ranged from weak to medium decentralization from the other side, In spite of the official trends aiming at applying more of the decentralized administrative policies, still high portion of these procedures are theoretical, did not yet find a way to reality. Because any progress or success at the level of applying the decentralized administrative policies doubtless means greater effectiveness and influence on the development regional planning in life of the residents in the kingdom’s different regions. So, it is important to go a head in applying more steps and decentralized administrative procedures, gradually and continuously to guarantee the control over any negative effects that might result from Appling this kind of systems.   © 2018 JASET, International Scholars and Researchers Association


2015 ◽  
Vol 12 (2) ◽  
Author(s):  
Vidya Dwi Amalia Zati ◽  
Sumarsih Sumarsih ◽  
Lince Sihombing

The objectives of the research were to describe the types of speech acts used in televised political debates of governor candidates of North Sumatera, to derive the dominant type of speech acts used in televised political debates of governor candidates of North Sumatera and to elaborate the way of five governor candidates of North Sumatera use speech acts in televised political debates. This research was conducted by applying descriptive qualitative research. The findings show that there were only four types of speech acts used in televised political debates, Debat Pemilukada Sumatera Utara and Uji Publik Cagub dan Cawagub Sumatera Utara, they were assertives, directives, commissives and expressives. The dominant type of speech acts used in both televised political debates was assertives, with 82 utterances or 51.6% in Debat Pemilukada Sumatera Utara and 36 utterances or 41.37% in Uji Publik Cagub dan Cawagub Sumatera Utara. The way of governor candidates of North Sumatera used speech acts in televised political debates is in direct speech acts, they spoke straight to the point and clearly in order to make the other candidates and audiences understand their utterances.   Keywords: Governor Candidate; Political Debate; Speech Acts


2017 ◽  
Vol 5 (1) ◽  
pp. 165
Author(s):  
Assist. Prof. Dr. Kazım Yıldırım

The cultural environment of Ibn al-Arabi is in Andalusia, Spain today. There, on the one hand, Sufism, on the other hand, thinks like Ibn Bacce (Death.1138), Ibn Tufeyl (Death186), Ibn Rushd (Death.1198) and the knowledge and philosophy inherited by scholars, . Ibn al-Arabi (1165-1240), that was the effect of all this; But more mystic (mystic) circles came out of the way. This work, written by Ibn al-Arabi's works (especially Futuhati Mekkiye), also contains a very small number of other relevant sources.


Author(s):  
David Herman

With chapter 6 having described the way norms for mental-state ascriptions operate in a top-down manner in discourse domains, chapter 7 explores how individual narratives can in turn have a bottom-up impact on the ascriptive norms circulating within particular domains. To this end, the chapter discusses how Thalia Field’s 2010 experimental narrative Bird Lovers, Backyard employs a strategic oscillation between two nomenclatures that can be used to profile nonhuman as well as human behaviors: (1) the register of action, which characterizes behavior in terms of motivations, goals, and projects; and (2) the register of events, which characterizes behavior in terms of caused movements that have duration in time and direction in space. In braiding together these two registers, Field’s text suggests not only how discourse practices can be repatterned, but also how such repatterning enables broader paradigm shifts—in this case shifts in ways of understanding cross-species encounters and entanglements.


Author(s):  
James Gow
Keyword(s):  

This chapter considers Freedman’s contribution to scholarship and the nascent elements of a school of thought relevant to both academic and policy realms, as well as introducing a more skeptical and critical approach to the subject’s scholarship. It considers Freedman’s engagement with the policy world and why this has managed to be both extensive and successful, as well as its outcomes. It also introduces discussion of possible challenges to Freedman’s work, presenting a balancing perspective to positive appreciations of his oeuvre. The chapter concludes by indicating the weaknesses of such challenges and reaffirms the sense of a school of thought informed by a distinctive approach. This is the blend of scripturalism and constructivism, on one side, with realism, on the other, that is the hallmark of the nascent school, and the way in which it is germane in both academic and policy domains.


Author(s):  
Matthew Harries ◽  
Benedict Wilkinson

This chapter spans Freedman’s earliest focus on nuclear weapons and his development of strategic scripts as an analytical tool over three decades later. It discusses the way in which opposing logics of disarmament and armament co-existed in relation to nuclear weapons. It deploys the notion of strategic scripts to explain the contradictions inherent in approaches to nuclear disarmament, developing the concept of strategic scripts as it does so. The notion of scripts can be used to explore and even to promote nuclear disarmament. Two scripts, one of ‘stable reduction’, the other of ‘disarmament’, each serve to frame thinking. These scripts and the interactions they generate facilitate understanding of the way in which opposite instinctive reactions and, stemming from these, scripts about nuclear weapons co-exist, but are fragile as either an analytical or a strategic tool.


Author(s):  
Carol Bakhos ◽  
Michael Cook

The Introduction describes the way in which the volume originated and briefly surveys the chapters contained in it. Four chapters (by Joseph Witztum, Patricia Crone, Gerald Hawting, and Michael Cook) originate from papers delivered at the conference ‘Islam and its Past: Jahiliyya and Late Antiquity in the Qurʾan and Tradition’. The other four chapters (by Devin Stewart, Nicolai Sinai, Angelika Neuwirth, and Iwona Gajda) were not presented at this conference. All the chapters are concerned directly or indirectly with Islamic revelation, and for the most part with the Qurʾan. We live in a time when the study of the Qurʾan has been making a remarkable comeback after spending a generation on the backburner. This volume will give the interested reader a broad survey of what has been happening in the field and concrete illustrations of some of the more innovative lines of research that have recently been pursued.


Author(s):  
Lucas Champollion

This chapter models the relation between temporal aspect (run for an hour vs. *run all the way to the store for an hour) and spatial aspect (meander for a mile vs. *end for a mile) previously discussed by Gawron (2009). The chapter shows that for-adverbials impose analogous conditions on the spatial domain and on the temporal domain, and that an event may satisfy stratified reference with respect to one of the domains without satisfying it with respect to the other one as well. This provides the means to extend the telic-atelic opposition to the spatial domain. The chapter argues in some detail that stratified reference is in this respect empirically superior to an alternative view of telicity based on divisive reference (Krifka 1998).


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